In the movie Beowulf, the women are depicted differently than in the poem. The women in Anglo Saxon culture had more power than demonstrated in the movie. For example, the servant in the Mead Hall is clearly objectified. She is wearing a tight dress with her breasts showing, wanting to gain attention from the men. While she is washing the table, she is bending over so her breasts are exposed. All the men are surrounding her and staring. The main reason for the servant being at the Mead Hall is so the workingmen can look at her. The men are only interested in the servant in a sexual way. An example of this is when a working man states, “…No wonder my loins are burning.” He wants his sexual desires to be completed by the servant. He …show more content…
A further example of Wealctheow being treated as a sexual object is right before Beowulf fights Grendel. If Beowulf kills Grendel, then Hrothgar will reward him with prizes. Hrothgar says to Beowulf, “If you destroy my Grendel for me, she’ll be yours forever and ever and ever.” The king is going to reward the hero with his precious horn and his precious queen. Wealctheow is clearly treated as an item in this situation. Later when Hrothgar commits suicide, the queen is passed on to Beowulf. She goes from king to king like an object. Wealctheow would be nothing without a king. As she gets passed along, the queen becomes a pawn and becomes more and more detached. Her resistance dies down as she is passed from king to king. When Beowulf is king, she acts very gloomy the younger woman tells Weachtheow, “What happened to us? Too many secrets.” Also, Weachtheor’s expression and tone of voice is very disconnected. Her resistance to Hrothgar ends up being useless because she still doesn’t gain equality at the end of the movie. The queen looses power because she isolates herself from the king and society.
Grendel’s mother is portrayed in a negative and objectified image. First, she has a sexual appeal. Grendel’s mom wears no clothes; her skin is gold, which covers her body. She is half woman and half monster. She has a promiscuous look that draws in attention from the opposite sex. In addition, she has a sexual attitude. Right when Beowulf enters the
Throughout the epic Beowulf, the importance of male heroism is far exceeding than that of the significance of women. The idea that women are obedient and docile is a likely thought in medieval Britain, although the women of Beowulf are different, being known as noble, powerful, and assertive. Throughout the text there are major women that play integral roles in society: Grendel's Mother, and Hildeburh. “These women entertain, bring peace, and contradict societal expectations of the female gender, either directly or indirectly, … and illustrate the major roles for the women in the society: the Peace-weavers, and the Goaders ” (TheDomesticBeast). Although there is little mention of women throughout this epic, their fundamental roles within the society were clearly immense.
Beowulf is an Old English poem written somewhere between the eighth century and the tenth century; the culture of Germanic times is depicted through varying concepts of masculinity that not only describes their capability as a warrior, but also their aptitude as a leader. Beowulf shows of a demon named Grendel attacking Heorot, and the king, Hrothgar, calls Beowulf, a warrior, for help with the slaying of Grendel. Characteristics and qualities of leadership are directly linked to the masculinity of the characters within Beowulf. The leaders in the prologue are demonstrated with the aspects of masculinity through their strength and brutality. In Beowulf, a man demonstrates his essential worth through evidence of masculinity as seen in Unferth’s cowardice, Beowulf’s heroism, and Wiglaf’s bravery.
As the poems of Beowulf and Sir Gawain and the Green Knight show, women have always had power, yet not as overt a power as wielded by their masculine counterparts. The only dynamic of women’s power that has changed in the later centuries is that the confines and conditions in which women have wielded their power has become more lax, thus yielding to women more freedom in the expression of their power. The structure, imagery, and theme in the excerpts from Beowulf (lines 744-71) and Sir Gawain and the Green Knight (lines 2309-30) support the concept of more power in the later centuries, by contrasting the restriction of Wealhtheow and the power she practices in Beowulf with the Lady’s more direct assertion of power in Sir Gawain
In Beowulf, varying treatment among each gender is common. Therefore, mistresses are not allowed to perform actions that men were permitted and are required to enact based on society’s standards. Females are not retained from doing heroic deeds because of the structure of their body or the estimated weightlifting qualifications. However, the weakest of males are expected to excel through rigorous parts in their life to represent heroic traits they possess within unearthly powers as men of the Gods. Savage animals were not figurative in the passage, but were viewed just as real as a man’s sword. Without these monsters, the men could not have slain enough to be seen as inhumanly or superior compared to the average man. Males were constantly competing against each other in order to have a place among the Gods.
Women have had many different roles in the history of European literature but have generally been restricted to the roles assigned to them in a largely patriarchal society. As a result of this society, these roles have often been powerless ones. This calls into question the constitution of a powerful woman in literature: in Beowulf, being a powerful woman means becoming the bond between families and alliances; in Lanval, power comes from assertion and control-- a powerful woman is a woman in charge. The primary difference between the representation of women in Beowulf and Lanval is that the latter transcends overarching patriarchal boundaries, and the former does not; the reason for their respective representations lies in the literary time periods in which the stories were written. From this, one can see that the introduction of romance as a central theme gave way to new representations and roles of women in predominantly heteropatriarchal English literature and gives new meaning to the analysis of stories like these.
The men throughout the Old English era played a very prevailing role in society. Men were the persons in society that were portrayed as the central leaders; being in charge of their homes and representing wisdom and strength. Because the men’s role in the Old English era was so dominant, there is a vast amount of literature about them, thus allowing women to be outshined. In fact, restrictions were placed on the majority of women during this period. However, as time evolved, the roles of women also evolved. In the Old English texts, The Wife’s Lament and Beowulf, the roles of women are seen as peace weavers, motivators, cupbearers and memory keepers, compared to the women in the Middle English text, Sir Gawain and the Green Knight, who now play the roles of being protective, seductive and manipulative.
Within the pages of the well-known epic poem are many extraordinary and warring narratives of the Middle Ages. Beowulf is important because it is one of the most ancient European epics written in the vernacular, or native tongue. The seemingly super natural heroes of this exciting and famous writing have a great impact on the typical roles of their women. As declared through out the many lines of the astonishing poem, the women have many purposes and serve a variety of roles. Wealhtheow, Hygd, Hildeburh, Freawaru, and Grendel’s Mother give examples of the historical roles that are expected of the women of this ancient time. The women in “Beowulf” have the significant roles of hostess, peaceweaver, and mother.
Wealhtheow exists as the main female protagonist in the poem. She does not enter as a character until she is needed to fulfill her role as the cup-bearer for the first feast at Heorot. She is well-respected within the mead hall and in return respects the men of the hall "adorned in her gold, she graciously saluted / the men in the hall, then handed the cup / first to Hrothgar, their homeland's guardian" (ll. 614-616). However, as Wealhtheow continues her rounds of serving, it becomes apparent that Wealhtheow has more power than that of a common cup-bearer. This is evidenced when she is able to speak to the guests of the mead hall, and receives a respectful response from the guest of honor, Beowulf. In addition to the respect that she is given, it becomes apparent that Wealhtheow is well spoken and perhaps well educated: "With measured words she welcomed the Geat / and thanked God for granting her wish that a deliverer she could believe in would arrive / to ease their afflictions" (ll. 625-628). These descriptions of Wealhtheow's presence within the mead-hall show her obedience to her lord, Hrothgar, as well as the respect she has earned from the people fulfilling her role as gracious
Well, Beowulf was disloyal to his wife by having a servant as a lover. Thanks Hollywood, way to go to ruining a relationship. While he had a side chick, him and his wife just stopped acting like a couple but just like business partners. It’s sad to see how the queen and Beowulf drifted apart that he had to turn to a young girl as a bed mate. In the poem it didn’t talk about the queen that much, or the sections we read. But in the movie, Beowulf is easily controlled by women sexually making them powerful. Pretty much saying men can be easily seduced by any woman who has boobs. For example, when he was killing all the monsters he was easily seduced by the mermaid. She lured him to her and they most likely did the you know what. I think thats the reason why he might have lost the race but my opinion doesn’t matter. Another would be how when he very first saw the queen, he immediately was attracted to her and would dream of her in his sleep, creepy. The worst of all, he fell for Grendel’s mother sleeping with her then leaving his seed inside her. And that seed is the dragon. Like come
As an epic tale of heroes and monsters, Beowulf gives its readers much excitement and adventure, but Beowulf's importance is more than just literary. It offers many insights into the beliefs and customs of seventh-century Anglo-Saxon culture. Among these insights is the Anglo-Saxon view of women and their role in society. Good Anglo-Saxon women are peaceful and unassertive, greeting guests and serving drinks to the warriors and other men in the meadhall. Wealhtheow, the queen of the Danes, represents a typical subservient Anglo-Saxon woman. As a foil to Wealhtheow, Grendel's mother is a strong and combative monster whom Beowulf must kill. By analyzing these two characters in Beowulf, we can understand the
Beowulf and “The Wife of Bath’s Tale” are both narratives in which gender acts as an important theme within their individual communities; yet they use different tools to define the roles of men and women within a good community. Or, in other words, both stories paint a vivid picture of the role of women, by suggesting that one gender had more power over the other. However, these two narratives vary in their expression of such views; Beowulf conveys its message through what is missing, while “The Wife of Bath’s Tale” incorporates satire and uses explicit narrative when relaying the experience of a woman that is highly different from that of other women of her time. Furthermore, another difference that is apparent to the reader is that men become the heroes in Beowulf, while “the wife” becomes
Beowulf is known for displaying the importance of male heroism via Beowulf, but what about the significance of the women in the poem? The significance of women in Beowulf is overshadowed by the great heroism of the character Beowulf, but the women each have a reason for participating in the epic. The ideal woman was someone who was a noble, a mistress and loyal. An ideal woman is described in Maxim I: “at mead drinking she must at all times and places approach the protector of princes first, in front of the companions, quickly pass the first cup to her lord’s hand”. The significance of women in Beuwolf is a minor detail in the epic, but proves to be vital to Beuwolf. The epic of "Beowulf" illustrates three major roles for the women in the society: the hostess, the peacemaker, and the monster. Five women in Beowulf play the major roles throughout the epic: Wealhtheow, Freawaru, Thyrth, Grendel's Mother, and Hildeburh. These women entertain, bring peace, and contradict societal expectations of the female gender, either directly or indirectly.
Women from the beginning of time have been determined to make their mark in the world of a "so-called" man 's world. Women believed they deserved the right to express their opinions about family matters as well as business affairs. The women in Beowulf and The Wife of Bath Tale have different issues, however they are for all the same reason: be heard by the power dominating sex. In the eighth century men were thought of as being superior to women. In the fourteenth century women played roles that made them feel superior over males. Both poems illustrate how women were used as symbols by powerful men to support their nobility. The opposing dynamics of the feeble women in Beowulf
Another female character in the poem is Wealhtheow, and without a doubt we notice that she is a female who is respected and admired, being the wife of King Hrothgar, Queen of the Danes: “Applause filled the hall./Then Wealhtheow pronounce in the presence of the company” (1214-1215). There is a great contrast between Grendel’s mother and Wealhtheow.
The most prominent role of women throughout the poem is devoted wives and queens, which is reflected in the portrayal of Queen Wealtheow. When she is first introduced, Wealtheow “went on her rounds, queenly and dignified, decked out in rings, offering the goblet to all ranks, treating the household and the assembled troop” and then “with measured words she welcomed the Geat and thanked God for granting her wish that a deliverer she could believe in would arrive to ease their afflictions” (lines 620–28). The anonymous poet paints a picture of Wealtheow as gracious, regal, and put together, everything that an ideal queen should be. Not only is she physically perfect, but she is also an ideal hostess – one who tends to everyone, welcomes guests warmly, and ensures that everything is running smoothly for her husband. Later in the poem, Wealtheow gives a toast, “enjoy this drink, my most generous lord; raise up your goblet, entertain the Geats duly and gently, discourse with them, be open-handed, happy and fond” (lines 1168–71). Similar to this one, Wealtheow often gives speeches or toasts throughout the poem, something that, though not entirely masculine, is usually reserved for kings to give to his