The Sitcom That 70s Show

The essay "Class and Virtue" by Michael Parenti offers an analysis of several TV shows which are based on stratification issues. The essay highlights that the entertainment media shows that the lower class is not adequate in contrast to the upper one. With the help of such shows as Treasure Island and The Three Faces of Eve, the author gives examples which support his statement. What is more, he also applies his statement concerning social groups and virtue to gender and race by such TV shows as The A-Team and Pretty Woman. Besides, he assumes that virtue is more likely to be attributed to those

The television shows from 1950 to the present are connected in many ways. The characters showed in the 1950s television show called Leave It To Beaver all have white coloured skin and portrayed as a happy, perfect family. As the decades increased, the nuclear families turned into blended families, and the television shows started to have coloured characters. The families started to have problems and social situations. The viewer sees the conflicts inside the family begin as the years progress. For example, in the 2000's we examined a television show called Arrested Development. The show portrays the characters as if they are troubled and have problems. The children do not listen to their parents but instead have

It is often said that the media and the arts are an accurate reflection of any given community. This is especially true in American pop-culture, where television shows depict the various stereotypes attributed to men and women and the roles they play in society. House, a highly popular medical drama that revolves around Dr. Gregory House and his diagnostic team, is a particularly good example as it represents the true state of the traditional gender roles in American culture today by, both, redefining and reinforcing them over the course of the show.

Living by the restrictions that society places upon us, humanity is constrained to follow rules. Television writers were forced to write a certain way and were forced to leave out information that society would deem as improper, rude, and even racist. However, in 1971, a groundbreaking American television sitcom broke through societal boundaries and transformed the way that the American audience viewed television. Engulfed by the Vietnam War, Civil Rights Movement of the 1950s and 1960s, fight for women's right, and the Watergate scandal, Norman Lear persevered through stereotypes and entertainment norms with his show All in the Family. This show approached its audience in a very blunt and crude manner; it made conflict the center of its comedy. It dealt with contemporary cultural issues in a relatable way, which blue allowed blue-collar workers to learn about their current everyday issues and concerns. Through his show All in the Family, Norman Lear highlighted sensitive topics such as racism, bigotry, and sexual relations to prove that they are still alive in our country; thus, Norman Lear is an agent of change by bringing awareness to social issues.

As society has continued to evolve socially, politically and culturally, so has the persona of television. Societal transformations have shape and reshaped television throughout its history. Programs ranging from ethical series to variety shows to family sitcoms mirrored not only the audience taste of entertainment, but also the change of values within society during the increase in television use. Gender roles and a strong sense of family intimacy were among the most prominently highlighted transformations reflected in television. Women and family contribute significantly when analyzing the antiquity of the television. Television programming was designed to emphasize family togetherness through illuminating the importance of domestic household maintenance. Domestic sitcoms, such as The Donna Reed Show exhibited these liberal roles in which women were expected to subjugate to subordinate statuses and confine their

The Television shows “Full House” is based on six individuals that live in one house that aren’t the typical “family”. The character Danny is a widower who is forced to raise is three daughters on his own. His best friend Joey and brother in law Jessie moved in to help Danny raise the girls. The three girls from oldest to youngest are: Donna Joe (DJ), Stephanie, and Michelle. In 1993, season seven of the television show presented episode five entitle; “Fast Friends”. This episode was based on Stephanie starting her first year in junior high school. Stephanie meets a new friend named Nicki, and realizes that Nicki and her friends are not a good crew to be associated with. Stephanie feels pressured to smoke cigarettes while in the school bathroom however, she decided against it. Stephanie really like’s her new friend Nicki but knows she could never become a follower. Meanwhile, Jesse and Joey begin to host a radio show and can’t seem to find a decent name for the show. DJ, DJ’s boyfriend, and best friend Kimie are force to pick a side. While watching this episode the cast displayed both verbal and nonverbal cues.

On September 20, 1984 a show aired that changed the way we view gender roles on television. Television still perpetuates traditional gender stereotypes and in reflecting them TV reinforces them by presenting them as the norm (Chandler, 1). The Cosby Show, challenged the typical gender stereotyping of television, daring to go against the dominant social values of its time period. In its challenge of the dominant social view, the show redefined the portrayal of male and female roles in television. It redefined the gender role in the work place, in social expectations, and in household responsibilities. The Cosby Show supported Freidan in her view of “castigating the phony happy housewife heroine of the

In sociology, the term deviance refers to behaviors or attitudes which go against certain cultural norms. It is evident that deviance is a fascinating topic not only for sociologist, but for television industry and its viewers, as well. In recent years, increasing number of shows begun to feature individuals violating every kind of social norm from folkways to taboos. The Secret Life of the American Teenager, an American television series on the ABC Family television network, is one of the many contemporary shows that portray deviant behaviors on national television. It’s intended for the target audience of teens and their families who are trying to cope in a culture where teen girls and boys are sexually active.

On September 20, 1984 a show aired that changed the way we view gender roles on television. Television still perpetuates traditional gender stereotypes and in reflecting them TV reinforces them by presenting them as the norm (Chandler, 1). The Cosby Show, challenged the typical gender stereotyping of television, daring to go against the dominant social values of its time period. In its challenge of the dominant social view, the show redefined the portrayal of male and female roles in television. It redefined the gender role in the work place, in social expectations, and in household responsibilities. The Cosby Show supported Freidan in her view of "castigating the phony happy housewife heroine of the women's magazines" (Douglas 136).

Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the

For Americans, the 1960’s were a time of both unnerving turmoil and exciting change. Following on the heels of the 1950’s themes of tradition and conformity, the contrasting events and attitudes in the sixties constituted a perfect storm leading to a reconstruction of American social, cultural, and political ideals. Although each decade has experienced identifying features, events occurring during the sixties provided for a definitive coming of age era for the United States. While much of this revolution can be attributed to the events themselves, the medium used for disseminating these ideas bears some of the responsibility. Throughout the decade television replaced radio and newspaper as the primary source of news and entertainment.

Sara Magee’s article, “High School is Hell: The TV Legacy of Beverly Hills, 90210, and Buffy the Vampire Slayer” (2014), argues that both television shows positively changed and impacted teen-based programs during and after their air time. Magee supports this claim by providing descriptions of how teens were depicted in teen-based dramas prior to the 1990’s and how these two shows introduced controversial topics that made teens think about their actions. Magee’s purpose is to point out how these two shows broke the norms of traditional teen dramas that focused on the ideal teen lifestyle in order to show that Beverly Hills, 90210 and Buffy the Vampire Slayer are the predecessors of controversial teen dramas of the 21st century. Based on the

In recent years, there has been a gender shift in crime dramas on television. In the 70s, 80s, and early 90s, the viewer saw the lead characters to be heavily male dominated with a woman thrown in for mostly sex appeal. The shift from the stereotypical nuclear family, with a stay-at-home mom, has impacted many genres of television programing and exemplified in Paul Cantor’s “The Simpson: Atomistic Politics and the Nuclear Family,” when referring to the deviation from a historic ideal family “in fact [the breakdown] should be regarded as a form of liberation from an image of the family that may have been good enough for the 1950’s but is no longer valid in the 1990’s” (737). Popular television has extracted “women” from their “household”

Every so often there is a television program that attracts a large audience because it is brilliantly written and entertaining. One of the most recent television shows to do this has been Mad Men. The show revolves around an advertising agency in the 1960’s and it’s key players in the company, more specifically Don Draper. Being set in the 1960’s, it is important to do both a sociological and semiotic analysis of the show. Society and human interactions have changed dramatically over the past fifty years and while it is a scripted television show and not a documentary, the drama prides itself on paying close attention to details and keeping everything true to the time period. It would be interesting and informative to do an analysis

Think of your favorite TV show or movie. What does it say about the relationships between men and women or about each of these genders in general? Does it convey traditional notions about gender or challenge those notions with modern-day concepts? When examining the media we watch, one can easily see how gender is represented through the relations between men and women together and separately. One can also infer how a society is structured from these depictions. One TV series in particular, Mad Men, reflects these gender relations and the differences in discourse of the 1960’s. The show takes place in the 1960’s in New York City, and explores the ego-driven Golden Age of advertising. By only taking a look at the very first episode of this series, the construction of gender relationships and conceptions about gender immediately become apparent with a plethora of examples. Although this TV series was created in the 21st century, it portrays traditional notions about gender that were commonly held during the 1960’s, with very rare instances of challenges to these ideas. Given the popularity of this show, it could be suggested that in today’s society there might be nostalgia for the traditional concepts of gender that were prevalent during the 1960’s.