The Shift of Culture in Compton and the Transcendent Cultural Effect it Formed in America

The rest of the chapter talks about the similarity of minstrel images in 1990s hip-hop, as evidenced by the defining characteristics of greed, violence, hyper sexuality and pathos in “gangsta rap” (a sub-genre of hip-hop further defined in chapter two). Ogbar balances this landscape with challenges to what he calls “neo-minstrelsy” from both inside and outside the hip-hop community, including discussions of the Spike Lee movie, Bamboozled, underground conscious hip-hop groups such as The Roots and Little Brother, and the activist “Stop Coonin’ Movement”, to name a few. Throughout the book, Ogbar explains how rappers strive for authenticity by “keepin’ it real”. And that is defined by how they rap, walk, talk, and make their

Music and society have always been closely related. For years now music has been apart of people’s everyday lives all around the world. Having so many different genres out there, it makes it easy to be appealing to so many different ethnic backgrounds. However, one type of genre in particular has seemed to grab the attention of a younger generation. Rap music has undoubtedly had its utmost impact on African American youth, since many of the performers themselves are African American. An overtly masculine culture dominates rap music and creates gender stereotypes that become abundantly popular to the youthful audience. Three constant themes that are found within the rap culture are encouragement of violence, the misogynistic representation of women, an extreme hatred of homophobia. Each theme plays a detrimental role in the process of defining black masculinity as well as shaping the values, morals, and beliefs that its younger audience adopts after tuning into this “gangster lifestyle”.

During the mid-20th century there was much racial discrimination, specifically in home ownership. During this period there was mass immigration of Southern blacks to the north. In Lawndale Chicago, there was adverse reactions to this. As the

In his short overview of the origination of the Sugar Hill Gang in the mid 1970’s, the author makes it apparent the hip-hop grew out of necessity due to lack of funding in the art programs in New York City school system. This neoclassical movement of the mid 1970’s grew like a wildflower that sprouts through the cracks of a modern day concrete jungle.

In the essay, McBride’s logical appeals are used to help his purpose by using facts and examples to describe the rise of hip hop culture, and explain its significance based on more than just opinion. A particular instance of McBride making a logical appeal would be “In the mid-1970s, New York City

Tiny Compton, in response, made a large mistake by raising their property and school taxes and they did a fantastic job at this and exceeded almost all other L.A towns during the time. Yikes. Fortunately, this did not stop people from relocating there during World War II. Schools became so crowded, understaffed and obtained an inadequate amount of resources making it evident that the system was failing. When the schools funding became nearly forty percent from local tax payer’s dollars in the mid-sixties and early seventies, many fled the scene and moved to an area with lower taxes, but the blacks remained. At this point, Compton was termed as the “Black Beverly Hills”, but this all began to go downhill after the riots in 1965. Drug and juvenile arrests reached an all-time high during the 1960’s and in 1969, the city had the highest crime rate in the state of California. In “Taking Compton National”, written by Ryan Reft, he states, “Shootings occurred at Compton and Dominguez High Schools in 1972, the same year the suburb ranked second in reported homicides in Los Angeles County beating out Long Beach, a city five times the size of Compton” (Reft). Furthermore, a battle between the district administrators and teachers over low pay, school violence and lack of resources

Chicano gangs have been a prominent part of the Los Angeles community since the early 1900s. These Chicano gangs consisted of young Mexican-Americans, another name used for Chicanos, which were formed as a way for some youth to identify with something. The behavior of gang members was a way of adapting to the social and economic living situation that was upon them. There was a large migration of Chicano immigrants to the Los Angeles area that resulted in several changes directly related to the larger and present Chicano presence. The most notable being the prominent presence of Chicano specific gangs. This is likely due to the fact that many people of Chicano descent are immigrants who came to America with little to nothing. This resulted in large groups of Chicanos being located in some of the poorest areas. Such areas became known as “barrios”, a Spanish term for neighborhood that became specifically in reference to the poor neighborhoods with a high Latino population. The people living in them were often working the lowest paid and hardest jobs needed by those of a higher class in society. It is commonly found that when poverty is heavy throughout a community, many youth will feel the need to act out in some way, and band together in their mutual discontent with their surrounding environment and society. In addition, many youth were also dealing with trying to identify themselves as something and weren’t sure if to identify themselves as latino, chicano, or something

. The shutting down of factories in South Central Los Angeles contributed to a number of gangs forming. Many African Americans moved to that particular part of the city because of how well the factories. The city also grew in population because of all the jobs that were available. When the jobs were gone and the factories shut down and move to other states the youth were left without role models. A fifteen year old boy named Raymond Washington started the gang which eventually became known as the Crips. Furthermore, with all of the other young people without jobs and role models they pulled together and started another gang of people that were not a part of the Crips. This gang will also change names a couple of times and become the Bloods.

Thesis: the paper’s focus on hip-hop as a music genre that has changed the lives of the black Americans

The correlation between gangs and drugs has always been an issue for the United States government. Major cities often overlooked the problem of youth gang violence, thinking it was only a 1960’s trend. Sixty years later, gangs and drugs continue to be a problem, but in an increasing number within urban, suburban and rural areas in the United States. People may characterize this problem with words such as violence, increase drug activity, and delinquencies, but not many seem to see the bigger picture. Lack of interaction, collaboration, and strategies from law enforcement, youth centers, businesses, churches, and political icons are increasing gang violence and drug related offenses in major cities. In such cities as Chicago, minority groups are the most vulnerable to joining a gang, which then leads to an involvement with drugs; they are faced with barriers – lack of family support, poverty, segregation, unemployment, etc. An incident that happened in Chicago history is the closing of the Cabrini-Green Project, where people involved with gangs had to find a new home, scattering gang-members throughout the city, and eventually leading to their spread and growth.

The decade of hip-hop is what some may call it. Tupac, Naz, Biggie Smalls, as well as other artists, were major contributions. Not only for the people who are trying to find their footing, but Buck as well. Throughout the book various lyrics were embedded in order to create a better understanding for its readers. In addition, this book is based upon a 90s lifestyle within Philadelphia, which included drugs, gang activity, crime, hip-hop, and havoc. Malo was directly in the center of everything, the girls, the fights, the guns. His experiences shed light towards what it’s like to as an African American individual living in or near the hood. Not everyone realizes what people go through while living there, but now it gives some readers an image of what goes on. Though times have changed, not all previous feelings

By the 1920’s the amount of African Americans in New York City had more than doubled. Meanwhile the roadways and subway system had just begun to reach Harlem, where some of the most influential Blacks had situated themselves. Soon after, Harlem became known as “The Black Mecca” and also as “The Capital of Black America”.

During the Great Black Migration, which lasted from 1916 to 1970, (“Great Migration”) African Americans left the South for the North because of the increasing demand for factory labor after the burst of the First Industrial Revolution. However, the assignment of African American neighborhoods could not accommodate the big increase of population; “black out-migration from the South surged from 197,000 during 1900-1910 to 525,000 during 1910-1920.” (Massey 573) Therefore, some African Americans ended up in the white neighborhoods, and the residential color line crossing infuriated the white in the North, so antiblack riots happened, and the hatred toward African Americans ended up triggering criminal justice. For instance, one of the reasons why the 1919 Chicago riot happened is that the police got an African American arrested while there was a white person who killed an African American by throwing rocks at him. In order to address the chaos caused by riots addressing African Americans’ residential line crossing, in 1924, the National Association of Real Estate Brokers spoke up by “stating that, ‘a Realtor should never be instrumental in introducing into a neighborhood...members of any race or nationality...whose presence will clearly be detrimental to property values in that neighborhood.’” (Massey 573) Instead of examining the root of black-and-white

1.) In this class we have examined the sociological forces that created the social conditions from which Hip-Hop emerged in the Bronx. Drawing upon Chang, as well as videos (Bronx is Burning, Flying Cut Sleeves etc.), discuss the sociological roots of rap. Specifically, what social forces (for example: state policies, global economic trends, technological advancements, community characteristics as well as race, class, gender politics) were present and facilitated the development of Hip-Hop?

Rap music, also known as hip-hop, is a popular art form. Having risen from humble origins on the streets of New York City during the mid-1970s, hip-hop has since become a multifaceted cultural force. Indeed, observers say, hip-hop is more than just music. The culture that has blossomed around rap music in recent decades has influenced fashion, dance, television, film and—perhaps what has become the most controversially—the attitudes of American youth. For many rappers and rap fans during it’s early time, hip-hop provided an accurate, honest depiction of city life that had been considered conspicuously absent from other media sources, such as television. With a growing number of rap artists within this period, using hip-hop as a platform to call for social progress and impart positive messages to listeners, the genre entered a so-called Golden Age