The Shrew By William Shakespeare

Throughout the works of Shakespeare there are several relationships that develop in order to help guide the story into its conclusion. For instance, in Othello, and Taming of the Shrew, similar relationships between the male and female lead characters are displayed and emphasized to bring large meaning to each of the texts. It is these relationships between fathers and daughters, as well as husbands and wives that form to progress the plots of each play. Through these bold and sometimes fatal relationships, Shakespeare portrays a domino effect that each of the female leads put into play through their actions.

William Shakespeare is considered the greatest playwright of all time. His gift for developing characters is one major exposure that accounts for this dignified acknowledgement. Shakespeare have written on several characters and the conversion of their ideas and personalities from foolish to generals and leaders. The characters were represented with such realism that spectators can judge their personalities and views with their personalities for better or poorer. When we hear or think of the word “feminine” the things come in our mind are quiet, modest, restrained, pretty and maternal. We can’t generally associate

Women in the era of Queen Elizabeth I were often portrayed through stereotypes such as, “The Good and the Badde” by Nicholas Breton. In this work women have desired traits such as loyalty, obedience, and innocence. Undesirable traits would be just the opposite, disobedience, raunchiness, treachery, loudness, and being outspoken. The play, “The Taming of the Shrew” by William Shakespeare, plays heavily to these stereotypes with the two female main characters; Bianca and Kate. Whereas Kate plays the Un-quiet one in the beginning, but transitions to more of a quiet one or the good wife while Bianca plays The Virgin.

In Shakespeare’s play The Taming of the Shrew, the main character, Katharina Minola is portrayed as a shrew. Her behavior emanated from the fact that a father who treated her with indifference raised her and there was a lack of a motherly influence in her life. “Shakespeare sketches her character with a depth the typical shrew lacks” (“The Taming and Comic Tradition” 1) so her behavior is a defense mechanism used to protect herself from rejection. Katharina “is aggressive and belligerent, but she recognizes her own repulsiveness and ultimately responds positively to love” (“The Taming and Comic Tradition” 1). Once Katharina meets Petruchio, her intended husband, her behavior starts to transform into that of a socially acceptable wife. Katharina’s metamorphosis in behavior is

The crustaceans twitched slightly as Issac looked over the boiling water, Joan looked at his actions, what was the boiling water for? How did the machine create heat without fire? What were the small devices and large door in front of the giant hulking thing known as an oven. Issac picked up one of the creatures by its tail as he hung it over the boiling water and casually dropped the lobster in.

Perhaps one of the most famous betrayals in history was that of Julius Caesar by his friend Marcus Brutus. Upon realizing his friend’s part in his death, a shocked Caesar asks, “Et tu, Brute? [You too, Brutus?]” and falls to his death. (Et tu, Brute?) The allegorical story Lord of The Flies consists of many situations where the conflicts and betrayals between Adolf Hitler and Joseph Stalin are represented through two boys on the island, Jack and Ralph. In the beginning of the story, Jack and Ralph work together and have generally peaceful relations. However, as time goes on, tension on the island increases, eventually resulting in the boys becoming leaders of two separate tribes. Finally, Jack violates the previously agreed upon peace

The Taming of the shrew was just one of William Shakespeare's 4 great comedies. Taming of the shrew is based on a king named Baptista who had two daughters named Katherina and Bianca. Both daughters had arranged marriages by there father. Since Katherina was older she had to get married first. Her father chose Petruchio for her to marry. Katherina did not want to get married to Pertuchio, but Katherina did not have a choice. Katherina was very disobedient at the begging of the marriage, but Pertuchio was very determined to tame her. Katherina would not want to do anything that Pertuchio was telling her to do. But soon she found out that if she did everything that he asked her to do then she will get what she wants.

Throughout Othello by William Shakespeare, Othello makes numerous poor decisions due to his jealousy. Hitting Desdemona, trusting Iago, and killing Desdemona are among a few of the poor decisions that he makes. The word jealous can be defined as feeling or showing suspicion of someone's unfaithfulness in a relationship. Othello feels suspicious of Desdemona’s and Cassio’s relationship because of the lies that Iago tells him. Many people try to tell Othello the truth but he only believes the words of Iago. Even Emilia, Iago’s wife, tells Othello that Desdemona and Cassio are not having an affair and their interaction is business only, however; he does not trust her. Without Othello’s jealousy he would not have made these horrible decisions.

Identity and Feminism: Themes such as Gender identity are illustrated in Shakespeare’s plays through the use of costuming and role playing. In texts like “Twelfth Night”, Shakespeare uses a female character named Viola who is the noblewoman disguised as a boy named Cesario, this creates a comedic gender exchange situation where the role reversal goes wrong and leads to mistaken

Shakespeare’s The Taming of the Shrew introduces the audience to the Elizabethan era. The mindset of the people in this era might be hard to grasp for the modern reader. The demeaning treatment and subsequent submission of women is a constant theme in the play. During this era, women were meant to obedient, submissive, and compliant to their husband. Katherine Minola, the daughter of Baptista defies society’s standards and is known for her outspokenness and thus labeled a “shrew.” Due to her aggressive behavior, Baptista is having a difficult time finding a suitable husband for Katherine since she is not seen as an ideal and suitable wife according to society. Petruchio arrived in Padua to essentially “wive it wealthily” (53). He purses Katherine and receives her hand in marriage. Soon after, Petruchio makes it his mission in taming Katherine into an obedient and suitable wife. Although Katherine has made it difficult and stood her own ground in the beginning, one can see her evolution into a tamed and ideal wife by the end of the play.

The guests at the gathering in the prologue desire to hear a ghost story, and Douglas desires to tell them one. We, as readers, desire to hear this story also, and later to understand the presence of the ghosts within it – or whether they even exist. The Governess desires to please the Uncle, but most of all, she desires him. And it is perhaps this desire that is most long-lasting and pertinent throughout the text; its relationship with time being inextricably intertwined and influential upon one another. Henry James, purposely or not, sets up a strong link between measured time and human desire in The Turn of the Screw running throughout the novel, baring relevance to the Governess’ world, the frame narrator’s world, and our world.

Shakespeare 's The Taming of the Shrew focuses not only on the roles of the sexes, but also plays with the varying social roles found in society from head of the house to foot of the house. Tranio finds himself at the bottom of this social ladder, a servant to Lucentio. However Tranio employs his wit and cunning to raise his status at the expense of his master. Tranio is a manipulative intellectual who uses persuasive rhetoric and wit to distract Lucentio and climb the social ladder to a higher social class.

My paper “Henry IV as Elizabeth I in Shakespeare’s Henry IV Part 1” delineates the relationship between the uncertain and feminized Henry IV and the monarch of Shakespeare’s own time, Elizabeth I. Both rulers’ legitimacy was questioned, Henry’s through outright rebellion and Elizabeth’s through the writings and attitudes of those in Elizabethan England, as well as some minor rebellions. Shakespeare connects the resistance experienced by both rulers through language and the meticulous crafting of the characters of Henry IV Part 1. Henry IV is further associated with Elizabeth through the emasculating speech of Hotspur and his own feminine-coded self-descriptions. This language not only feminizes him, but also casts him in a maternal light, something

Love is one of the most powerful things in this world. People will go to great lengths to achieve another’s love. From youth we have been showered with tales of true love’s kiss and of Prince Charming breaking the Evil Queen’s curse. Time and again, we are made to see the power of love. In the play, “The Taming of the Shrew” by William Shakespeare, the renowned playwright takes love deeper than just passion. Shakespeare goes under the surface of love, all the way to its core. The story truly begins as Baptista Minola’s two daughters are readied for marriage: Bianca the sweet and innocent; Katherina the shrewd and curst. Men gravitate towards beautiful Bianca and flee when Katherina appears. Hortensio, a good friend of the main protagonist, Petruchio, wants to marry Bianca, in order for that to happen, Hortensio must get Petruchio to marry Katherina. Yet, Petruchio knows what he is getting himself into and he wisely sees past Katherina’s prickly outer shell. He proves that the Katherina isn’t what everyone in Padua thinks she is. Petruchio exposes the superficial problems in his society and demonstrates that respect and love are one and the same. Furthermore, Petruchio’s determination and heart allows him to woo the girl, marry her and activate the Taming of the Shrew.

Another point to make on this matter would be that the character of Rosalind would have been played by a male and the audience would know this. This could mean that the reason Shakespeare included Rosalind’s enjoyment of manly sports was because Rosalind is actually a man in the attire of a woman. There is a large confusion of the gender of Rosalind throughout the play. By confusing the gender, Shakespeare is focusing more on the personality of Rosalind than her appearance. The question of gender is continued at the very end of the play. In many of his plays, Shakespeare ends with an epilogue read by a male character. In As You Like it, the epilogue is performed by Rosalind. The epilogue seems to be outside the play as if the actor was talking but Rosalind is still in character. She says herself;