The Sentimentality Of William Tavern Essay

Fleming, Thomas. "Poe, Edgar Allan." ["Reader's Companion to American History"]. Reader's Companion to American History, Jan. 1991, p. 846. EBSCOhost, proxygsu-wgt1.galileo.usg.edu/login?url=http://search.ebscohost.com/login.aspx?direct=true&db=khh&AN=27829334&site=eds-live&scope=site.

In the novel, the circus itself is a symbol of the riddle of life and a symbol of dreams. The story gives a hopeful perspective to which it depicts the capacity to overcome obstacles utilizing passion. Nonetheless, there is an all-encompassing topic to which the author portrays a darker message where the failure to isolate passion from obsession prompts the downfall one's character and the blurring one's judgment. A notable example in The Night Circus would be Bailey’s obsession with the circus. Bailey is the son of farmers in Massachusetts and portrays obsessive behaviour towards the circus. “a solitary white glove that has gone rather grey...being kept in a small box with rocks," (Morgenstern 111) and never forgetting about the circus. Then again, his family has extensive desires with him. His dad wants him to take over the family farm and he was conceded into the Cambridge and Harvard. His over the top conduct with the circus clouds his judgment as surrenders all family desires to become a part of the circus. He abandons his family without a goodbye. Bailey can outweigh the circus over his own family and disregard his friends and family who raised him, tended to him and gave their time to him. Many people trust that family is a standout amongst the most vital parts of life, and surely it is, yet Bailey can surrender all that only for his obsession with the

This further makes clear the very rigid relationship between husband and wife or simply man and woman at the time. Superior language is used on the rare occasions when the husband speaks and, while not using a hostile tone of voice, he orders or “tells” rather than “asks” his wife what she should be doing – “give these fellows theirs, I’m in no hurry” “away over there and look”. This displays a confidence (or arguably a cockiness) which comes from being surrounded by his presumed employees and his wife, both of which play roles of servitude in his life and are seen as his inferiors. The husband in this situation can be inferred to be based on Heaney’s father, just as the wife is based on his mother.  The husband’s attitude can be looked at in two different means – one might argue that he is patronising and controlling of his wife, as the flippant language used to describe his approach to engaging with her belittles the efforts she has put in to pleasing him – “plucking grass in handfuls and tossing it in the air” “boys like us have little call for cloths”. On the other hand, one might counter that while he does see himself as her superior, this is not done in any malicious or tyrannical way. He gently teases her (suggested by words such as “winked”), and the inequality within the relationship is not bothersome to the woman, probably because this is “just how things were” at the time – the

The middle of the story really brings the reader into what Hester and Williams marriage has been about and how it can change now. Hester explains this in a very, seems like, happy tone. Instead of being ok “ landlord and tenant,” they had something to really connect over an event that could bring a bit of surprise back into what was a “purely business” relationship between the two.Willa tells uses of how many things the two actually had in common and for years didn’t know about until a simple argument brought it out of both of them. William tells of how he should not have gone, but did against his dad’s wishes. Then they talk of events that had occurred over the years as kids and probably up until they were married. Willa does great with the plot to really show the reader that the husband and wife actually know a lot more about each other then they gave themselves credit for.

Audit is a poem written by editor, translator, fiction writer, and poet Tony Barnstone. He has written a collection of varied and unique poems, from topics of the Second World War to a poetry book based on material in classic pulp fiction and B-movies. Barnstone has won numerous awards and literary competitions for his diverse work, including the Pushcart Prize in Poetry and the John Ciardi Prize in Poetry. This poem offers an interesting take on relationships and love and its relation to the world of business. The poem utilizes a variety of poetic devices, some being obvious and others more obscure, which will be explored throughout this paper.

As William is first being introduced in the story, the author includes that William is married and has a daughter. William would love nothing more than to spend as much time with his family as possible but his job requires that he travels often and he is said to be an “obsessive-compulsive workaholic” (Mays 55). However, during his interaction with his wife, Marie, prior to his departure, he is conflicted between going to the airport and staying in bed with his wife. As she lays in bed, she entices him to stay by make sexual gestures at him and he even begins to engage her. He ultimately decides to proceed his salutations and makes his way to his daughter’s room. Not only does William loves his family, he thinks lovely things of them. For example, he thinks that his daughter is perhaps the “most logical person on the planet” (Mays 57). If William did not have a strong sense of family, he would have simply left Marie and Grace, his daughter without saying goodbye, but he made sure that they knew he was leaving and he

In Cry, the Beloved Country, the city of Johannesburg enables Gertrude’s desires to control her life, yet the desires that govern her are shamefully careless. Before Gertrude left Ndosheni, she had been surrounded by villagers who essentially knew many or all of their community’s people, including her. With the fear that several people would know of or observe her actions, Gertrude was encouraged to act upon the ethical desires widely accepted by her people. On the other hand, Johannesburg has little to no sense of community—being a heavily populated city and the majority of its inhabitants strangers to one another—which allows Gertrude to pursue the amoral desires within her, and for them to occur unnoticed by relatives. When Stephen Kumalo, her brother, finally receives word of Gertrude’s illness, he leaves for Johannesburg and finds her in a shabby, dirty house, crammed between similar buildings. Anxiously standing in front of his sister’s door, awaiting what would be their first encounter after several months, Kumalo overhears a “laughter in the house, the kind of laughter of which one is afraid… perhaps because it is in truth bad laughter,” (Paton 59 emphasis added). The bad laughter he hears is a product of Gertrude’s careless desires; her undisciplined lust for men. The context in which this laughter comes from is what makes it bad, especially in Kumalo’s mind, for he is not just her family, but a priest as well. Without a close-knit community to direct

Dick wanted to live a respectful and spectacle life, Frank as a good friend told Dick to make him a promise that if he wants to live a respectful life, he needs to stop gambling and start saving money to at least get a room. Henry, a friend of Dick, he is a bootblack just like Dick, he has no place to sleep and Dick being a good person offers him to share a room with him. As Dick starts to become a little serious about his future his fascination if he will ever learn to read and write, Henry was a son of a gentlemen that passed away at the sea. Henry had acceptable knowledge about reading, writing, geography and arithmetic. Dick asked Henry if he can be Dick’s private tutor and teach him how to read and write. As Dick advances in reading and writing, he offered Henry a place to stay, for Henry’s generosity Dick paid for there room’s rent. Dick and Henry also opened a savings account which assisted them so much in the future. Several months passed, Dick and Henry’s lives succeed and the more they saved the better there living conditions remodeled, but with great achievement comes with great

Compare and contrast the attitudes and values of the two speakers of the poems and how the poets have used language to convey these between “To His Coy Mistress” by Andrew Marvel and “My Last Duchess” by Robert Browning

Of Mice and Men is a novel set on a ranch in the Salinas Valley in California during the Great Depression of the 1930s. The title of the book is a reference to Robert Burns's poem To a Mouse. (1759 - 96):

You selected a few different poems to interpret this week then my self. You have a marvelous post summarizing each peculiar one. I likewise read Nostalgia by Billy Collins this week. My conception of the author is he practically ridicules the diverse periods of time as they were portrayed. I enjoyed this poem considering the composer certainly drives the point home with this topic. An abundance of humanity complains about past generations although trends were not the greatest it's persistent rebalance of pros and cons about all aspects of life. I couldn't agree more with you that the theme of the poem demonstrates that humanity wishes regression to the way life once

William Wordsworth’s poem, “Composed A Few Miles Above Tintern Abbey, On Revisiting The Banks Of The Wye During A Tour. July 13, 1798” (also known as simply, “Tintern Abbey”), was included in the book Lyrical Ballads, with a Few Other Poems. This was a joint effort between himself and author Samuel Taylor Coleridge. “Tintern Abbey” remains one of Wadsworth’s most famous poems, and at its printing, the book was completely sold out in two years. The name of the poem reflects the inspiration Wadsworth felt upon visiting the ruins of an old church called Tintern Abbey, with his sister Dorothy.

Dudley Randall’s “Ballad of Birmingham” is a look into the effects of racism on a personal level. The poem is set in Alabama during the Civil Rights Movement of the 1960s. The tone of the title alludes to the city of Birmingham as a whole. The poem gives the reader, instead, a personal look into a tragic incident in the lives of a mother and her daughter. The denotation of the poem seems to simply tell of the sadness of a mother losing her child. The poem’s theme is one of guilt, irony, and the grief of losing a child. The mother feels responsible for the death of her child. The dramatic irony of the mother’s view of church as being a “safe haven” for her child is presented to the reader through the mother’s insistence that the young girl

In “The Musical Brain” the circus offers the narrator a reprieve from his rather bland life, “ I couldn’t read, there was no television”. His mother’s need to be of a higher class is highlighted the coming of the circus. He mentions that the whole town of Pringles was there watching yet his family was not. Insinuating that his mother couldn’t bear to blur class lines despite the fact that everyone else is fine with it. Furthermore, it is books and circuses that give the reader a chance to forget about his scheduled, simple

The line between nineteenth-century psychology and fiction is almost nonexistent. Based upon the contemporary scientific, medical, and public discourses, the topic of mental illness was examined across all fields. The mutability of this term, mental illness, draws the question of what made it so changeable in the nineteenth century. It is the aim of this dissertation to show the treatment of social and medical discourse in Victorian literature by exploring Charlotte Brontë’s Jane Eyre (1847) and Robert Louis Stevenson’s The Strange Case of Dr Jekyll and Mr Hyde (1886). Roger Smith’s essay on psychology in periodical literature was the main inspiration for this dissertation. His statement inspired this research to explore how the medical discourse sparked public debate. Although his focus is on the discourse of different sciences, his research also inspired this dissertation’s attempt to prove a connection between academic fields, specifically literature and science. Smith’s articulation of his research is presented in such a way that helps provide a beneficial understanding of the discourse of nineteenth-century England.