The Sense Of Belonging Through Human Interaction

Belonging means different things to different people. The most common definition is feeling a sense of connectedness to a person, place or thing. Understanding nourishes belonging while a lack of understanding can prevent people from belonging. This is shown through Peter Skrzynecki’s poem ‘Migrant hostel’ which is about the challenges faced by travelers on their journey, and the hardships they have to overcome by exchanging their old world for the unfamiliar and unwelcoming new world in which they don’t understand anything. Skrzynecki’s poem ‘Feliks Skryznecki’ explores a relationship between father and son, and their contrasting experiences of belonging to a new place. The related text, ‘The Red Tree,’ by Shaun Tan also shows that a lack

It is a well-known fact that belonging to a group can make an individual feel not only accepted, but more powerful that if they were on their own. Whether it is a community, youth group or even religion, belonging is an everyday occurrence of like that many of us do not even realise. Belonging to a group is more influential than belonging to an individual. We can see this in the texts The Crucible by Arthur Miller, 1984 by George Orwell and the listening task. Belonging to a group can give you a feeling of acceptance, but also can help you not to be targeted or marginalised. Also, people who appear to belong to groups, when looked at closer, in truth do not belong. Belonging to a group can also give you more power as a

The introduction of the song causes the listeners to feel sympathy and sadness through Mercury’s ashamed and melancholy tone.

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Finding a sense of belonging to a place can influence an individual’s sense of acceptance within the community and culture or opposingly can enhance their sense of isolation and alienation from society.This is reflected through Raimond Gaita’s memoir Romulus My Father and Manfred Jurgensen’s poem Bonegilla 1916 through extensive literary devices.We learn individuals perceptions of place and their ability to adjust to new places governs their ability to belong and feel at home with new cultures.

without warning”. Then in the third stanza, where he illuminates the allure of letting go of

“We belong … like fish in water. We’re in our environment.” This quote from the New York Times shows the perception of belonging as the idea about connecting to a place, person, group or a community. 'Feliks Skrzynecki' by Peter Skrzynecki, 'I'm nobody! Who are you?' by Emily Dickinson and 'The Rabbits' by John Marsden & Shaun Tan show the concept of belonging as being contrasted towards the New York Times quote, showing the alienation and non-existent connection towards it. These texts have furthered my understanding on the perceptions of belonging by recognising the different concepts of connection to people, places and things.

The feeling of belonging is not a necessity that everybody needs but is a common feeling that most people believe to be important in their lives if they want to be happy. People believe the feeling to belong helps them to be happy because if they feel like they belong somewhere they will feel safer and more confident when in that place. The place people feel like they belong in does not have to be a physical place like a house or a town/city but can also be a social place or in some ways an emotional place. An example of these would be a group of close friends or a person's home although a home is also a physical place it varies depending on the person because of the emotional feelings attached to that place are different so it could be considered an emotional place for someone to

He also establishes Pathos. He does this by using these songs that stand for such emotional things in the past and present. He acknowledges the struggle and the sorrow, but also includes the hope that is often viewed in these songs. A hope that, one day, the double-consciousness will

Furthermore, the troubled man starts to follow the young boy, who is not bothering him, and steps on the back of his shoe. This startles the young boy, which also surprises the old man. The man becomes so scared of the unknown character that he went looking for, and chokes the song out of the innocent boy. Above all, the word sing is used through connotation and denotation. To illustrate, in the fifth stanza it states, “a Water person of old who grew troubled by the strange singing floating in the dark.” Singing is used as a connotation in this sentence representing life. Life is gentle and born with innocence, however the old man did not like this type of life and assume the young boy was doing a guilty act. No doubt, a hoodie on a rainy day is strange, candy and tea is uncommon partners, and singing a catchy tune by yourself is weird. Therefore, when the young boy turned around to a sudden pressure on the back of his shoe and took him out of his tune, the old man could not see his daughter, son, granddaughter, or grandson in the young boy’s eyes. The young boy was born with the same purity as a white child, but at that moment the old man became the judge, jury, and the

The waters of this world are sort of an inverted outer space we are overwhelmed with. It's atrociously alluring with its immensity and we are often confused, conflicted, caged in her haven . How the black water of the nightly ocean pleas provocatively for a tragedy; how the sun drenched evening sea begs to wetly kiss our mortal skins. The romanticism that there is only an individual reality - that our reality isn't some chaos of virtualalities, that time is imprisoned in one religious boringness is laughed at by the godliness of the waters. She knows we fall into, bleed over each other, gripping and tearing skin all through our breaths. Not just the human: but the ants, the flies, the maggots, the

Finally in the third stanza there is the semantic field of nature: ‘mountain’, ‘rivers’, ‘seas’. Nature has the role of judge. It decides whether she has to be punished or not. Nature is represented as a sort of divine entity deciding of her fate because she has decided of someone else’s right to live. Again the water is represented several times with ‘rivers’ (line 17) and ‘seas’ (line 18 and 19) it gives the impression that she thinks

The need to belong in an integral part of the human psyche. All people, on some level, desire to feel a sense of belonging that will emerge from the connections made with people, places, groups, communities and the larger world. Belonging cannot be achieved without an understanding of oneself and their surroundings.

The speaker feels that faith has disappeared and has separated her or him from the "ebb and flow" of life. This lost faith is compared to a sea that is very similar to the sea described in the first stanza. Words of lightness and beauty are used once more. The shore "lays like the folds of a bright girdle furl'd." There is a sense of encompassing joy in this phrase. This bright and joyful image is then contrasted by the last five lines of the stanza. "The Sea of Faith" has now retreated, like a tide withdraws from the shore. It is interesting to note the similarities and differences between the words of these five lines and the words from the first stanza. The sweet "night-air"becomes "the night-wind," and the cliffs that were once "glimmering and vast" are still vast, but only dreary edges. The sea that was "round" and "full" has now left the world empty and exposed. Similarly, the speaker has lost his faith and feels alone and vulnerable.

The struggle to belong and find one’s place is significant in the lives of some people.