The Significance of the Stone Angel

In the short story, Cathedral by Raymond Carver, the word “blind” acquires different meanings. The unnamed narrator is metaphorically blind; he can look at the surface of everything but not see what is inside. Although the narrator can listen to conversations, he cannot understand the deeper emotional context the conversation might hold, compared to Robert, who is visually impaired but can truly listen and understand. It is not until the end of the story that the narrator metaphorically opens his eyes, with assistance from Robert.

Hagar after knowing that she isn't love back led her to murder Milkman. When Milkman got tired of Hagar, who was not caring about him that much till then, started to have interest in him. As soon as she realize that she couldn’t get the love back from him, she tried to kill him. She tried to attempt the murder for “six times in as many months”(130), each time with different weapons but failed, but she would not give up because she didn't want him to leave her. Murder was the way that Hagar showed her affection toward Milkman because “He’s the one who’s tryin to take himself out of her life. And she’ll kill him before she lets him do that”(139) states the nature of loving that one will kill others to get love. In this case, Hagar tried to kill him because he is the one who is trying to leave her and only way she knew how to stop it was to kill him since she can't control his feeling toward her. Her

I agree with the Williams that when it comes to the black women culture, they sometimes turn to religion to her guide them. Many centuries again black women had a strong religious background. Hagar was indeed brave from leaving the harsh treatment that she was facing; however, I also had to agree with Williams that liberating herself was great, but she did not think about the consequences when she took those actions.

The use of symbolism such as the physical and emotional meanings of blindness can describe different meanings behind elements of the story. In the critical essay, the author discusses why an author might choose to make a character bling and what it means. Diane Andrews Henningfeld, the author of the critical essay explains, “clearly the author wants to emphasize other levels of sight and blindness beyond physical.” Blindness can be more than just the levels of physical sight and the author wants that to be understood. The author wants to emphasize and make it very clear that other levels of sight and blindness exist like not seeing the beauty in life and being blind to it beyond just being able to see with your eyes. The quote can feel something about the characters traits and how they can be so opposite from their physical abilities. This quote Conveys the facts. People can see in different ways. It is stated that,“although he is blind, he ‘sees’ how to get along with others in profound and important ways. By contrast, the narrator, although sighted, does not see how his isolation damages himself, his wife, and their relationship. He is

Throughout the book, we learn from Ha that her father has been kidnapped and they don’t know what’s happened to him, so they choose to be optimistic and assume that he will somehow escape and come back to them. During the story, Ha seems to point out little things about her father in her time of need. She only knows only the few things that her mother tells her about her father and even then she tries to get more information by wishing for stories on her birthday

Harwood throws the readers the suggestions to acknowledge the most unlikeable elements of marriage and love. The truth that a woman’s self in Harwood’s time would be completely lost with her wedding vows. This becomes equally relevant to date because of questionable equality between the sexes. Harwood is therefore condoning the practices that endorse

For the first years, Hagar does not pay much attention to Milkman and he perceived her as “a distant creature” (113) while she views him as a “puppy” since she is the older of them (114). In the course of time, their relationship changes and Milkman realizes that he no longer feels attracted to her. From this moment forth, Hagar makes “Milkman the center of her life” by becoming the active since Milkman no longer chases her (Qasim and Asmat 193). Apparently Milkman loses interest when he seems to own her. Interestingly, this relationship is primarily depicted as a physical one. This directly results in the fact that Milkman’s interest is primarily of a sexual nature, but does not truly love or value her. So it is not surprising that, instead of recognizing true love, he describes Hagar as “the third beer. Not the first one, which the throat receives with almost tearful gratitude; nor the second, that confirms and extends the pleasure of the first. But the third, the one you drink because it’s there, because it can’t hurt, and because what difference

At the beginning of the novel Milkman visits Pilate's household on a regular basis. Seeing it a refuge from his exceedingly dull life, he involves himself in the lives of his relatives; especially in that of Hagar. Throughout his adolescence, Hagar brushes off Milkman's lascivious glances and displays of affection; however, as he matures, Hagar takes interest in Milkman and falls in love with him as she fulfills his sexual desires. Once Milkman's lust for Hagar abates, he chooses to unceremoniously dump her and seek others within his own social group to fill the void (or rather, for him to fill her void). Hagar, abashed, searches for Milkman's reasons for the sudden, unexpected change, but when she sees him with another woman her fury unleashes and initiates a colossal cascade of emotion that results in Hagar's monthly attempts to kill Milkman. Feeling that she deserves Milkman's love and attention more so than other women, Hagar rationalizes her actions with a very simple attitude: Milkman will either love me and include me in his life, or have no one at all. Hagar's need for Milkman's death soon vanishes, she cannot bring herself to murder the one she loves; however, this does not impede her from seeking other paths to Milkman's heart. Although Hagar's raging emotions result in

Besides the children of Macon Dead, there are other biblical allusions in the names of people. One of these is Hagar, Pilate's son and Milkman's cousin. Though the biblical Hagar is not well known, her character in the Bible reflects, in some ways, the character in Morrison's novel. In the bible, Hagar is Sarah's handmaiden. When she bares the son

Hulga did not care about anyone else but herself. She lived in self-pity. There are many disabled kids, adults and veterans in the world. There are professional runners and people without limbs that work and do amazing things. Even though she had these issues she thought she was better and too good for everyone else. Mrs. Hopewell states that Hulga, “was brilliant but she didn’t have a grain of sense.”(O’Connor 558) Hulga even

She expresses herself in ways that are more destructive. Violence is the outlet Hagar sees in expressing herself. Her “graveyard love” for Milkman initially mutes her voice (148). His goodbye letter “sent Hagar spinning into a bright blue place where the air was thin and it was silent all the time, and where people spoke in whispers or did not make sounds at all, and where everything was frozen except for an occasional burst of fire inside her chest” (116). Hagar is hardly aware of her own emotions and finds it impossible for her to tell Milkman how she feels because she has no identity. Instead, Hagar turns to physical violence. She was a “doormat wom[a]n” that “wanted to kill for love, die for love” (336). When she tries to kill Milkman, she finds herself “paralyzed” by her obsessive love for him (150). Like Ryna, her love left her. When Milkman left and “dreamt of flying, Hagar was dying” (363). Hagar’s extreme obsession ultimately turns self-destructive and assists to the cause of her death. She spends her last hours in a frantic search for clothes and cosmetics that will make Milkman love her again. She dies convinced that “he loves silky hair . . . penny-colored hair . . . and lemon-colored skin . . . and gray-blue eyes” unlike her own (346). To Hagar, her African-American race and body are worthless if they do not attract Milkman; she was trying to create “this ideal of beauty” that she could never have (Pereira). Hagar’s dependence on Milkman and

As Hagar’s love for Milkman grows more and more obsessive, Morrison reveals the bitter consequences of life as a woman seeking intimacy in a strictly patriarchal world. In the beginning of the novel, Hagar is associated primarily with her female relatives, Reba and Pilate. Even then, well-fed Hagar declares, “Some of my days were hungry

Margaret Laurence's story of The Stone Angel is about the life Hagar Currie an emotionless, stubborn and proud woman. Margaret Laurence uses this stone angel, originally bought by Hagar's father, to embody the qualities of Hagar. These virtues are often identical to those one assumes are possessed by the stone angel and are paralleled many times by Laurence. Throughout the novel, Hagar relives her life through her memories.

How do the two Hagars resemble each other? Both women hold relatively similar social positions. The Biblical Hagar is an Egyptian bondwoman bought as a servant for Sarah, Abram's wife. Hagar, by law, is bound to Sarah. Her freedom and spirit are restricted, or dictated, by Abram and Sarah. This ownership extends as far as Abram having possession of Hagar's body. When Sarah does not or cannot give Abram a child, Hagar is expected to do so. Dutifully, she bears him a son named Ishmael.

Elizabeth’s snobbish pride hinders her from understanding her friend Charlotte Lucas’s best interests in regard to her desire to marry Mr. Collins. Elizabeth “prides herself on being a perceptive “studier of character,” as Mr. Bingley calls her, but how well does she really know her very good friend Charlotte…” when she “responds with amazement and horror” upon hearing that Charlotte wants to marry a man who is “dull”, “pompous” and “physically unattractive”. Elizabeth’s excessive pride blinds her from recognizing that Charlotte is “not much interested in men and very much interested in marriage” (Moler, 26). Elizabeth could have ruined the prospects of Charlotte’s marriage because of her self-importance in the way she