The Short Happy Life Of Francis Macomber Analysis

In Ernest Hemingway’s short story “The Short Happy Life of Francis Macomber,” Hemingway uses the author’s craft of perspective, along with dialogue and internal dialogue to create a multi-part claim that develops an overall negative characterization of the three main characters. Hemingway develops the characterization of Wilson, Margaret, and Francis by using multiple perspectives as he threads a negative tone throughout the story.

Margot Macomber as the Hemingway Code Hero in “The Short Happy Life of Francis Macomber”

Ernest Hemingway is known for writing novels and short stories with unresolved endings. In his short story, ?The Short Happy Life of Francis Macomber?, he

Besides, Margaret as the maid to Hero, is under the deceptive appearance that veiled her witty nature. When she is with the woman, her true self is shown through the use of sexual innuendo when she refers woman as ‘maid and stuffed’ with the idea of pregnancy. She can have bawdy talk just like man when she responds to Hero by saying ‘heavier by the weight of a man’. In a patriarchal society, though women are suppressed, they are not totally submissive and innocent as their true self is veiled by the deceptive appearance.

Women in Hemingway’s stories are portrayed to be heavily sensitive and emotional, and unable to deal with the realities of life. They do not seem to understand how life is not necessarily always going to be a picture perfect world. In “The Short Happy Life of Francis Macomber”, Margot Macomber is shown as a very emotional women in many circumstances, as if she is not able to deal with obstacles that life will throw at her. One instance of this is when the two men are having a discussion about killing the lion. At one point, she is making jokes and seeming perfectly fine, then the next thing she starts to cry. Her husband, Francis, and Wilson even acknowledge this as well. They describe how they “both saw

In the short story “The Short Happy Life of Francis Macomber” Francis is portrayed as a coward. His wife uses this to her advantage. She cheats on him and openly admits it only because she knew that he would not leave her because he was not good with women. The only reason she was with him was his money, which makes it that much easier to convince people that she purposely murdered him at the end of the story. Macomber’s newfound confidence made Margot nervous and agitated.

In Ernest Hemingway’s short story “ The Short Happy Life of Francis Macomber,,” Hemingway uses the author’s craft of perspective along with dialogue and internal dialogue to create a multi-part claim that develops an overall negative characterization of the story’s characters. Hemingway develops the characterization of Margaret, one of the main protagonists, by using multiple perspectives to assure on her character traits of cruel, manipulative, and fearful.

Does deviating from one’s gender norms inevitably doom one down a spiral of moral corruption? Tim O'Brien, author of “Sweetheart of the Song Tra Bong” and Ernest Hemingway, author of “The Short Happy Life of Francis Macomber”, certainly seem to hold this view, as evident by the fates of the major female characters in their respective works. The deviance of the major female characters in both works appears to corrupt not only themselves, but also pollute their partners, causing them to suffer injury or harm as a result. The degree of injury ranges from negligible, like Fossie’s demotion and broken heart, to fatal, like the bullet that rips through Macomber’s skull. It begs the question, are these stories meant to serve as cautionary tales for their female readers, or possibly for their husbands, so they may recognize gender deviance and stop it in its tracks before their wives transform into Margot Macomber or Mary Anne Bell? This essay will analyze what such characters say about pervading views of women, both in society and in literature.

“We have nothing to fear, but fear itself.” Known by many, this common phrase has few words, but a intense meaning. In Ernest Hemingway’s short story, “The Short Happy Life of Francis Macomber,” the overcoming of fear is shown throughout the story. Francis Macomber and his wife Margaret Macomber are on an African safari with a man name Robert Wilson. Hemingway portrays Francis Macomber as wealthy and beautiful, yet cowardly. Macomber's wife Margaret also young and beautiful, but seemingly dissatisfied with her husband of eleven years. Robert Wilson is portrayed as a fearless man that has little regard for anyone but himself. The story is focused around Francis Macomber’s cowardly actions and his attempt to become

Cordelia Street, where he lived, made him feel “a shuddering repulsion of the flavorless, colorless mass of everyday existence" (90). His neighbors too, in his point of view, were "exactly like their homes, and a piece of the monotony they lived” (90). He was interested in the triumphs of “cash-boys who had become famous” (92), but had no mind for the “cash-boy stage” (92) - working up the social ladder.

In Hemingway’s short story, The Short Happy Life of Francis Macomber, we begin with the married couple, Franics and Margaret Macomber, on a safari in Africa with a man named Robert Wilson. Francis is shown to be a coward when he shoots his first lion twice, but is too afraid to finish it off even though it may be suffering. Margaret is very displeased with her husband’s cowardice and shows her contempt by berating him profusely. Francis is awoken from his sleep late at night after a bad dream to find his wife, Margaret, is gone. When she returns to the tent she claims she was out getting “a breath of air” but Francis knew she had just slept with Robert Wilson. Francis

Ernest Hemingway’s short story, “The Short Happy Life of Francis Macomber,” chronicles a rich American couple’s safari hunting trip. Francis Macomber, a seemingly perfect man- handsome, wealthy, and athletic- and his wife, Margot Macomber travel to Africa for a hunting trip. The story opens on an afternoon cocktail hour, after a morning of hunting. Quickly, Margot’s frustration towards her husband emerges. She is embarrassed of his cowardness, and torments him. Richard Wilson, their safari guide, listens to the argument. Wilson is brave and athletic, essentially the qualities Macomber lacks. Earlier that morning, Macomber ran away from a lion, leaving Wilson to mercy kill it. Later, in an effort to win back Margot’s admiration, Macomber successfully gunned down three buffalo. However, an injured one charges, leaving Margot to shoot the buffalo, and Macomber. Hemingway’s use of literary elements enhance and deepen the reader’s understanding of the characters. He develops their actions and motivations through a code hero, symbolism, and allusion.

“The Short, Happy Life of Francis Macomber” also contains the theme of arduous moral situations for the characters. Margot, the wife of Francis, is challenged by the temptation to have relations with their tour guide. Eventually, she commits the crime of adultery, and her husband finds out about her crime and is deeply shaken. “‘Well, why doesn’t he keep his wife where she belongs? What does he think I am, a bloody plaster saint? Let him keep her where she belongs. It’s his own fault’” (Hemingway 13). By the tone of Wilson thoughts, it is inferred that he is not able to find fault in himself and decides to blame it on the most vulnerable person, Francis. In spite of Wilson being the only man to blame for this whole incident, Margot can also take part of the blame. She appears to be a faithful and caring wife, but her actions do not justify this statement.

A Farewell to Arms, a tragic and enthralling novel written by Ernest Hemingway, ends with two heartbreaking deaths that greatly impact the message of the story. Stuck in a constant battle between love and war, the characters suffer through complicated relationships and war violence. The novel ends abruptly when Hemingway writes that Catherine has died and Henry then walks back to the hotel alone in the rain. Giving very little information about Henry's emotions, the novel's ending portrays a quiet dignity that the reader must interpret. Although the novel's resolution is appropriate for the characters and the lack of information compliments Hemingway's writing style, the Fitzgerald ending is another suitable resolution that exhibits an important concluding message.

What any of her famed followers could surely gather from the novels in her collection is that the concept of freedom and selfishness is often associated with the unsympathetic characters. Emma for instance has been ‘doing just what she liked’ for most of her existence (1). These traits could also be adapted to many other characters in the novel, but to emphasize on one individual disdainfully would be Elizabeth Elliot, Anne’s older sister. She is depicted in a very Emma like