The Simple The Better Warnke Analysis

Italy’s strategic location between Eastern and Western Europe allowed it to establish a lucrative Eurasian trade. This allowed the ideals of the Renaissance to gradually spread to Rome and the rest of Europe. The Eurasian trade enabled families to acquire great wealth and this great wealth gave families the ability to become patrons of government, education, and the arts. Becoming a patron of government, education, and the

In the article “Conditions of Trade,” Michael Baxandall explains that fifteenth-century Italian art is a “deposit” resulting from the commercial interaction between the artist and the purchaser, who he refers to as a client. These works, as such, are “fossils of economic life,” and money, and they play an important role in the history of art. In our current perception of the relationship between the artist and art, “painters paint what they think is best, and then look around for a buyer” . However in the past, especially during the Renaissance period, the customers determined the content and form of paintings, as it was them who commissioned the work before it was created. He states that the artists and clients were interconnected and

“No painter can paint well without a thorough knowledge of geometry” (qtd. in Butterfield 27). The Italian Renaissance is famous for its art which includes unique style of painting and sculpting, however, the Renaissance made significant remark on the use of scientific techniques which also can be considered as the influence of classical ideas. Although, classical ideas were not advanced like in the Renaissance, it provided the foundation for the Renaissance to revive it again. The Italian Renaissance transformed the manner of viewing the arts. Before, most people in Italy were bounded by religious thoughts and beliefs. Renaissance helped people to shift their mind and behavior towards the secular ideas, instead of vague ideology like

For monarchies and oligarchies, the revival transformations in the fashions of art, over and above the attitude of artists, required affluent clientele to maintain and endorse it, and Italy was in

Italy can be looked at as the home of the renaissance and consequently the immergence of great art. Artists such as Michelangelo, Botticelli, Da Vinci, and Raphael are some of the greats and are looked at for standards. But what about the artists whose lives are mysteries, and their works that were influenced by the greats? These artists hold just as much importance in the history of art as do the artist’s whose names can be recalled off the top of an average person’s head. During the sixteenth century things began to change in the art world, and that change was the Baroque. This new style of art brought a revolution to how subject matter was painted, it brought upon “… a radical reconsideration of art and its purposes…” (249) and how artists of all ranks could learn to paint the up and coming style of Baroque.

Florence was exposed to the principles and ideologies of foreign regions and immersed them into the art and literature produced thereafter. That then percolated to the rest of the other European nations and the rest of Italy itself. The Medici maintained these connections rooted and stable by way of finance and politics and guaranteed that Florence, throughout the Renaissance, was an advocate of the arts. Furthermore, had it not been for the establishment of a connection between the Medici and the Papacy, Florence and Rome, it seems, may have actually been rivals grown under the essence of partnership and collaboration during the Renaissance. Rome supplied many Florentine artists with a harbor, and, in turn, Florence took advantage of the administration of the papal funds.

The migration of the aristocracy mirrors the shift in the painted subject matter of portraiture in the eighteenth century. Where once only the aristocracy had sat holding sway over Scottish society, in their absence it was now the great thinkers of the Enlightenment who now held sway. And artists created “new imagery, which showed people as part of a society

The lives of those in renaissance Italy depended greatly on their social class. Their diets, pastimes, clothing where they lived and even down to their family customs depended heavily on their wealth- or lack thereof. This paper serves to analyze these important sections of their lives, comparing and contrasting them to the opposite class.

The idea of Renaissance Self-Fashioning introduced by Stephen Greenblatt, permeated the Renaissance of the 15th and 16th centuries by outlining the process in which sophisticated high class citizens fashioned their image to fit the acceptable standards of the public. Baldassare Castiglione’s literary work, The Book of the Courtier is the epitome of this idea and recites the specific qualities and actions a courtier should do at court to be well respected amongst his peers and succeed in his craft. Castiglione connects the idea of Self-Fashioning directly to the everyday ordeal of court courtiership by specifically illustrating the actions and qualities that make a perfect courtier.

Gary Warnett is the most credible source that can dwindled to a handful of blogs that come correct expert advice on how and what to wear, influential product knowledge and a general sense for knowing what's popping with his audience. He is a living streetwear encyclopedia. It seems almost impossible that one man would have this much spirit on what seems to be every facet of sneaker and streetwear culture, perpetuated by his love for hip-hop, but he does. When he shares old magazine clippings and scans, it can give even the most jaded men's style enthusiast the chills from sheer giddiness and excitement to go back to a real special

Crucial to the development of Renaissance art was the emergence of the artist as a creator, sought after and respected for his intellect and imagination. Art became respected as a means for religious and social teaching, and a form of personal, visual expression.

The objective of this Literary Analysis Essay is to express my opinion as it relates to the

“Reputation is an opinion about entity (a person, a social group, an organization), typically a result of social evaluation on a set of criteria. Also, reputation may be considered as a component of identity as defined by others” [ ]. This essay will talk about a very famous Italian Renaissance artist, considering the circumstances in which such artist had established his reputation. The essay intends to explain the values of the Renaissance era and their qualities, and then to apply this knowledge specifically to the reputation of Michelangelo Buonarroti, the Italian sculptor, painter, architect and poet.

The focus of this investigation will be “The Medici family supported the artists of the Renaissance era by providing them financial support, throughout mentorship and because of the prevailing philosophy and humanism.” This investigation will focus on the background of the Medici family and how they supported artists of the Renaissances era. This investigation will use a primary source from an artist's work and a secondary source relating to the Medici family uprising.San Lorenzo (church). Medici chapel. Tomb of Lorenzo de' Medici which held Sculptures by Michelangelo and Adrien, De Roover Raymond. The Rise and Decline of the Medici Bank, 1397-1494. Norton Library, 2012.Both sources provide background to the Renaissance time period and how the Medic family treated artists with their power. The two sources are examples of how the Medicis changed the renaissance era through their money and power to pursue artists for their own benefit and for the time periods.

In Renaissance times, successful artists such as Michaelangelo essentially became managers in their own right when demand became too much for the amount of work they were able to supply independently. Therefore, it became necessary to become managers and to employ other artists to complete works such as the Sistine Chapel or the Laurentian Library in Florence.