The Silken Tent, By Robert Frost

Robert Frost 's “Acquainted with the Night” is about a man who frequently journeys out at night and roams about the city alone. He is familiar with the atmosphere around him and it’s apparent he has wandered far beyond the city. Throughout the poem the speaker does not communicate with anyone and a sense of silence and suspense pervade his walks. It is understood that the speaker is very lonely on his walks and often finds himself hoping someone would call out to him. As the speaker strolls through the dark city streets midst the night, it’s evident that he is deeply troubled and dismal as the poem develops a gloomy, dejected tone.

The study of any poem often begins with its imagery. Being the centralized idea behind the power of poetry, imagery isn’t always there to just give a mental picture when reading the poem, but has other purposes. Imagery can speak to the five senses using figurative language as well as help create a specific emotion that the author is trying to infuse within the poem. It helps convey a complete human experience a very minimal amount of words. In this group of poems the author uses imagery to show that humanity is characterized as lost, sorrowful and regretful, but nature is untainted by being free of mistakes and flaws and by taking time to take in its attributes it can help humans have a sense of peace, purity, and joy, as well as a sense of

“Shall I compare thee to a summer’s day?” (“Sonnet 18”) is one of Shakespeare’s most famous poems. It is the model English, or Shakespearean sonnet: it contains three quatrains and a finishing couplet.. The poem follows the traditional English sonnet form by having the octet introduce an idea or set up the poem, and the sestet beginning with a volta, or turn in perspective. In the octet of Sonnet 18, Shakespeare poses the question “Shall I compare the to a summer’s day” and basically begins to describe all the bad qualities of summer. He says it’s too windy, too short, too hot, and too cloudy. Eventually fall is going to come and take away all the beauty because of the changes nature brings. In the sestet, however, his tone changes as he begins to talk about his beloved’s “eternal summer” (Shakespeare line 9). This is where the turn takes place in the poem. Unlike the summer, their beauty will never fade. Not even death can stop their beauty for, according to Shakespeare, as long as people can read this poem, his lover’s beauty will continue to live. Shakespeare believes that his art is more powerful than any season and that in it beauty can be permanent.

Within the first stanza, the symbolism of snow-like grass, a bright sun, and peppermint scented wind prompt a sense of peace, energy, and revitalization. As a result of the dream-like symbolism, this settings seems to be part of the imagination, and could simply be a metaphor for a way of thinking.

The characters’ lost opportunities are shown in both poems, which makes their situation more of an injustice. It is discussed more in Disabled with flashes to past and present, generally alternating in a regular pattern. By juxtaposing the past and the present, he emphasises both of them. This makes the past seem more perfect and the present seem even worse, thus making the reader sympathise with the character more. For example, in the third stanza he says that there was an artist silly for his face and then, in the same stanza, he says that he has now lost his colour. This contrasts how handsome he was to now when he no longer fits the ideals of beauty, as both of the phrases are in the same syndetic field they are compared to each other. Colour is a metaphor for life/youth, as it makes the reader imagine rosy-cheeked children. This shows that he has lost his youth much like everything else was taken away from him by the war. This blood imagery links to death in both not only showing physical loss but loss of life (or life as he knew it in Disabled) much like everything else was taken away from him by the war. This is similar to how in Out, Out-; Frost describes the boy trying to keep his life from spilling. He uses life as a metaphor for the blood.

George Gascoigne’s sonnet, “For That He Looked Not upon Her,” portrays a sullen man, hurt by the woman he loved. Through the uses of form, diction, and imagery, the sonnet evokes a complex attitude in each quatrain elaborating on the stages of torment the speaker receives from his ex-lover. By using these literary devices, the speaker portrays the dangers of desire and the conflicts that arise from within it. Gascoigne conveys a solemn and melancholy complex attitude developed throughout the use of such literary devices. The attitude of the speaker, expressed through the form of the sonnet, explains the dangers of gazing at the woman who burned him.

Robert Frost was born March 26, 1874 at San Francisco, California and died January 29, 1963 at Boston, Massachusetts. Frost was an educator and poet. He is widely known for his poetry; some of Frost’s famous work includes The Road Not Taken, Stopping By Woods On A Snowy Evening, Mending Wall, and Out, Out─. Out, Out─ tells a story of a young boy cutting wood to help provide for his family. He then acquires an injury on his hand by the saw. The boy ends up dying due to the severity of his wound. His family returns to their duties. This poem uses many elements to emphasize death. Robert Frost uses the poetic elements of imagery, figures of speech, and symbolism to illustrate the theme of death in the poem Out, Out─.

The existence of poetry as an artform predates literacy itself. Over the course of history, poetry grew from a verbal form of art, existing mainly in religious hymns, to becoming the universal “language of the heart”. The work of William Shakespeare and Edgar Allen Poe, some of the most notable poets of history, has resonated with generations of Americans. Although they lived in a Pre-industrial world, their work remains powerful because the themes expressed in their artwork can still be applied to modern society. On the contrary, protruding among this group of ancient poets is Robert Frost, whose modern work remains just as powerful, shaping generations through his questions of existence, and depiction of loneliness in an indifferent universe. One of Frost's most celebrated poems: The Road Not Taken, is influential not only in the literary world, but also within American culture. The poems subsequent ripple through American life is analyzed by David Orr In his essay The Most Misread Poem in America. Here, Orr argues that the misread of The Road Not Taken magnifies the underlying issues in society’s understanding of both Frost and poetry as a whole.

The other section where symbolism is evident is “Small Porch in the Woods.” It is divided into several poems. In the first one, there is the mention of “unshifting star” which represents a change that is undisturbed. It is the turning point of the society. Despite the challenges communities face in their life, their ambition leads them towards achieving their objectives in life. The second poem under this section is about a heavy rain that fell in the month of April. Heavy rain is the representation of unhappy moments. The description presented by the narrator shows that it is a sad moment where everything is carried away. Throughout the poem, the rain is seen, as a lesson

Robert Frost is the author of Out Out--, “Stopping by Woods on a Snowy Evening, and Nothing Gold can Stay. His literary work communicates deep meaning through the use of metaphoric language and deception. Being raised most of his life on a farm; his works perceive the natural life of a normal person while out in nature. “Frost believes that the emphasis on everyday life allows him to communicate with his readers more clearly; they can empathize with the struggles and emotions that are expressed in his poems and come to a greater understanding of ‘Truth’ themselves” (Robert Frost: Poems Themes).

When reading this poem you will get a very vivid image of a warm summer morning because of the words "sunny, summer and dried the dew." A girl is in a field running carelessly with a silk dress on that sways as the breeze blows. She is tall and slender as a "cedar pole." Who has a very carefree spirit is "strictly held by none". A girl who is completely at peace because everything in her life is going well "by countless silken ties of love and thought to everything on earth the compass round."

Robert Frost's poem “The Road Not Taken” describes a traveler facing a choice, he can either choose the road not taken, or he can choose the road most traveled by. He does not know where either road might lead, but in order to continue with his journey, he can pick only one road. He analyses both roads for the possibilities of where each may take him in his journey. Frost's traveler realizes that regret is inevitable. Regardless of his choice, he knows that he will miss the experiences he might have encountered on the road not taken. Frost, uses literary elements, such as Denotation and Connotation, Symbolism, alliteration, consonance, and assonance in order to convey massage.

Robert Frost said many times throughout his life that all men share a common bond. In his poem “The Tuft of Flowers” he analyzes the potential of such a bond, in first person. Frost turns an everyday common job, into discovering a common bond with another laborer. The author uses a comparison between aloneness with a sense of understanding to demonstrate his theme of unity between two men. In another one of Frost’s poems “Birches” he imagines walking through the woods looking at all the trees, and seeing the top bending towards the ground. When he sees this he imagines they are bending from kids swinging on them, rather then what is really happening to them. It can be analyzed that Frost had a very definitive appreciation for nature, and a very broad imagination.

The great poet Robert Frost was asked if the poem, The Road Not Taken, was about an experience in the poet 's life: He answered that a poem is never about an experience, it is an experience. If you succeed in determining exactly what Dylan meant in “Mr. Tambourine Man,” you will have succeeded in destroying it. This is the song that marks the change where Dylan moves on from the public world of overt political protest songs to a focus on the individual consciousness, which I’d like to argue is another more subtle form of protest. “Mr. Tambourine Man” is rich with expressions of emotion. With a new personal approach to songwriting, Dylan takes feelings that he was perhaps dealing with at the time, absorbs them, and artfully crafts them into mysterious lyrics that are simply enamoring. The song has a bright, expansive melody accompanied by Dylan’s jaunty vocals that is beautifully mesmerizing. The song is about the feeling of being trapped in a miserable existence and the desperate yearning for freedom from an individual’s own personal hell. It is about the universal need to escape one’s troubles, no matter what the means are, as long as it allows you to forget, deal, and hopefully transcend. It has become famous in particular for its surrealistic imagery, influenced by artists as diverse as French poet Arthur Rimbaud and Italian filmmaker Federico Fellini. The lyrics call on the title character to play a song and the narrator will follow. Interpretations of the

The great debate of whether the world will end in a fiery ball of destruction or a frozen wasteland has baffled the minds of many people. A man named Robert Frost has written a poem called "Fire and Ice" that describes his thoughts on how he would prefer to leave this world. Upon reading this poem, the reader can derive two distinct meanings of fire and ice; one being of actual fire and ice destroying the world, and the other having symbols for the fire and ice, such as fire being desire or passion and ice being hatred and deceit. Although this poem is one of his shortest poems with only nine lines, it is also one of the most famous works that he has ever created.