The Short Happy Life Of Francis Macomber By Hemingway

Without Hemingway 's use of Wilson’s inner dialogue readers wouldn’t know what his thoughts on the affair are, neither would they know about his biased and role giving ways. Despite his prior judgments of Francis, near the end of the story Wilson shows a shift in his judgment when Francis, filled with anger, chases down and kills some buffalo. He says that Francis would “Be a damn fire eater now” and that Francis had his “Fear gone like an operation.” Because Francis gains the courage to hunt the buffalo without falter, Wilson believes that he is a “real man” now. This shows the shift in Wilson’s judgment of Francis, as well as how he perceives the role that Francis should fill. He views Francis as a coward who had never truly came of age before the buffalo hunt, which shows that Wilson believes that men should be fearless and able to hunt. Without Wilson’s perspective readers wouldn’t realize the amount of shift Wilson had in his judgment, nor would they have as much insight on Wilson’s ideals and standards. By allowing the readers to view multiple perspectives, the author allows the readers to see the judgmental, self biased, and role giving side of Wilson. He shows the growth of Wilson

Margot Macomber as the Hemingway Code Hero in “The Short Happy Life of Francis Macomber”

Francis reveals his lack of self-confidence and control over the situation. ?If he had been better with women she would probably have started to worry about him getting another new, beautiful wife but she knew too much about him to worry? (Hemingway). His lack of self-confidence has given her all the power in the relationship and it was a major contributing factor in her infidelity. Later on in the story, the growth of Francis?s confidence during the buffalo hunt and Margot?s displeasure with it is the final clue in determination of the death of Francis Macomber. The buffalo hunt gives Francis a new found sense of ?happiness?. This ?new wealth? of confidence is powerful for Francis and devastating for Margot . ?Fear gone like an operation. Something else grew in its place. Main thing a man had. Made him into man. Women knew it too. No bloody fear? (Hemingway). Margot knew at this point that if Francis survives the trip, he might possess enough personal strength and finally leave her, and that is what encourages her decision to kill him. At the end of the story Wilson confirms the reader?s suspicion when he reacts to the shooting by saying to Margot, ?That was a pretty thing to do? (Hemindway). That statement reinforces the belief that Margot was indeed taking advantage of the opportunity to ensure her long-term wealth and eliminate the possibility of being

Women in Hemingway’s stories are portrayed to be heavily sensitive and emotional, and unable to deal with the realities of life. They do not seem to understand how life is not necessarily always going to be a picture perfect world. In “The Short Happy Life of Francis Macomber”, Margot Macomber is shown as a very emotional women in many circumstances, as if she is not able to deal with obstacles that life will throw at her. One instance of this is when the two men are having a discussion about killing the lion. At one point, she is making jokes and seeming perfectly fine, then the next thing she starts to cry. Her husband, Francis, and Wilson even acknowledge this as well. They describe how they “both saw

In the short story “The Short Happy Life of Francis Macomber” Francis is portrayed as a coward. His wife uses this to her advantage. She cheats on him and openly admits it only because she knew that he would not leave her because he was not good with women. The only reason she was with him was his money, which makes it that much easier to convince people that she purposely murdered him at the end of the story. Macomber’s newfound confidence made Margot nervous and agitated.

In Ernest Hemingway’s short story “ The Short Happy Life of Francis Macomber,,” Hemingway uses the author’s craft of perspective along with dialogue and internal dialogue to create a multi-part claim that develops an overall negative characterization of the story’s characters. Hemingway develops the characterization of Margaret, one of the main protagonists, by using multiple perspectives to assure on her character traits of cruel, manipulative, and fearful.

Benson, Jackson, J. The Short Stories of Ernest Hemingway Critical Essays. Durham: Duke University Press, 1975. Print.

Does deviating from one’s gender norms inevitably doom one down a spiral of moral corruption? Tim O'Brien, author of “Sweetheart of the Song Tra Bong” and Ernest Hemingway, author of “The Short Happy Life of Francis Macomber”, certainly seem to hold this view, as evident by the fates of the major female characters in their respective works. The deviance of the major female characters in both works appears to corrupt not only themselves, but also pollute their partners, causing them to suffer injury or harm as a result. The degree of injury ranges from negligible, like Fossie’s demotion and broken heart, to fatal, like the bullet that rips through Macomber’s skull. It begs the question, are these stories meant to serve as cautionary tales for their female readers, or possibly for their husbands, so they may recognize gender deviance and stop it in its tracks before their wives transform into Margot Macomber or Mary Anne Bell? This essay will analyze what such characters say about pervading views of women, both in society and in literature.

Macomber felt utter disgust for Wilson. Every time Wilson spoke, Macomber threw back daggers for words. It annoyed Wilson, for he was unphased by the fact that Macomber knew Wilson had been with his wife. He ignored Macomber’s harsh words so they could go hunting for the buffalo. As they drove out, Macomber spotted three large buffalo. Wilson told him, “We’ll cut them off before they get to the swamp.” They both got their guns ready, where Macomber almost began to shoot from his position in the car before being shouted at by Wilson. They jumped out of the vehicle as it came to a bolting stop, aimed, and began shooting. Macomber struck the first one down, and with the help of Wilson, eventually the other two. Margot was awe-struck, telling Macomber how “marvelous” he had done. “Macomber felt a wild unreasonable happiness that he had never known before” (Hemingway). Meaning, Macomber felt as though he had restored his

“The Soldier’s Home” by Ernest Hemingway is a short story that tells the story of a soldier who returns home but realizes that war has changed his life. Hemingway ensures that the readers fully understand the purpose of the short story by using a detached tone, brief sentence structure, and a lack of imagery help develop the short story. The use of these literary techniques in Hemingway’s story allows him to develop his plot without losing his audience’s attention and include a message in the story. The story is told in third-person which allows for the reader to have a clear image of the soldier Krebs and his return home.

In addition to the conflict in the story, there are scenes of rising action. One example of rising action occurs when Wilson and Macomber return to the wild to hunt for a lion once again. Macomber is able to get a shot off but only able to wound the lion before it runs away. As Wilson and Macomber search for the wounded lion to finish it off, he inevitably runs away frightened for a second time. Hemingway writes Macomber, “was running; running wildly, in panic in the open, running toward the stream.” As a result of this instance, Macomber’s wife takes a thriving interest in Wilson. Hemingway writes, “Once he had reached over to take his wife’s hand . . . she had removed her hand from his . . . his wife had reached forward and put her hand on Wilson’s shoulder . . . and kissed him on the mouth.” Later, Macomber’s wife sleeps with Wilson, which will completely change Macomber’s persona for the rest of the story. Macomber is so overcome with anger, his character quickly changes from cowardly to courageous.

Scholars and critics often use this short story as a jumping off point when exploring the development of Hemingway's approach to writing and his narrative style. The characters, Jim and Liz, are like many of Hemingway's characters in that they are disinclined to philosophize, are prone to action, learn from experience, and avoid abstract

Margot seemed distraught in the story and said “I wish it hadn’t happened. Oh, I wish it hadn’t happened” (2). She went to her tent and appeared to be crying because her shoulders were shaking. Francis’ cowardice makes him less of a man in Margaret’s eyes than he already was, putting an even bigger strain on their marriage and opening the door to infidelity with Wilson who is painted as a strong male character throughout the story. Wilson thinks to himself in the story “Well, why doesn’t he keep his wife where she belongs? What does he think I am, a bloody plaster saint? Let him keep her where she belongs. It’s his own fault” (12). Hemingway uses this line to display the idea that a man can’t control his own urges and he has to keep his wife in check with his own actions. Wilson takes no responsibility for the infidelity and blames it all on Francis’ cowardice. If Francis had shown courage in this moment it could have reignited the passion in Francis and Margaret’s marriage rather than put an unnecessary strain on it further complicating their dichotomy. He should have been the brave man his wife needed to see providing for her so she could feel some sense of passion with him.

Richard Wilson is a man’s man, and embodies Hemingway’s fascination with living life on the edge. The “white hunter,” Wilson, lives the life according to Hemingway values. Hemingway believes in the importance of physical activities and outdoorsmanship. Wilson has an attractive ruggedness, and embodies many of Hemingway’s code hero traits. Hemingway uses an allusion to a famous Shakespeare line to strengthen the character of Wilson.

“The Short, Happy Life of Francis Macomber” also contains the theme of arduous moral situations for the characters. Margot, the wife of Francis, is challenged by the temptation to have relations with their tour guide. Eventually, she commits the crime of adultery, and her husband finds out about her crime and is deeply shaken. “‘Well, why doesn’t he keep his wife where she belongs? What does he think I am, a bloody plaster saint? Let him keep her where she belongs. It’s his own fault’” (Hemingway 13). By the tone of Wilson thoughts, it is inferred that he is not able to find fault in himself and decides to blame it on the most vulnerable person, Francis. In spite of Wilson being the only man to blame for this whole incident, Margot can also take part of the blame. She appears to be a faithful and caring wife, but her actions do not justify this statement.