Essay The Sins of Gregor Samsa of Franz Kafka’s The Metamorphosis

The Father goes through one of the most drastic changes in the novella. Before Gregor’s transformation into a bug, the father did not work, and he did not really do anything, he relied on his son’s influx of money but when Gregor changed into a bug that was all about to change. Before the change happened, the father was not in working condition. In Gregor’s words, “now the father was certainly healthy, but an old man, who had not worked in five years and could not be expected to do much” (29). The father before his change was in general lazy. But because of the changes in his family, he had to change. In only 9 short pages of the novella, Gregor’s thoughts on his father changed drastically, “Now however he held himself erect dressed in a tight blue uniform. With gold buttons, like that of a bank manager…” (38). If you compared that to Gregor’s old information on the father, it is a major change, from lazy and unhelpful, to in charge and bringing in money. One of the other major changes in the father was his attitude towards Gregor. At the start of the novella, he wanted nothing to do with Gregor, “when his father gave him a terrific shove from behind and he flew, bleeding profusely, far into the room” (21). He could have killed Gregor then, but at the end of the story, when the sister wanted to kill Gregor, the father said, “if only he could understand us….then we might be able to come to some sort of agreement with him” (53). He almost wanted to make

Betrayal is the one thing in which we are accomplishing all too well in this world. “The Metamorphosis” by Franz Kafka is a book related to a boy who wakes up from his bed and realizes he has turned into a nasty vermin. His family does not know what to think of this transformation their son, Gregor, is going through. Betrayal is a vital theme in “The Metamorphosis” and clearly focuses on the downfall of the main character Gregor Samsa. The Samsa family shows treachery, disloyalty and betrayal towards Gregor by showing minimal love, fear into his abilities, and as well as unfair treatment of his cause.

     I have chosen The Metamorphosis as my subject for this paper; I will take a close look at how the death of Gregor Samsa opens the doors to understanding the story. I will give examples of irony through Gregor’s metamorphosis and how this irony brings together the conclusion of the story. Through his death we see the truth behind his parents, which in it’s self is ironic. It is difficult to pinpoint one specific thing to write about in the story; there are just so many things that can be brought to light. If I happen to lose sight of my topic bear with me, there is just so much to be discussed in the novella.

To fully understand the depths of Gregor’s family’s betrayal, it must be mentioned how much he does for his family. His father had once owned a very unsuccessful small business, and when the business went under the family’s financial woes were unimaginable. Gregor saw this and wanted to bring joy to his family again. Kafka states, “At that time Gregor’s sole desire was to do his utmost to help the family to forget as soon as possible the catastrophe that had overwhelmed the business and thrown them all into a state of complete despair” (Kafka 25) He found a job so that

Transformation in the world happens when people are healed and start investing in other people- Michael W. Smith. Change plays a key role in one’s life. Change is what makes one’s life different from usual; change is needed in everyone’s life in order to maintain the fluency of life. The character Gregor Samsa’s in the book “Metamorphosis” by Franz Kafka symbolizes change, in which he gets transformed into a large insect. Change literally means to make or do something in a different manner to get a new result.

On the surface, “The Metamorphosis” by Franz Kafka is an evocative story of a man transformed into a “monstrous vermin”. It seems to focus on the dark transformation of the story’s protagonist, Gregor, but there is an equal and opposing transformation that happens within Gregor’s family. Although Gregor has physically changed at the beginning of the story, he remains relatively unchanged as the novella progresses. The family, on the other hand, is forced to drastically change how they support themselves. Although the change was unexpected, Gregor’s transformation into a vermin sets into motion a change in the Samsa family that leaves them better off in almost every facet of their lives. Thus, Kafka’s story is not one of descent into darkness, but one of a family’s ascent towards self-actualization. The metamorphosis the title speaks of does not take place in Gregor, but rather in the Samsa Family; consequently, Kafka’s “The Metamorphosis” is not a tale of darkness, disconnection and despair, but rather a story of hope, new beginnings and perseverance.

“Kafka’s “Metamorphosis”: Rebellion and Punishment” is written using and expressionist point of view, with influences from Freud. Walter Sokel explains Freud’s study of “accidents” and how “Metamorphosis” displays it. Freud’s theory states that accidents “are often acts springing from motives of which the conscious mind keeps carefully unaware” (209). When Gregor scares his boss and causes him to forget his cane and hat it actually makes Gregor happy. Sokel writes that “the metamorphosis fulfills Gregor’s secret

In The Metamorphosis, Franz Kafka conveys the series of emotional and psychological repercussions of a physical transformation that befalls the protagonist, a young salesman called Gregor Samsa. As the story progresses, Gregor finds himself unfairly stigmatized, cruelly rejected because of his clear inability to financially support his family, and consequently increasingly isolated. Through extensive use of symbolism, Kafka is able to relate the surreal and absurd, seemingly arbitrary events of this short story to a general critique of society-particularly on the alienating effects that conformity generates. On a broader level, the combined themes-which include the themes of conformity, freedom, and alienation--found throughout The

In his novel The Metamorphosis, Franz Kafka describes his own life through the life of his protagonist Gregor Samsa.  Careful study of Franz Kafka's life shows that Kafka's family, workplace, and reaction to the adversity in his family and workplace are just like those of Gregor.  So we might ask why Gregor was transformed into a bug since Kafka obviously never turned into a bug.  The absurd image illustrates how Gregor lacks self-respect and feels like he's a bug in the eyes of his family and society.  Franz Kafka was unhappy and never found his place in life, either.  Therefore, he might have felt just like Gregor, like a bug.  Furthermore the novel describes Kafka's expectations of his own future and he was partially

Gregor’s role in his family characterizes him as an altruistic individual whose nature made him ignorant to his family’s manipulation. Gregor endures most of his hardships without complaint and puts the needs of his family firmly above his own. Upon realizing his transformation at the beginning of the novella, his first thoughts were not of alarm but of great concern about being late to work because it is his only means of taking care of his family (Kafka 6). After his father’s business failed, Gregor “work[ed] with special ardor” (27) doing laborious work as a traveling salesman, not only to “pay off [his] parents’ debt”(4), but to also spend what little money he has to give Grete the opportunity to perform violin professionally (26). With all these responsibilities, it’s inevitable for Gregor to be under great stress, which can infer that Gregor’s transformation is a result of his willful desire to escape the pressures his overburdened life. Gregor struggled between remaining a steadfast provider or following his desire for independence, however, his metamorphosis freed him from a job he detests. Now that it is impossible for Gregor to work, Mr.Samsa reveals that “he possessed more money than Gregor knew about” (#). This is a significant event where Kafka uses the motif of betrayal to emphasize the corruption in familial infrastructure represented through Gregor’s sacrifice and interaction with his family, as well as to socially comment about how people in society use

It is unusual to say the least to open a book and the first line is about the main character waking up as a large insect. Most authors’ use symbolism to relate the theme of their work, not Franz Kafka. He uses a writing method that voids all aspects and elements of the story that defy interpretation. In doing this, he leaves a simple story that stands only for an objective view for his own thoughts and dreams. Kafka focuses the readers’ attention on a single character that symbolizes himself and his life, not Everyman as some authors do. This method is displayed in most of his literary works. To understand how this method is recognized, readers must study the

‘Gregor? Are you alright? Do you need anything?’‘Gregor, open the door, I beg you.’ Gregor had no intention of opening the door, but congratulated himself on his precaution, acquired from traveling, of locking all doors during the night, even at home.’”(page 7) Gregor not opening the door and answering his family face to face because he didn’t want to worry them, shows the reader the lack of communication the family has with one another. This also represents how isolated Gregor is with society because his main purpose is to be a good son and make money for his family. With this expectation, he goes to work every day and has no time to make friends. Therefore, Gregor fantasizes quitting his job once he is done paying off his father's debt.“If I didn’t hold back for my parents’ sake, I would’ve quit ages ago. I would’ve gone to the boss and told him just what I think from the bottom of my heart. He would’ve fallen right off his desk! How weird it is to sit up at the desk and talk down to the employee from way up there.’‘Once I’ve got together the money to pay off the parents’ debt to him—that should take another five or six years—I’ll do it for sure. Then I’ll make the big break.’” (page 5)

Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First,

In The Metamorphosis, Kafka establishes, through his religious imagery and gospel-esque episodic narration, the character of Gregor Samsa simultaneously as a kind of inverse Messianic figure and a god-like artist, relating the two and thus turning the conventional concept of the literary hero on its ear. The structure of the novel reflects that of the Gospel of Mark in that it is narrated in individual events, and in this it is something of a Künstlerroman - that is, the real metamorphosis is over the course of the novel, rather than just at the beginning, and that change is a heightened sensitivity to the world in an artistic sense. The motif of change is a rather theological one as well: we see it in a religious sense, in the form of

Their dependence is why Gregor places so much emphasis on his job even over his own state of being; because his main use to his family is his work. While Gregor’s job does make him miserable, the thought of escaping it gives him the hope to continue and thus gives him purpose in life. It is noteworthy that Gregor does not describe exactly what the “big change” he will make once he pays off his parent’s debt is. It is merely the thought of escaping his oppressive work environment that drives him to continue working a vicious cycle that makes up his life and consequently his self identity. This contrast can also be seen in Gregor’s initial reactions he goes from damning his job to “Hell” to exclaiming “God in Heaven!” when he realizes that he is late (Kafka