As Plath’s novel demonstrates, people often fall victim to their environments. In her article “The Separative Self in Sylvia Plath’s The Bell Jar” Diane S. Bonds explains how The Bell Jar offers a brilliant evocation of "the oppressive atmosphere of the 1950s and the soul-destroying effect this atmosphere could have on ambitious, high-minded young women like Plath" (Bonds). Bonds psychologically analyzes Esther’s thoughts and actions to understand her mental decline. She makes the claim that “Esther is haunted by images suggesting the self-mutilations of marriage and motherhood” (Bonds). She proves her assertion with the evidence that Esther sees the world as a series of dismembered body parts. Esther cites the “goggle-eyed headlines” (1) staring up at her while walking through New York. She details her friend Doreen’s physical characteristics: “[she] had bright white hair standing out in cotton candy fluff round her head and blue eyes like transparent agate marbles, hard and polished and just about indestructible” (4). When she returns home to Massachusetts, she describes her neighbor, Dodo Conway: “Not five feet tall, with a grotesque, protruding stomach” (116). In all of these instances, Esther describes human beings through highlighting their body parts; however, she largely compares those parts to inanimate objects. She uses the word eyes to describe a headline, which is lifeless.
Furthermore, Bonds explains Esther’s repulsion with Dodo’s pregnancy: “Esther sees Dodo
Sylvia Plath’s The Bell Jar is rich with an array of motifs, all which serve to sustain the novel’s primary themes. A motif particularly prevalent within the first half of the novel involves food, specifically Esther Greenwood’s relationship with food. This peculiar relationship corroborates the book’s themes of Esther’s continuous rebirthing rituals, and of her extreme dissatisfaction. The interrelation with food functions in two distinct manners: literally and figuratively. This analysis will concentrate on the figurative role of food in The Bell Jar, and how it denotes Esther’s overall state.
During The Bell Jar, Sylvia Plath used similes to highlight Esther's characteristic of a wallflower during her trip to New York. After Frankie, one of Lenny's friend abandones Esther, he is forced to take her and Doreen to his apartment. Lenny obviously wanting privacy with Doreen he asks her to go but Doreen defends Esther and says she will only go with the do any of her friend. From there on, Esther feels unwanted and ignored while she spends time at Lenny's place. Plath describes Esther's abandonment while Lenny and Doreen dance, “I felt myself shrinking to a small black dot against all those red and white rugs and that pine paneling. I felt like a hole in the ground” (Plath 16). Esther feels left out while her best friend and a stranger dance. The simile expresses how she felt invisible and ignored. The author tries to relate to the reader who once in their life may have felt outcastes or left out. Esther has a tendency to feel terrible about herself. From the beginning of the story, she explains how she feels different and not in the right place. The author wrote, “The city had faded my tan, though. I looked yellow as a Chinaman. Ordinarily, I would have been nervous a about my dress and my odd color, but being with Doreen made me forget my
Sylvia Plath is known as a profound writer, depicted by her lasting works of literature and her suicide which put her poems and novel of debilitating depression into a new perspective. In her poem “Lady Lazarus,” written in 1962, her mental illness is portrayed in a means to convey to her readers the everyday struggle of depression, and how it affects her view of her world, herself, and even those who attempt to tackle her battle with her. This poem, among other poetry pieces and her novel The Bell Jar, identify her multiple suicide attempts, and how the art of dying is something she has become a master of. Plath’s “Lady Lazarus,” about her trap of depression and suicide attempts, is effective and thought provoking because of her allusions to WWII Nazi Germany and the feelings of oppression and Nazism that the recurring images evoke.
One’s identity is the most important lesson to be learned. It is vital part of life knowing who you are in order to live a fulfilled life. Without knowing your identity, and the way you perceive life, it is difficult for others to understand you, along with a struggle to live a happy life. In Sylvia Plath’s “The Bell Jar,” Esther Greenwood struggles to find her own identity, and in the process, she develops a mental illness which helps her discover the person she is on the inside.
The themes in The Bell Jar, by Sylvia Plath, are portrayed through Esther’s unique characteristics. Sylvia’s life experiences and personality contribute to these themes: growth through pain, the emptiness of conventional expectations, and the restricted role of women during the 1950’s. Esther must battle through several obstacles in order to move on with her life. She also feels like she does not fit in with society. Women’s role in society during this time also contributes to Esther’s qualities. In order to understand the themes of the novel, one must learn who Sylvia Plath is.
Sylvia Plath’s novel, “The Bell Jar”, tells a story of a young woman’s descent into mental illness. Esther Greenwood, a 19 year old girl, struggles to find meaning within her life as she sees a distorted version of the world. In Plath’s novel, different elements and themes of symbolism are used to explain the mental downfall of the book’s main character and narrator such as cutting her off from others, forcing her to delve further into her own mind, and casting an air of negativity around her. Plath uses images of rotting fig trees and veils of mist to convey the desperation she feels when confronted with issues of her future. Esther Greenwood feels that she is trapped under a bell jar, which distorts her view of the world around her.
Have you ever heard of the term “doppelgănger”? If not, it means “double” in German. To say that the character, Joan Gilling, is Esther Greenwoods “double” in the novel “The Bell Jar”, by Sylvia Plath, would be an understatement. Esther and Joan are one in the same. Joan and Esther endure many of the same obstacles throughout the novel. Joan’s actions to these struggles ultimately make Esther come to terms with reality. Either change her ways, and move on with her life, or end up like Joan, dead.
Freedom is something that is very often sought after, whether that is freedom from one’s self, others, or society. That last point is demonstrated best in the novel known as The Bell Jar. The story demonstrates a desire towards independence from societal expectations that was and very well still is felt in many people. The novel focuses on a young woman’s story, in her best times and worst times, her plight for freedom from what is expected of women, and most of all the sacrifices she makes in order to attain it. The author, Sylvia Plath, wanted to create an understanding in the reader that would have them understand what. That is, what a woman had to do for freedom and the struggle that it entailed, a feeling that may have been lost with the recent changes in societal expectations towards women. So, in The Bell Jar, Sylvia Plath uses setting, plot, and tone to illustrate how women in the 1950s were forced to make sacrifices to obtain freedom from societal expectations.
The postwar 1950s launched the modernist period in English Literature, which suggested a more pessimistic perception of society through societal nonconformity, decay, and alienation. Sylvia Plath’s The Bell Jar, a parallel to her life, expresses Esther Greenwood’s character in pursuit of morality in the reality she faces in the modern society. Esther discovers that the society is not as pure as it seems and has underlying truths behind its deceptive appearance. To emphasize her realization, she mentions the color white two hundred-fourteen times in the novel. Although the color white often symbolizes purity, goodness, and innocence, Esther gives white a negative connotation in the novel. Esther depicts the reality of the society as fabricated through the recurring motif of the color white, which symbolizes hopelessness and a stigma in the optimistic society.
One is often enticed to read a novel because of the way in which the characters are viewed and the way in which characters view their surroundings. In the novel The Bell Jar by Sylvia Plath, Esther Greenwood is a character whose "heightened and highly emotional response to events, actions and sentiments" (Assignment sheet) intrigue the reader. One of her character traits is extreme paranoia that is shown in different situations throughout the novel. As a result of this, she allows herself to be easily let down, as she believes that all events that are unsatisfactory are directed towards her. Finally, it is clear that she attempts to escape this notion by imagining an idyllic yet impossible life that she
Depression can be defined as part of a psychological state of mind that a person might encounter. Most famously recognized psychiatrist Sigmund Freud is known for his Psychodynamic theory. His psychoanalysis theory is known to be successful for treating patients with mental illness. Sylvia Plath, the author of the Bell Jar, makes the main character Esther go through a psychological transformation. Esther’s transformation can be realized through Freud’s psychoanalysis theory as the story unfolds from the beginning to end. The influences of people and events around Esther have affected her transformation.
own, Plath had dealt with years of depression, deeply rooted in her strong ambition to be perfect and successful. This part of her character is not something she tried to hide, and one friend even described Sylvia as having had “a sort of natural excellence at whatever she turned her hand to. If she wrote an essay it was effortlessly good… her very remarkable efficiency was also very natural to her and was never accompanied by any sense of strain” (Wagner-Martin 141). Plath strived to seem naturally perfect, and this description easily translated into the character of Esther Greenwood, who is the main character of the novel and whom readers follow along on her journey to insanity.
According to the data from the Center for American Progress and Elle Magazine, “Nearly 30 percent of women report experiencing discrimination in the workplace.” However, this report is only based on the environment in employment settings. Women experience and visually see gender roles and inequity against females in everyday surroundings, and they are often accepted and practiced without difficulty. Similarly, in the novel, The Bell Jar by Sylvia Plath, Esther experiences different societal expectations throughout her life in hometown and New York, which helps her realize that she does not fit into either of the society; moreover, she grows weary as she loses her identity and passion, in search for who she is.
Sylvia Plath was an English poet and short story writer born in 1900s. She was best known for her novel, “The Bell Jar,” and poems such as “Daddy.” Plath’s life, including her poetry, her sanity and her marriage was a cycle of ups and downs. After her death in 1963, Plath’s life was depicted in the 2003 film Sylvia, starring Gwyneth Paltrow.
Sylvia Plath uses many literary devices to convey her purpose in The Bell Jar such as symbolism. The Bell Jar itself is used as symbolic representation of the emotional state Esther is in. The glass jar distorts her image of the world as she feels trapped under the glass. It represents mental illness; a confining jar that descends over her mind and doesn’t allow her to live and think freely. Symbols of life and death pervade The Bell Jar. Esther experiences psychological distress which is a major motif in the novel. The death of Esther’s father and the relationship with her mother is a possible reason for her illness. Sylvia Plath expresses the difficulties Esther faces and parallels her struggle with depression and illustrates it using various symbols such as a fig tree, mirrors, beating heart and a bell jar throughout the novel.