The Scream Analysis

Like the painting, the sketch exhibits a number of West 's finest imaging and clearly and convincingly depicts all of the feeling of a frightful scene. The larger oil on canvas work isn 't one portrait, but rather, a

The artist paints many onlookers around the central group. Another noticeable difference in the two pictures is that Wolf includes women in his picture which relates back to his cultural understanding of Indians. Taylor’s picture is definitely representational while Wolf’s is abstract. John Taylor’s work is more realistic when compared to the art of Howling Wolf. Visualizing reality in the two pieces, is simple. Taylor has a much more realistic piece while Wolf’s abstract art, the viewer has a more difficult time visualizing the actual event. Wolf’s work, at first glance, appears to be childlike and he uses the bright primary colors while Taylor uses the black and white. The composition of the art work describes the arrangement of the visual elements of people, landscapes, space in the pictures and the organization of the elements. In Taylor’s work one finds the use balance and contrast to emphasize his black and white picture. However, Wolf uses color and form to generate a purposefully abstract picture. Thus, composition is the placement of the visual elements in each work of art.

Impressionism is an artistic style of painting that originated in France in the 1870s. This style of painting attempts to capture an experience or emotion opposed depicting a scene accurately. Every impressionistic painter has a distinct method of rendering as well as their own distinct set of qualities that reflect the artist themselves. For instance, The Basket Chair by Berthe Morisot and The Orange Trees by Gustave Caillebotte are two impressionist works of art of oils on canvas that contrast in many ways. These two paintings will be compared side by side with an in depth approach comparing the artist’s personal status in society, modernism’s role in the piece, and the execution of composition.

Then there are also many psychological lines to be seen in the work. One such line is of the woman and the floor, where she is staring down towards it. Another is from the young child and the store clerk, showing a defiance between the two. Next, light and value are not very contrasting in this painting, with only the basic highlights and the shadows seen. It isn’t completely contrasting or contradicting since the colors blend well together with close to the same value ranges, dark colors seen throughout except for the people’s pale faces. There also seems to be a variety of light sources since the woman’s face along with the shop clerk and the young boy’s is lit up by what seems to be a light bulb since they’re much brighter and highlighted and then the men and women in the back aren’t really as bright, except for the ones who close to the open door, creating a blue tinge from the outside light. The shapes shown through the painting is shown to be either very round or very geometrical. There are organic shapes in things such as the umbrella or even the back of the chair, but mostly it is either straight lines and geometrical shapes. The volume shown in the painting is very much implied, correctly showing the

Texture and pattern are very easy to identify in this painting. The street’s cobblestones show texture and pattern in the way that they are arranged. Texture is also demonstrated through the paint strokes on the buildings, the tree, and even the sky. These thick, uneven strokes add a layer of depth and texture to all elements of the painting.

The three most significant art principles I found in this painting are the contrast of the light and dark areas, the focal point being his aunt, and the sense of unity conveyed. The contrast of colors shows the natural cast of shadows within an

Two of the paintings I came across, Ludolf Backhuysen, Ships in a Stormy Sea off a Coast, and Philips Wouwerman, Stag Hunt in a River were very similar in many ways. First of all, they were both European art, they are both 200 plus years old, and they both show very hectic times. The first painting, Ships in a Stormy Sea, displays several ships, (although it is hard to see the other 4), being almost entirely swallowed by an angry, wavy ocean, during an extremely stormy journey. All of the ships are at different levels and some are leaned over, and tipped more than others, allowing the viewer to realize the true horror occurring in this painting. The amount of line that this artist uses in this painting is tremendous as well, as he presents plenty of diagonal lines throughout the painting, such as on all of the ships sails. This piece of art is extremely realistic and gives me chills when I imagine what these sailors must have been dealing with that night. Not only does this painting show a hectic time, but another painting titled, Stag Hunt in a River. This painting displays a village, in the mountains, lying on a river, where hunters, horses, and dogs of the village are attacking a deer that is attempting to escape from them. This painting seems to describe a very hectic time for everyone, as the dogs are desperately trying to do their job, the deer is attempting to escape, and the hunters are relying on the deer for their food. Although there are many obvious differences in these two paintings, the roles are reversed in the two, as in Ships in a Stormy Sea, nature is doing the damage, while the people are trying to avoid danger. On the other hand, Stag Hunt in a River, displays nature being attacked and endangered by the people themselves. My favorite

It seemed to me that I could hear the scream. I painted this picture; painted the clouds as real blood. The colors screamed" (Preble 52). Some people, when they look at this painting, only see

Although these paintings were painted two hundred and seventeen years apart, they share some similar artistic qualities, but they are not so similar as to be indistinguishable from their own time period. Both Jan Steen and Vincent Van Gogh paint subjects around the table with hats and head coverings, a vanity that seems to stretch through both time periods and up to the modern era as well. The visual textures of both paintings are very similar as well. Each painting gives the illusion of a soft table covering and hard surroundings. In each painting the subjects are enjoying a vice, smoking in The Merry Family and Coffee in The Potato Eaters. The focal point of both paintings is similar too. In each the viewer’s attention is pulled to the table itself and is hastening to observe the people gathered around it. That seems to be where the similarities stop. Jan Steen uses a warm palette with a daytime natural lighting that plays across the painting from the window. In contrast, Van Gogh uses a cool palette and paints his scene at night using the whispering light of an overhead lantern.

The work is very smooth and fluid making it appear much like a photograph. The oil is not built up on top of itself keeping it very two dimensional. The colors vary between dark and light throughout the painting. In the top right corner, the sun, outside the painting, shining down, aluminates the castle and also the lone tree at the bottom left corner. Besides the back cliff, the rest of the painting is in shadow and displayed in a much more melancholy tone. The colors that Cole focuses on, to display the sharp contrast between rock and nature, are mostly dark greens and gold. The striking blue of the river stands out dramatically from the rest of the colors and draws the eye after the initial citing. The grey in the cloud is the only place where I can find that shade of gray in the work, and it sets itself apart from the snow white clouds in the background. The color helps draw the eye immediately to the castle on the hill. My eyes then fallow the flow of the river down to the tree, which is illuminated by a beam of sunlight.

Both of these painting exude cool and warm colors since the blues and greens can be seen, as well as the reds and yellows in both images. Vertical poles in the Haystack seem to separate the painting which can also be seen in The Turning Road, which uses the trees as the vertical separation of the painting. In both paintings, the artists do not show where the curving road leads to, which allows your mind to wonder where you would end up if you walked along the paths, my guess is that the winding roads lead to the city and an urban lifestyle. The technique of shadowing can be seen in both of these paintings. The shadowing can be clearly seen in the realistic scene of the Haystack, and even though the painting of The Turning Road is not very realistic since it uses complementary colors for its’ shadowing technique, there is still a hint of realism portrayed in the image since the shadows are present. Even though these paintings come from different time periods and were created by two very different artists, Derain and Benton, they still share some resemblance and connection.

The most notable thing about being apart of Kappa Kappa Scream was the evolution of the script. With most plays the characters are already fully formed and it is the job of the actor to get into the mindset of the playwright, as well as the character, in order to decipher their characters past, present and future intentions. There cannot be a discussion about the evolution of the characters and their role in telling the story. For example, many production seem to play tug-of-war with Shakespeare's text, they have a relevant theme they want to extract from his text and sometimes they must alter his words or story. Unfortunately, he is not around to adjust his work personally for the intention of the play. When Drake had a hunch that Mercutio’s

Genre is a French word meaning ‘type or ‘kind’ (Genre, 2016). The film industry has been around for at least 100 years. The evolution of entertainment is growing rapidly through the use of media. And as these years go on, films have begun to fit into specific genres, and are important to appeal to the different types of audiences. Films can be described to genre in different types of ways, such as stars, director and narrative to help identify what genre the film is (Neale, 1990, pg. 49). Genre in films has become common because it helps give the audience a different expectation. One specific genre of film is a horror. Horror is a genre that tries to create, panic, dread and fear for the audience.

The island presented in the painting is located in Paris. Seurat made a successful attempt to capture the reality in his canvas through the brush. The island was well known for the rich peoples get away. The island was mostly famous in the Parisian community. However, in the painting objects and people do not represent the reality of that time. The non-resemblance to the reality was one of the major issues due to which “A Sunday Afternoon on the Island of La Grande Jatte” was criticized by the public. The painting was also not quite appreciated because according to the art critics of 1800’s the painting lacked the academic texture. The painting was a representation of painterly texture that was quite unacceptable at the time. While Seurat was

reached the age of 14. At 18 he became more serious about his art and