The Significance Of Beauty And Brutality In The 21st Century

In our society today, we have all these rights, but imagine if we did not. 1984, written by George Orwell, and V for Vendetta, directed by James McTeigue, both paint accurately scary descriptions about the government in the future and the dystopian society. 1984, written in 1949, was intended to be a portrayal of the future and V for Vendetta, made in 2005, shows Britain in power in 2038. Both of these pieces of literature were not far off from their description. As every single year passes by, our own society starts to reflect images from these books. When the government has this much power over the people, the people rebel, but can they be a success or not?

However, further connection in context and content can be developed when analyzing the connection of the works roots and art in history. Exodus exhibits the reality of human suffering as a result of war and oppression during the Hungarian Revolution. The historical relevance of this work dives into a deeper significance than its basic face value. The oppression and struggle for power signified in Exodus also translates into Figure 2. Both cultures, in their own time have faced their traditions and way of life being threatened. As Hungarian citizens are forced to leave their country, Ojibwa members were constantly threatened by European immigrants. The human experience is key in understanding and studying art. Besides the main styles and usage in appearance, the connection to a point in time and the influence of that time allows the audience to connect with the artist and the characteristics of the artwork. Audiences are able to connect past themes to present day issues, such as the difficulties facing many Syrian refugees and the numerous Native American women who have gone missing. The importance of home and culture is evident in both works despite their different purposes and artistic modes. Limits are explored and barriers of past, present are future are removed when audiences are able to interpret the work from any point in time and understand the significance of its visual and non-visual means.

Societies subject to totalitarian reign experience a complete degradation of both civil and natural born rights. Entire populations are forced to follow a strict regimen, often against their free will and good judgement. In 1984, George Orwell warns of such corrupted power of a totalitarian regime. Big Brother instills a looming fear that agitates the people of Oceania, which, in the hearts of some, ignites a cry of rebellion. Those trying to peacefully challenge the system, much like Winston and Julia, are met with a cruel fate of reassimilation. Under totalitarian rule of Big Brother, such actions of civil disobedience are not effective because of the government's disinterest of citizen acceptance, unrelenting power, and a complete control

Many characters’ lives are enveloped by a mental issue and they are a representation for these issues. Art covers these multiple issues. The Holocaust affected millions of people and of these millions, Vladek, Anja, and Mala all were left with

Literacy has been used in many forms throughout time and one of these forms is to revolt against unfair governments and totalitarian governments. These forms of literature often demonstrated another type of totalitarian government, the film ‘V for vendetta’ directed by James McTeigue and the novel ‘1984’ written by George Orwell are great examples of this. V for vendetta shows a totalitarian government in an alternative London and 1984 shows a totalitarian government in a fictional world.

As a species, humans have a long and bloodied history of attempting to eliminate one another to become dominant, from the Armenian genocide to the ethnic cleansing of the Tutsis in Rwanda. This mentality is not a new phenomenon, but has evolved to become even more lethal and prolific with the innovations in weaponry and transportation. Due to this disturbing universality, parallels are easily drawn between Iris Chang’s The Rape of Nanking and the art that was being created in Europe and the United States during the time of Hitler’s reign, including the work Seligmann, Stael and Albright. We must look to other global sources for this insight, due to the lack of photographic documentation in China and creation of art after the fact.

The other two texts 1984 and Harrison Bergeron both have a totalitarian government setting where a single party manipulates and operates everything of the citizens. But, the governments take different methods to achieve this. In 1984, many tools are utilized. This includes telescreens for constant surveillance, propaganda like “BIG BROTHER IS WATCHING YOU” and threats such as ‘vaporization’ and physical torture. All these tools have the idea of implanting fear in common. Along with this implanted fear, the subjects are only given minimal knowledge, limiting their power to rebel. Through these methods, the

Adolf Hitler used his words to influence the German people into following him into World War II and then the Holocaust. Because Hitler was so persuasive he made a whole entire country following him into a world full of death, evil, and unjust. In the novel, The Book Thief and in Nazi Germany, symbolism and influence is presented to show the horrors of war through the protagonist in The Book Thief having horrors of war through night terrors, the Nazis showing how much influence they have over people, and how both of these ideas reflect in real life today. In The Book Thief, Liesel and Max both show how the world they are surrounded by is hurting them through both their night terrors.

Any government with total control is worth being feared and having a group of individuals who go against their government. With complete control, a government is capable of committing acts against their citizens, which can be perceived as “something good” from the government’s point of view. In 1984 by George Orwell, and “Harrison Bergeron”, by Kurt Vonnegut, the main characters, Winston and Harrison, feel oppressed by the government's acts and events, try to overthrow their government, and go through a realization of hopelessness and defeat.

The NorseFire government of V for Vendetta and the Party of 1984 are inarguably born of the same notion of total control. Take, for example, the use of mass media deployed by both governments to manipulate the thought patterns of their respective citizens. The “2 minute hate” of 1984, consisting solely of animalistic rage and hatred towards Goldstein, was designed to influence not only the thoughts of Oceania’s citizens, but in turn to also influence their actions. The Party planted a daily seed in the minds of it’s people. Day by day that seed, that idea, grew and grew, constantly compounding on itself to deliver a false reality. This is psychological manipulation at it’s very core. Yet it is only a means to achieve a goal, and in this instance as in many others, the goal is totalitarian control.

Art is one aspect of the past that has carried on for decades. Art in any form may it be poetry, novels, and playwright, sculpting as well as painting, has been an outlet for generations and continues to be an outlet and a means for expression. This paper will discuss “ The Mona Lisa” one of Da Vinci’s most famous paintings, as well as another great painting, Antonio Veneziano’s

George Washington once said, “Government is not reason; it is not eloquent; it is force. Like fire it is a dangerous servant and a fearful master.” George Orwell’s satirical novel 1984 is based on the life of Party member Winston Smith, a free thinker, and his battle to restore humanity that has been snatched from the residents of Oceani0a since the totalitarian rule of Big Brother. V for Vendetta, a satirical film directed by James McTeigue, revolves around the actions of an antihero named V and his struggles to re-establish humanity in individuals by rebelling against the government’s rule. In both satires, 1984 and V for Vendetta the concept of humanity is exaggerated in the

Intensively striking war imagery emerges throughout the course of the text and therefore effectively joins its underlining fore.  Graphic images of the grotesque face of war characterize and develop the

The governments in today’s society have brainwashed their citizens into believing everything their leader says and thinks is correct and everything else is wrong. This can sometimes be known as a totalitarian government. George Orwell’s novel 1984 revolves around totalitarianism. The members of the party in Oceania are taught and required to worship their leader Big Brother whether they believe in him or not. In the novel 1984, George Orwell shows the problems and the hatred with a totalitarian government through his use of symbolism, situational irony, and indirect characterization.

In this essay response I shall discuss the social and historical context of A Portrait of the Artist as a Young Man and My Son the Fanatic and how they enhance our understanding of the texts and then compare the two in their respective contexts.