The Sense Of Place By Jane Heaney

A Small Place by Jamaica Kincaid presents the hypothetical story of a tourist visiting Antigua, the author’s hometown. Kincaid places the reader in the shoes of the tourist, and tells the tourist what he/she would see through his/her travels on the island. She paints a picturesque scene of the tourist’s view of Antigua, but stains the image with details of issues that most tourists overlook: the bad roads, the origin of the so-called native food, the inefficiency of the plumbing systems in resorts, and the glitches in the health care system. Kincaid was an established writer for The New Yorker when she wrote this book, and it can be safely assumed that majority of her readers had, at some point in their lives, been tourists. I have been a

In, “Where Are You Going, Where Have You Been”, by Joyce Carol Oates and “Eveline”, by James Joyce, two characters prove to be completely different but share few similarities as well. In both short stories, the main characters, Connie in “Where Are You Going, Where Have You Been” and Eveline in “Eveline”, are both teenage girls who face problems at home. Connie and Eveline who are both caught up in their own cultures in different times are Both girls seem like they have it all going for them but what they conclusively share in common is their final decision bringing them to their downfall. The theme in “Where Are You Going, Where Have You Been” and “Eveline,” possess and unyielding insecurity which stems from their family lives. Everything had two sides to it, one for one home and one for the other. Each of the girl 's home lives was oppressive and restraining. Making them both have to grow up faster.

“But, I 'm already resigned to this fate / Looking over my life, I recall / If it hadn 't been / for the loneliness / I 'd have no companion at all. ” This stanza from “Loneliness”, by Lora Colon evokes the negative impact a lonely fate has on a person. Words like “resigned” and “loneliness” establish a sense of depression and resignation. During the times of the Great Depression, many people felt similar feelings of melancholy and stoicism. Jobs were hard to come by, and realistic dreams of success were scarce. John Steinbeck’s novel, Of Mice and Men, allows readers to see the life of the Great Depression. The two main characters, George and Lennie, search for jobs, like many other migrant workers. They dream of owning their own land, however, Lennie’s habit of getting in trouble prevents their dream from being reality. After he accidentally causes more trouble at their new job, George is forced to kill him out of mercy. Throughout the novel, Steinbeck shows that even if one meticulously plans out the road to their American Dream, fate will inevitably intervene and lead one to desolation and loneliness.

Leaving the comforts of the first world, Jessica Alexander abandons her job, fiancé, family, and home to venture into the misleading volunteer work of Humanitarian aid. Chasing Chaos: My Decade In and Out of Humanitarian Aid by Jessica Alexander is a conglomeration of stories that are written from Jessica’s memory. “It is a true account based on [Jessica’s] best recollections of the events and [her] experiences.”.

A Land More Kind than Home by Wiley Cash definitely fits the category of “grit lit.” It is a novel about the Hall’s, a family who is wracked with grief, anxiety, and guilt after the ‘mysterious’ death of one of their sons, Christopher or Stump. The story encompasses more than just the story of the family though as it is told from the perspective of Adelaide Lyle, an old wise woman from the town, Jess Hall the youngest son of the family, and Clem Barefield, the sheriff of Marshall who also had heartache of his own that is intertwined with this families story in more ways than one. The novel incorporates most if not all of the features that is “grit lit” including: an element of crime, a focus on the bleakness of life, lyrical language, and a central character who wishes to escape their environment or get peace inside it.

“Listen to the mustn’ts, the shouldn’ts, the impossibles, the won’ts, and the never haves. Then, listen to me. Anything can happen, child. Anything can be.” This is a poem the famous children’s poet Shel Silverstein. Now, if he was best known for being a children’s author, how could he even be considered to be controversial? Now, Shel Silverstein, while having no earlier inspiration for his career to draw and write for children, wrote many famous poem books, such as Falling Up and Where the Sidewalk Ends: however, with him writing these books came some controversy with it, such as claims that he promoted cannibalism and suicide.

Why acknowledge history? The solution is because we essentially must to achieve access to the laboratory of human involvement. In the essay “Haunted America”, Patricia Nelson takes a truly various and remarkably gallant stance on United States history. Through the recounting of the White/Modoc war in “Haunted America,” she brings to light the complexity and confusion of the White/Indian conflicts that is often missing in much of the history we read. Her account of the war, with the faults of both Whites and Indians revealed, is an unusual alternative to the stereotypical “Whites were good; Indians were bad” or the reverse stand point that “Indians were good; Whites were bad” conclusions that many historians reach. Limerick argues that a very brutal and bloody era has been simplified and romanticized, reducing the lives and deaths of hundreds to the telling of an uncomplicated story of “Good Guys” and “Bad Guys”.

The Solitude of Self is a speech that was given by Elizabeth Cady Stanton, who was a leader of the women’s suffrage movement. This speech mainly discussed gender equality in every situation, including education and suffrage. Stanton clearly was opposed to the idea of inequality and believed that every person, man or woman, deserved to have the same rights.

In her essay “Place in Fiction”, Eudora Welty argues that the setting of a story acts as a character, its traits influencing the plot, and the trait of racism has become closely intertwined with the character of a southern setting. This character can often be an antagonist, with the author's goal being to destroy real-life racism by making the problem more relatable to all readers, some of whom may have more influence over change. Southern literature, especially protests songs, have featured this intersection of hatred and the fight against prejudice that make an art form so real and personal, and there are no two better examples than Nina Simone’s “Mississippi Goddam” and Billie Holiday’s “Strange Fruit”. Both songs, written during periods

Identity is pivotal to the story and holds its own innate power, but what is even more pivotal is that the Irish do not necessarily all share the same views. The Irish find their history very important because it is the foundation of the language. Hugh says, “It is not the literal past, the ‘facts’ of history, that shape us, but images of the past embodied in language” (88). It is evident then that Hugh finds the historical meanings of

Hyde’s speech argues that the Irish had by that point indiscriminately adopted all that was English with little thought as to its value, that the Irish had “[ceased] to be Irish without becoming English.”2 He criticizes those Irish who claim to hate British dominance, yet speak only English, anglicize their Irish names, and remain ignorant of Gaelic literature. His central view is that the Gaelic language is the most important aspect of an Irish identity distinct to that of the British, and that only a return to Ireland’s native language can halt the process of Anglicization. However, he is careful not to make the claim that nothing English is of value, but emphasizes the necessity of not neglecting that which is essentially Irish.

In “The Other Place,” Nell leaving home is coupled with the cultural changes that occur between the 50s and the 60s. Nevertheless, Nell is inside the “dark tunnel” (76). The tunnel symbolizes her life journey and how it has no direction. Atwood furthers this discrepancy by stating that Nell is “like the characters in the more melodramatic novels [she had] read in high school who would rush out into thunderstorms [and] had to keep moving” (76). This simile is important to Nell’s characterization because it shows that she doesn’t have a mission, but she continues to move and wander aimlessly. A direct revolt against the conservative norms of the 50s. Moreover, Nell states that she had “a lover or two” (85). Illustrating a sexual awakening that

How much does an artist’s life affect the art they produce? One’s art certainly can be an expression of one’s surroundings and in this manner the surroundings are woven like a thread into their body of work. Seamus Heaney, born and raised in Northern Ireland, has grown up with many strong influences in his life that are visible in his poetry. As Robert Buttel claims in his article on Seamus Heaney “the imprint of this poet’s origins is indelibly fixed in his work” (180). Living in the “bogland” as Heaney has described Northern Ireland left an imprint on his poems, as he often depicts the lush green countryside and pastoral scenes of his youth. However, he also acknowledges his modern society.

The story was set in a utopian world, with green grass and kids playing and neighbors talking. It seems like the perfect place for a family. However, later in the story it gets edgy. The theme of this story is that no place is perfect. When the people of the community were gathering, there was gossip and laughter, and Mrs. Hutchinson came eventually. Some of the people made comments to her husband about her finally showing. After a while, a man started calling names to get a slip, and whoever had a certain slip, the family faced consequences. Bill Hutchinson chose the slip with the mark, and the family had to choose to see who got it.

The first stanza is full of most of the nonsense sounds that intensifies the battle. The way Carroll invented such meaningless words is almost comical. "Twas billig and the slithy toves," (Carroll, 36) does not seem to actually say anything, and it is funny how the words sound when spoken. If Carroll's Humpty-Dumpty theory was accepted, a theory of two words with different meaning are combined into one word, (Hunter,193), then one could translate the meaning of the stanza. Consider "brillig" as describing the time of day. "Bril" could be derived form brilliant, and "lig" could be derived from light. When combined the words brilliant light would describe mid-afternoon. The first stanza also gives the idea of the land of animals. "All mimsy were the borogoves," (Carroll, 36) could be translated as "All quiet were the animals." Mimsy could be related to a