The Setting and Atmosphere of Sikes and Nancy,The Black Cottage, and The Treasure In The Forest

Stephen Mallatratt’s adaption to play of “The Woman in Black” portrays the story of a man named Mister Kipps, who is a solicitor who has been sent to an abandoned home in the East of the country in order to collect the legal papers of a recently deceased woman. However, the audience learns that the woman living in Ell Marsh House was haunted by a spirit known as The Woman in Black. Being based in the turn of the previous century, the play tackles the themes of how the fear of the unknown can transform a man of science into a man fearful of the dark and every single creek; and how the concept of revenge can cause an embittered woman to seek vengeance and claim the thing she lost: Children. The play is set during the time where superstition was surpassed by science and where a rational explanation was being required for how everything occurs but how science can be destroyed by the unexplainable…

When Bleak House, by Charles Dickens, was published in 1853, it did not go unnoticed by critics. The reviews of the period where anything but tepid in tone or opinion in regard to Dickens’ newest novel. Most notably, the critics were concerned with the structure of the novel, characterization, and, in particular, Esther as a plausible character. By singling out reviewers from different publications of the time, it is possible to see what the public in 1853 was reading about Bleak House in regard to these issues.

Nathaniel Hawthorne’s short stories are strongly developed around his unique and powerful use of physical setting. Often the location and the time of day of the story speak as much -- if not more -- of the plot, giving a deeper meaning then just the outside world. However, this emphasis on the physical setting is not always present, as in “The Minister’s Black Veil.” Instead, Hawthorne here used primarily the psychological setting of the characters (and most of all with Parson Hooper) to create this masterpiece work that creates just as much an impact - if not more so -- than any physical setting could ever achieve. Hawthorne’s gift as a writer who knew the power of darkness is evident in his short story “The Minister’s Black Veil”.

A True Tale Gives Life to Fictional, Bone Chilling Entertainment: The Unmasked Similarities and Differences Between “Trifles” and “The Hossack Case” both written by Susan Glaspell

Nathaniel Hawthorne, one of America's most renowned authors, demonstrates his extraordinary talents in two of his most famed novels, The Scarlet Letter and The House of the Seven Gables. To compare these two books seems bizarre, as their plots are distinctly different. Though the books are quite seemingly different, the central themes and Hawthorne's style are closely related (Carey, p. 62). American novelist Nathaniel Hawthorne is most famous for his books THE SCARLET LETTER and THE HOUSE OF THE SEVEN GABLES, which are closely related in theme, the use of symbolism, characterization, and style.

In the first few pages of the story,there was a lot of foreshadowing for what was to come, predominantly using Miss Strangeworth’s famous roses and the frequent use of Pleasant Street. On the very first page of the story there was a long description of

Nathaniel Hawthorne and Edgar Allen Poe were extremely successful gothic or dark romantic authors of the 19th century. The two authors wrote a plethora of short stories that strayed from the rationalist styles of the 18th century and paved the way for other dark romantic authors. Romanticism focuses on emotions and nature while rationalism focuses on logic and reasoning. Hawthorne and Poe display the darker side of human nature throughout all of their works. Three especially good examples of this particular style are Hawthorne’s “Dr. Heidegger’s Experiment” as well as Poe’s “The Tell-Tale Heart” and “The Black Cat.”

The power of imagination makes us infinite, and when it is dulled, one can feel trapped. Only after freeing ourselves, can we understand the beauty of a creative mind. Nathaniel Hawthorne explains how he also had to get back in tune with his imagination after not using it for years while working at the Custom House. Hawthorne draws a very well sketch of the boring life at the Custom House, and how after his head was “cut off” he got the mindset to be able to write the Scarlet Letter. In this long introduction to the Scarlet Letter, Nathaniel Hawthorne uses rhetorical devices to describe character traits, show relationships between characters, hint at future events, and enrich the plot for the reader's enjoyment. With his effective use of imagery, symbolism and biblical allusions, Hawthorne adds depth to the novel while creating a connection to the meaning beyond the story that it tells.

At first glance, Kate Chopin’s “The Story of an Hour,” Susan Glaspell’s Trifles, and Henrik Isben’s A Doll House seem to have nothing in common. However, the short story and plays have many similarities. Particularly, five women from these tales— Louise Mallard, Minnie Wright, Mrs. Peters, Mrs. Hale, and Nora Helmer—make drastic decisions that appear to be motiveless. Without context, any reader could be confused by Louise’s death, Nora’s departure, and Mrs. Peters and Mrs. Hale’s unanimous effort to cover up the murder that Minnie Wright committed, which also seems to lack serious motive. However, all of these women’s settings, situations, and lives have connections that make their motives similar. Emotion motivates all five women—not just

Larson describes one of the great performances by Buffalo Bill at the fair. He describes his hair as “streaming,” the trim of his outfit as “glinting,” and his bow of respect to Susan B. Anthony as “seeping” (286). The parallelism and word choice creates a sense of awe for the reader which further contributes to how Larson portrays the people to see the fair as extravagant. Larson’s intent with the loaded language in his description of Holmes’s murders switches to draw attention to the evil and darkness. He repeats the word “phase” when describing his “quest for possession” to emphasize the fact that Holmes had this unpropitious thing of murder down to a routine. The level of evil goes up as Larson describes what Holmes did with the bodies afterwards. He emphasizes how Holmes could’ve cared less what happened to the bodies after he was finished with his game of seduction and murder by referring to them as “materials,” “irrelevant,” and a “recreation” (199-200). Both the hinting to Holmes’s routine of murder and his disposal of the bodies continue to illustrate Larson’s point of how wicked Holmes’s actions really were. If it hadn’t already happened, the repetition of the rhetorical device of loaded language in Larson’s descriptions of the fair and the murders help bring the reader to the harsh realization that there

The realism movement of the late nineteenth century produced works in literature that were marked by reduced sentimentality and increased objectivity. The goal was to let details tell the story, and remove noticeable bias of the author through scientific and detailed descriptions. While this form of storytelling undoubtedly is most accurate, it creates difficulties for authors to incorporate their themes into the story. This resulted in an increase in symbolism in realist works. The objects and descriptions within the story are the author’s vehicle for displaying the values and themes of the work. Light and darkness are symbols commonly used in literature, and have held specific symbolic

In the short story of “Young Goodman Brown” by Nathaniel Hawthorne, the setting is a very important aspect in providing symbolism to certain events. The setting of a dramatic work or story is defined as the overall setting of a narrative detailing the general location, historical time, and social undermining in which its action occurs. The setting of a story is just as important as the characters that are involved within the story. It is a necessary aspect that has influence on every narration. Which is a subject that has not gained much attraction and attention as other parts of the story, but is certainly a very interesting topic to discuss. This essay will give an in-depth analysis of the various techniques that Hawthorne used to convey

The greatest underlying difference in Poe and Hawthorne’s stories are their categorized styles. Hawthorne is an author drawn to writings of romance, which holds broad guidelines. He uses his “unexplained” happenings as part of this genre. Hawthorne uses his characters to portray his belief that the truth of life comes from the human heart. Hawthorne’s romantic literature likes to use the extraordinary. The importance of nature plays a strong role when the secrecy and evil of the woods are described and gossiped about in The Scarlet Letter. All of these aspects portray stories built on the romance theory, which Hawthorne helped to develop.

The existence of a “dark double” abounds in many literary works of the Victorian Era. These

He himself had declared it to be a ‘romantic’ genre along with gothic interests and it being a carrier of Puritan History of England. For the obvious reasons this novel deals with issues concerning the times of mid-1850 wherein Hawthorne has juxtaposed “poverty and riches”, “aristocracy and democracy”, “youth with age”, “greed with unselfishness”, “complex with simple”, “appearance with reality”, “pride with humbleness”, “the isolated with un-isolated” (Dillingham, 59) all these parallels are supported by detailed characterizations of almost all main characters in the text. Hawthorne has provisioned and facilitated his characters with an independent backbone with which they support his themes and carry them on their own shoulders. The text in its romantic narrative fashion has been well-crafted to involve various themes which Nathaniel Hawthorne wished to include in this 1851 published Gothic work. It will not be incorrect to put forth the view that Hawthorne’s The House of Seven Gables is a representative of the era and society of that time. He has accurately projected the concerned subjects of that time and how they used to affect the humans of that period. The juxtapositions too are echoes of the society and mirror the basics of whatever contrived into being the fundamentals of that society. Therefore, the themes of this text are majorly colored by the real world of that period and the