The Self-hatred of Kochan in Confessions of a Mask Essay

At first, he was thrilled to fight for his country. But soon, he started to recognise the brutality and futility of the war. The sceneries were so appalling, that it even challenged his belief in Christianity. In his poem, ‘Exposure’, he uses personification in the line,

In everyday society cruelty is faced, weather yet another person is arrested for the killing of and innocent animal, or even the seemingly never ending brutality of the police forces going viral on YouTube yet again. Of course we have the do not touch subjects, such as war. The constant debate over is killing innocent people okay, just because it’s war. Jack London really brings this point alive in his short story “War”. In this thought-provoking piece of literature the odd uses of characterization, symbolism, morals, and irony lead a reader to an overall statement of theme that simply war is cruel.

Lastly, the war changed the sniper by misplacing him. The sniper is described as a young person. “His face was the face of a student, thin and aesthetic, but his eyes had the cold gleam of the fanatic.” The use of strong adjectives such as “thin and aesthetic” and “the cold gleam of a fanatic” show how the sniper is misplaced in this environment. Further into the text, youthful guilt became apparent. “The sniper looked at his enemy falling and he shuddered. The lust of battle died in him. He became bitten with remorse.” This use of metaphor shows the reader how quickly his emotions change, showing his guilt and regret for what he has done. Lastly, the snipers curiosity was influenced, as he felt he needed to find out the identity of his victim. He felt this because of how the misplacement had

The use of the metaphor ‘Dad the Impaler’, accentuates the idea that children saw this term in a very positive manner when in actual fact it has negative connotations. This highlights the brutality of war, and the negative influence of war on children because the children in the poem used ‘Dad the Impaler’ in a heroic manner.

“The Death of the Ball Turret Gunner” by Randall Jarrell is able to accomplish so many thing with so little lines-mainly through the use of metaphor and diction. It explains the terrors of wars in gruesome detail and explains the ways in which wars, in a sense “breed” and “birth” death. To some, this poem is seen as the ultimate poem of war, and rightly

At the same time, O’Brien struggles with destructiveness of the conflicting images of violence and peace in death through the juxtaposition of the imagery of the dead man. While “his one eye was shut, the other eye was a star-shaped hole.” The dead man has one shut eye that resembles a peaceful sleep, while the other side is obliterated by the grenade into a star-shaped hole. The image of the star-shaped hole in the dead soldier’s eye represents the hopes that he once had when he was alive: “He hoped the Americans would go away. Soon, he hoped. He kept hoping and hoping, always” (119). Furthermore, “his right cheek was smooth and hairless,” an image of untouched innocence that contrasts with his left cheek, which was “peeled back in three ragged strips,” destroyed by the violence O’Brien inflicts upon it. The juxtaposition of the butterfly that settles on his chin and the fatal wound on his neck, “open to the spinal cord…blood…thick and shiny” illustrate the complexity and ambiguity of the unnaturalness of war, depicted by the image of the dead man’s wrung neck, contrasted with the ironic peace and naturalism of death in the image of the fragile butterfly. These select images are also those that O’Brien chooses to fixate upon and develop throughout the chapter as he struggles to comprehend the moral implications of his actions. The innocence of the “slim, dead, almost dainty young man” is further reinforced when O’Brien describes his wrists as “wrists of a

Through the use of imagery, Beah documents the hardships he experienced, including the exposure to war, loss of innocence, and loss of family. He intricately details these events as frightening and overwhelmingly difficult to tolerate. For Beah, being exposed to combat at age 12 was traumatizing, and he portrays details of the horrifying events through imagery.“When the rebels finally came I was cooking...My heart was beating faster than it ever had. Each gunshot seemed to cling to the beat of my heart.” (Beah 23). He describes how intimidating and alarming each bullet was and how horrific each shot exploded throughout his being. War quickly developed into a regular occurrence for Beah, leaving him deprived of his childhood and innocence. He later illustrates his

His replica of the small details in his life, assist to highlight the tremendous changes he undergoes to become a child soldier. Here the detailed descriptions of loading the guns, attacking others, and the unending cycle of killing and death are interspersed with bland scenarios about his internal musings. Instead of being able to consider his ambitions of performing in a local talent quest, he is traumatized by the nightmares or flashbacks of being a ‘green snake’, the most effective killing machine he once was.

Guided by his undying love for his sister, Robert’s call to action is intrinsically motivated by an ironic catalyst that leads to his own eventual death; the desire to preserve life. At the climax of the novel, Robert’s courage tempers out his Achilles’ heel of introverted moral justness. His ascendance to the position of officer is only natural considering that his resilience and persistence strengthen significantly as he begins to imitate the hero archetype upheld by most war novels, though his concealed struggles with morality and obedience as exposed by his actions confirm him to be a tragic hero. Even with his elevated position, Robert demonstrates many instances of nurturing as he develops into a strong man weathered by the war, as opposed to the typical hardening experienced by most men on the front lines. The telltale quality of morality demonstrated only by a tragic hero is a tragic flaw in itself, as it forces acts that would otherwise be self-indulgent to take on an air of humility. “The man with the broken legs was lying by the water’s edge. He was already the colour of death. … ‘Put that [gas mask] over his face.’” (124) Robert’s dangerous, selfless acts for those who are arguably hopeless are not only consistently futile, but they endanger him and jeopardize

O’Brien’s use of imagery allows him to paint a vivid depiction of the horrors experienced by the foot soldiers in Vietnam. These horrors perpetuate the physical and emotional

Since the beginning of time, humans have sought after power and control. It is human instinct to desire to be the undisputed champion, but when does it become a problem? Warfare has been practiced throughout civilization as a way to justify power. Though the orders come directly from one man, thousands of men and women pay the ultimate sacrifice. In Randall Jerrell’s “The Death of a Ball Turret Gunner”, Jarrell is commenting on the brutality of warfare. Not only does Jarrell address the tragedies of war, he also blames politics, war leaders, and the soldier’s acknowledgement of his duties. (Hill 6) With only five lines of text, his poems allows the reader to understand what a soldier can go through. With the use of Jerrell’s poem, The Vietnam War, and Brian Turner’s “Ameriki Jundee”, the truth of combat will be revealed.

            Whenever he looks into the eyes of an enemy soldier, he does not see a man, but sees death staring back at him.  He has no choice; the enemy cannot and will not coexist with him.  It

Poets frequently utilize vivid images to further depict the overall meaning of their works. The imagery in “& the War Was in Its Infancy Then,” by Maurice Emerson Decaul, conveys mental images in the reader’s mind that shows the physical damage of war with the addition of the emotional effect it has on a person. The reader can conclude the speaker is a soldier because the poem is written from a soldier’s point of view, someone who had to have been a first hand witness. The poem is about a man who is emotionally damaged due to war and has had to learn to cope with his surroundings. By use of imagery the reader gets a deeper sense of how the man felt during the war. Through the use of imagery, tone, and deeper meaning, Decaul shows us the

In We Wear the Mask, the author’s purpose is to push the reader to feel something about the way things were in his perspective.

Script: This painting of Paul Cezanne illustrates the unusual relation between a woman and the swan from “Leda and the swan”. Unlike many other portraits or sculptures, this painting does not intend to show sexual intercourse. Also, the background is not indicated the actual location. However, one common thing found in the painting is Leda’s face expression. According to the story that she was bound by Zeus’ spell, Paul Cezanne expressed her to be half-minded.