The Signalman by Charles Dickens and Harry by Rosemary Timperley
After reading 'The Signalman' by Charles Dickens and 'Harry' by Rosemary Timperley, I have come to the conclusion that I prefer 'Harry'. Both stories, however, are brilliantly written ghost stories with well-created atmospheres and plots that create tension and suspense.
'The Signalman', by Charles Dickens, is a pre-20th century story which is set in the 1800's. It takes place by a train line and in a signal box which is occupied by the signalman. In the story the signalman befriends a man and later confides in him that he has seen an 'appearance' at the entrance to the train tunnel. He tells the man, who is the narrator of the
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One would have thought, considering the nature of the ground,
that he could not have doubted from what quarter the voice
came from but, instead of looking up to where I stood on top of
the steep cutting nearly over his head, he turned himself about
and looked down the line.'
The speech at the beginning of the story brings the reader straight into the action but the reader also wants to know who is talking to whom. We, the readers, also wonder why the signalman is acting in the way he is. Dickens has cleverly secured our attention: we are intrigued immediately and so feel compelled to read on.
The story of 'Harry' resembles 'The Signalman' in that it too begins by posing a puzzle.
'Such ordinary things make me afraid. Sunshine. Sharp
shadows on grass. White roses. Children with red hair.
And the name - Harry. Such an ordinary name.'
This exposition too commands our attention as the reader inevitably wonders why this person is afraid of such ordinary things. We later find out that all of the things that this person is afraid of have a great significance to the rest of the story. However, this beginning is more puzzling because 'sunshine' and 'white roses' have positive connotations and are usually associated with pleasure. The 'I' before the name Harry is clever as it creates
In many novels, the society created by the author is surrounded by wealth and corruption. Numerous amount of times these settings are produced based on the life in which the author lives. Charles Dickens is no different. In the midst of most of his novels, Dickens exposes the deception of Victorian England and the strict society that holds everything together. In Dickens' novel Our Mutual Friend, a satire is created where the basis of the novel is the mockery against money and morals. Throughout this novel, multiple symbols and depictions of the characters display the corruption of the mind that surrounds social classes in Victorian England.
People imprint themselves on their surroundings; they inject fleeting moments into the veins of their environments, boiling the blood that swims hot through every crevice, echoing and lingering indefinitely. According to Wisker houses are the principal locations where the presence of its residents leave lasting imprints on the structure (2011, 4). Novels To The Lighthouse by Virginia Woolf and Pride and Prejudice by Jane Austen both use domestic environments as important sites to emphasise and reflect their characters by deploying the literary techniques of language and style from their respective eras. Woolf as a Modernist writer from the early twentieth century uses experimental techniques and the supernatural genre that was prevalent
Christopher from The Curious Incident of the Dog in the Night-Time by Mark Haddon and Holden from J.D. Salinger's The Catcher in the Rye
Coming of age is defined as the transition from one’s youth to his or her adulthood. Romeo and Juliet by Shakespeare, House on Mango Street by Sandra Cisneros, and Lord of the Flies by William Golding all explore this concept. Romeo and Juliet is a story about two star-crossed lovers in the depths of forbidden love despite an ancient family feud. House on Mango Street is a series of vignettes about a young Latina girl’s life growing up in Chicago. Lastly, Lord of the Flies is about a group of abandoned children who work to survive on a deserted island. Each of these stories provides details as to what characteristics define a mature individual, and they also show the various processes to achieve this maturity.
Relationships have shaped humanity since the beginning of time. From Adam and Eve to Romeo and Juliet to Kim Kardashian and Kanye West, relationships influence culture and fuel the imaginations and passions of many. Perhaps the most important aspect of a relationship lies in what it brings long-term: the continuation of our species. For all these reasons, relationships constantly appear and reappear in culture, music, and literature. However Charles Dickens and Betty Smith do not focus the effect of relationships on the bonding of two people together, but rather the full development and maturation of one individual’s identity. In their respective novels, Great Expectations and A Tree Grows in Brooklyn, Dickens and Smith explore how relationships impact a person’s identity and the importance of caution in selecting a lifelong partner.
* Ask for information about what they are scared of and when they might be most at risk
“Your task is not to seek for love, but merely to seek to find all the barriers within yourself that you have built against it.”
Humanity is inherently flawed. Charles Dickens illustrates this in his novel A Tale of Two Cities as he writes about the lives of the Manettes and the people they draw around them. In this novel, Dickens uses Sydney Carton, a main character in the novel and the lover of Lucie Manette, to reveal his thoughts about the inherent nature of humanity. The characteristics of humanity change and mutate with the experiences of each person and the workings of their own mind, as illustrated by Mr. Stryver’s inhumane and thoughtless treatment of Sydney, the first time Sydney saves Charles Darnay’s life, and Sydney’s love for Lucie Manette.
It is said that right before someone dies, they see their life flash before their eyes. They are said to see the things most dear to them. However, no one on their deathbed regrets the amount of money that they have. In the moment of clarity, most realize that a number on a paycheck is not as important as emotional and mental possessions. People always tell each other that money can not buy happiness, yet most end up spending every waking moment thinking about money. Why do people waste their time and energy pursuing something that is not what they truly need? Often, they use social class to fill a void in their lives that can not be filled by materialistic possessions. Many people realize this, but it is often too late. Charles Dickens demonstrates the effects of social climbing in his novel, Great Expectations. This novel explores the connections and effects of human nature and society, which are the two most powerful forces that guide people’s decisions. Some may say that social climbing is good, but as will be proven, pursuing social class for the wrong reason can result in disastrous consequences. The motivation to obtain higher social status leaves those who pursue it dissatisfied with reality and with a wider void in their lives as shown by Pip, Estella, and Magwitch.
Narrative Form – Location - Railroad tracks present as well as steam engine indicates a time period after the 1700’s
Literary devices are techniques authors use to create a special effect in their writing and to influence the reader. Charles Dickens and Mary Shelly use similar and different writing skills, such as literary devices, to invoke their readers to be aware, and even act upon, a societal issue. The Industrial Revolution was a time of machines. This rapid development of industry occurred in Britain during the late 18th and 19th centuries.
The Language in The Red Room by H G Wells and The Signalman by Charles Dickens
Order is craved in our society. Take the recent terrorist attacks in London. What was the world’s response? World leaders such as German Chancellor Angela Merkel, instructed the public to remain “…united beyond all borders in horror and sorrow, but also in determination” (RT News, 2017). This sense of fortitude, avoidance of rash decisions and the importance of order is not new to western society. Despite originating in the 18th and 19th centuries, the central themes of Neo-Classicism are still deeply ingrained in our contemporary society. These themes inform the public of the importance of discipline and emotional restraint, the value of civility and the significance of social responsibility, all essential to maintain harmony in our
Early in his novel Lady Chatterley’s Lover, D. H. Lawrence writes of his heroine Connie Chatterley, “It was the talk that mattered supremely: the impassioned interchange of talk” (7). While at the conclusion, Connie may very well disagree with this notion, there’s no doubt Lawrence himself believed it. For his last major novel, made famous – or perhaps infamous – due primarily to the somewhat frequent use of several four-letter words and graphic sexual terminology, is actually not just a book about sexual expression and freedom. Lady Chatterley’s Lover is also, upon closer inspection, an intricately woven, complex narrative, and to a large degree, a sort of study of language; specifically, it is a study of the use of authentic dialogue to create realistic portrait of a world in which language is used to gain and maintain social and sexual power.
into the room where fear gets the better of him in a room which might