The Self-Portraits of Gertrude Stein and Pablo Picasso Essay

In late 19th century Paris, cafés-concerts (best described as “glorified beer halls” (Clark 206)) were a very popular destination for the people of Paris. Cafés-concerts became an integral part of Parisian social life, as they were visited by hundreds of people each night, regardless of class. A bar at the Folies Bergère became the topic of Edouard Manet’s last painting, as Manet tried to portray the new, “modern” Paris, and the introduction of mass production during this time. A Marxist art historian, T.J. Clark finds this particular painting important because it revealed a lot about the new, modern Paris, and Manet’s intentions with the painting. Clark focuses more on the emergence of the new social class during this time, and how this affected the role of women in Paris. The painting, A bar at Folies Bergère, has historical significance because of how it depicts modernity in the context of the emergence of a new social class (the petite bourgeoisie), the introduction of mass production, and the changing role of women.

Frida Kahlo is one of the most famous female painters to originate from the twentieth century, and for good reason. Her art is filled with beauty and creativity, but Frida’s main source of fame comes from the emotions that these paintings invoke, rather than the actual paintings. This is because Frida put herself into every painting she did, leaving traces of her presence all throughout this world and these traces remain long after her physical departure. Frida was a very peculiar and unique individual, hence, Frida’s definition of what a person is, or rather, what a self is, follows accordingly. The self is the reality that one conceives, and this self will live long after the physical body dies, continuing on as long as their

. In the section of her article called The Painter of Modern Life, Pollock uses an essay written by Charles Baudelaire during this time period, to explain how women were viewed in 19th century Paris (Pollock, 254). In this essay Baudelaire follows the travel of an artist through the streets of Paris. She uses this essay for two key reasons, first of all it shows how a man in Paris had access to different places of public life that women were not entitled to go and

Good Evening my fellow neighbors. Most of you know me and for the ones who do not, I am Mabel Dodge. I am the daughter from a family in Buffalo and had what was considered the best education for girls in the nineteenth- century. Instead of going to college, I got married, became a mother and soon, a widow. Later, I traveled abroad and soon married a Boston architect, Edwin Dodge who I later realized the passion I had was no more- so I divorced him. I became bored and began to crave art, the beauty and inspiration! A “salon” in Florence, Italy that I created for the purpose of attracting the most up- and- coming artists in Europe, had me become well known and even a muse for one of Gertrude Stein’s image poems. I reluctantly joined Edwin my husband at the time, who was eager to come back to the United States. I settled in an apartment on the lower Fifth Avenue which most of you have been in for my “evenings” of controversial debates.

Between the end of the First World War and Hitler's seizure of power a cultural explosion occurred in Paris that altered our notions of art and reality and shaped our way of viewing the world ever since. In the 1920's, Paris became the undisputed international capital of pleasure and was regarded as the cultural and artistic center of Europe with a reputation for staging one of its most glamorous eras, as well as some of the most spectacular revues in the world. Imagine for a moment, that it really is 1920's Paris. You are leisurely strolling through the gas lit promenades. World War I is over and the exuberance of jazz musicians, symbolist painters, and American expatriates

With this ability, Picasso seized this opportunity of adaptation, and thus expanded his clientele. By tailoring his works to the customer’s wants and needs, Picasso experimented with new styles of art to satisfy such needs of dealers and collectors. This came to fruition when Picasso gained one of his earliest patrons and close friend, Gertrude Stein. Picasso’s relationship with Stein developed when Stein moved to Paris with her brother where she hoped to pursue and art career. With the acquisition of a Matisse and Picasso’s own Young Girl with a Basket of Flowers. This contribution to her collection of Cubism, may not have been the largest towards Picasso, this greatly increased Picasso’s ability to network as well as brand himself.

There are very few things that appreciate with time. Many people love to bank on a rookie baseball player, in hopes his card will be worth thousands. Many invest in land, praying they hit a gold mine like land in Frisco or Prosper, Texas. One of these rare items is art. Art is a luxury, that many high income people love to invest in. Pablo Picasso’s art is some of the most if not the most prominent, pieces of artwork in the world. Picasso was a trendsetter of sorts, helping start many movements including introducing the idea of a collage in his later paintings. Picasso had a habit of drawing his lovers in his paintings. For some of his mistresses, he created lots of art with them as the main subjects of the paintings, as those were the stronger influences. Many of his paintings were centered around one of his mistresses, Marie-Therese Walter. Picasso met the 17-year-old Walter while he was married to his wife, Olga Khokhlova. Throughout their relationship, which spanned nine years, she was the centerpiece of his work. Depending on the depiction of the subject, Picasso showed his emotion toward Walter. The painting, ‘Seated Woman’ of Walter by Picasso portrays a unique style, a powerful use of colors, and a different view of Walter in comparison to paintings of his other mistresses.

Janet FergusonHUMN1101 Final Research Project Part 2Pablo Picasso was born in the Spanish coastal town, of Malaga on October 25, 1881. His father,Jose Ruiz Blasco, was an art teacher and painter as well. Picasso was a prodigy by the time hewas ten years old, which was when he painted his first picture. Picasso studied art briefly inMadrid in 1897, then in Barcelona in 1899, where he became closely connected with a group ofmodernist poets, writers, and artists. An artistic prodigy, Picasso, at the age of 14, completed theone-month qualifying examination of the Academy of Fine Arts in Barcelona in one day. Picassowas the most famous artist of the twentieth century. During his career, which lasted more than 75years, he created thousands of works,

With reference to the mentioned above, it is also permissible to assume that the audience to which the author directed the book is possibly medium to high class, with a basic level of education and reside in Manhattan for her direct observation of how, in the cocktail parties, people voice comments such as "I can't take Manhattan anymore" and "our citizens dream of the open spaces of Wyoming, the manicured exclusivities of Hobe Sound” just as her allusions to historic events, for example "there is much about Manhattan now that resembles Dickensian London” and “For the ancient greeks, drama taught and reinforced compassion”. This last fact among other opinions such as "We cannot deny the existence of the helpless as their presence grows” y “it is impossible to insulate ourselves against what it is at our very doorstep”, finally define that the intention of the author when executing this document was generating conscience to the population of the city in which she

Through a multiplicity of layers, Gertrude Stein’s rhythmic poem “Susie Asado” evokes images of an ardent dancer, a formal tea party, and overtones of desire and lust. Picasso’s “Ma Jolie,” an analytical cubism painting, depicts Eva Gouel, Picasso’s lover at the time, playing a guitar or zither. These two modernist works portray the female figure, a traditional staple in the classical art world, with a newfound zeal and grit. This portrayal, connected with music and rhythm, demonstrates how both the artist and the writer exploited modern techniques to express a plurality of tumultuous emotions, including the duality of endearment and eroticism with which they viewed their subjects.

Diego Rivera was born in Guanajuato, Mexico, where he was began his interest in drawing at an early age. He began his study of art at the age of ten, where he attended the San Carlos Academy of Fine Arts in Mexico City. After years of study at the San Carlos Academy of Fine Arts, Rivera left Mexico to study art across Europe. His travels landed him at the feet of many immensely inspirational artists and art movements. He was acquainted with Pablo Picasso during the beginning of Cubism and adopted these influences, becoming an established artist in the time of economic unrest. Rivera began adopting ideas of Marxism, which pushed him to understand the spectacle and power of art. Rivera then moved back to Mexico and began using his art to empower the individual in the face of capitalistic oppression. His early art upon his return to Mexico was focused around socially engaging murals, highlighting the plight of the lower working class and indigenous Mexican heritage. This medium of art spoke to the masses, gifting all citizens with the beauty of art without the bias of a single entity. In her book, Akira to Zoltan: twenty-six men who changed the world, Autor Cynthia Chin-Lee explains the significance of this medium in the way Rivera used it. She states that Rivera “wanted art for all, not just the rich, and his art decorated areas where everyone could see them: in schools, plazas, and public buildings.” (Chin-Lee 7) Being free of museum bias or hegemonic forces that would make his art a commodity, Rivera was able to speak to all citizens, regardless of their class. His pieces related to the human condition and interpolate the viewers to understand themselves in a new and radical fashion. This is the power that visuals and art have, to make us feel a certain emotion or perceive the world around us in a completely

Pablo Picasso was considered the greatest artist of the 20th century because of his unique styles and techniques. Pablo Ruiz y Picasso was born in Malaga, Spain on October 25, 1881 to a professor of art named Jose Ruiz Blanco and his wife Maria Picasso Lopez. Because of his fathers’ occupation, Picasso’s talent was quickly noticed and appreciated. Don Jose, an art teacher, moved Picasso and his family to La Coruna and then to Barcelona where he was Picasso’s instructor at the fine arts academy. At the age of 10 Picasso made his first paintings, and performed brilliantly on the entrance exams to Barcelona’s School Of Fine Arts. From there he went to the academy of San Fernando Madrid, and returned to Barcelona in 1900. In

If ignorance is bliss, then why is it human nature to uncover the truth? In Toni Morrison’s Beloved, the character Denver uses knowledge to feed her craving in hopes that it will fill the void her mother unsuccessfully tried to satisfy with the blood of the past and too little milk. To understand these truths one must accept that Beloved is a physical representation of the past, Sethe embodies the present, and Denver exemplifies the future. Throughout the novel these three characters interact on a superficial level, but each action has a deeper underlying influence on the other. This is why Denver’s assumed motive of using the attachment she forged with Beloved to develop a closer relationship with Sethe is cursory. When in fact it was for

Picasso was working on Gertrude’s portrait (Fig. 2) at the time he and Matisse first met. The sensation Matisse’s painting created, made it difficult for Picasso to

James Joyce's A Portrait of the Artist as a Young Man presents an account of the formative years of aspiring author Stephen Dedalus. "The very title of the novel suggests that Joyce's focus throughout will be those aspects of the young man's life that are key to his artistic development" (Drew 276). Each event in Stephen's life -- from the opening story of the moocow to his experiences with religion and the university -- contributes to his growth as an artist. Central to the experiences of Stephen's life are, of course, the people with whom he interacts, and of primary importance among these people are women, who, as his story progresses, prove to be a driving force behind Stephen's art.