The Slave Ship And Impression Sunrise Two Masterpieces Of Art History

Out of the choices I had to choose from for my analysis. I chose the painting, “Slave Ship” by Joseph Turner, due to the chaos I see in the painting. Not only is the event being portrayed very chaotic, but the painting itself is full of turmoil as well. The painting has vigorous brush strokes and the colors seem to melt together in areas leaving the sky and the sea hard to distinguish in the middle portion of the painting. The artist also uses bright and dark colors allowing the creation of pandemonium that I feel when I see this work. You can see the beginning of a storm in the left of the painting along with a boat heading into the rougher waters caused by the weather, resulting in the bow to be propelled

Heinrich Heine's poem the Slave ship reveals the inhumane and horrible experiences slaves had to go through while traveling on slave ships. At the beginning of the poem the captain Mynheer van Koek of the ship admires his work, for he obtained six hundred slaves "dirt cheap". More than likely, Koek bought the slaves from African leaders who had no problem in trading their own people. Often times African leaders would do this to punish their people, not knowing the lingering effect it would have on the world. Heine's describes how Koek swapped "brandy", "trinkets", and "beads" for the precious life of a slave. In stanza 7, the captain's moment of bliss has finally come to an end we he realizes that the slaves are dieing in substantial numbers,

This paper is a formal analysis of the Marble grave stele with a family group relief sculpture. It is a pentelic marble style relief standing at 171.1cm tall carved by a master. It is from the Late Classical period of Greek, Attic which was completed around ca.360 B.C. . I chose to analyze this piece as apposed to the others because I’m mainly attracted to art and sculptures from the Greek era. The overall color used in this relief is ivory with a few cracks and pieces broken off. There is some discoloration which causes the color to come off as slightly light brown for most of the relief. The sculpture appears larger compared to the other sculptures in the art room. It represents a family which includes a man, his wife, and their

The life span of 37 years saw Vincent Willem van Gogh (Vincent) in creating beautiful works he dearly loved. Painting was an avenue, which allowed him to express his inner thoughts or vent his struggles. My decision to research on Vincent’s painting, Starry Night (1889) came with the inspiration from Don Mclean’s Song, Starry Starry Night where his lyrics spoke about Vincent’s life that further intrigued me in writing this paper.

One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.

The 1920s were a time of great prosperity and revitalization. This decade gave way to many great social milestones for every class of people. From the limits for immigration to the boom of the auto industry American society was drastically altered. Issues such as foreign immigration,prohibition, the Ku Klux Klan ,evolution, women’s roles, and race were the focus of the populus and drove politics within the nation. Art played a major role in how the black community expressed their new found sense of culture. Painting has always been a way for someone to portrait their ideas.

The third painting from the Impressionist era is that of artist Joseph Mallord William Turner (British, 1775–1851). Turner’s “The Lake of Zug”, 1843 is a beautiful portrait painted in watercolor over graphite that were sketched based from Turner’s trip to the Swiss Alps. The color contrast is beautiful, the sight of the sun setting behind the mountains signifying the end of one day and the encouragement of another. The sun shines on the lake, with basking glows that illuminate the people and the surrounding mountings. This portrait fits the company image, because it shows that there is a beacon of light that still shines and brighten things around them. The

African Americans always had a great influence in the United States throughout time from the beginning of slavery. African Americans, since the start of slavery, always expressed themselves artistically, where it was through music or art. From making patchwork quilts, slaves used their artistic expression to help conduct the Underground Railroad and escape slavery. To be defined as “illiterate savages” African Americas proved many wrong with their exceptional skills presented in many different styles of artwork. From slavery throughout the 19th century, there were a great number of African Americans whom contributed to the United States through artistic expression, with creating artwork that would either be judged or discredited. For example, Robert S. Duncanson, Edward M. Bannister, Mary Edmonia Lewis, and Henry Ossawa Tanner were all 19th century African American artists who each faced their own individual challenges to achieve acclaim as artists.

During the late 19th and 20th centuries Blacks in America were debating on the proper way to define and present the Negro to America. Leaders such as Alain Lock, W.E.B. Dubois, Marcus Garvey, and Tuskegee University founder Booker T. Washington all had ideas of a New Negros who was intellectually smart, politically astute, and contributors to society in trade work. All four influential leaders wrote essays to this point of the new Negro and their representations in art and life. In “Art or Propaganda”, Locke pleas not for corrupt or overly cultured art but for art free to serve its own ends, free to choose either "group expression" or "individualistic expression.” (National Humanities Center) In W.E.B. Du Bois speech "Criteria for Negro

The Whitney Museum of American Art has often been referred to a citadel of American Art, partially due to the museums façade, a striking granite building (Figure 1), designed by Bauhaus trained architect Marcel Breuer. The museum perpetuates this reference through its biennial review of contemporary American Art, which the Whitney has become most famous for. The biennial has become since its inception a measure of the state of contemporary art in America today.

African Art does not have specific date to which it evolved because most early African Art was carved in wood, which perished quickly. This is why most art dates from the 19th and early 20th century. Many 20th century artists admired and collected pieces of African Art. They enjoyed the bold color, expression, and form that produced a new beginning in art history. African Art was mostly dedicated to life affirming activities such as healing, pleasure, protection, and transformation.

Art has been part of our society since humanity existed. For countless years’ people been creating, observing, criticizing and appreciating art. Claude Monet’s piece titled Sunrise (Marine) illustrates the daylight in the industrial port of Le Havre of the north coast, France. This piece was made in March or April of 1873. The piece’s present location is the J. Paul Getty Museum, west pavilion, gallery w204. The medium is oil on canvas and is next to another piece made by Monet called The Portal of Rouen Cathedral in the morning light. Claude Monet was part of the impressionist movement that changes French paintings of the nineteenth century. For Sunrise (1872), people criticized the paint due to the appearance of an unfinished painting,

Everyone has been created unique and there is no other that is the like anyone else. People think different, dress different and like and dislike certain things. This is similar to the artists of the nineteenth century including Pierre Etienne Theodore Rousseau and Joseph Mallord William Turner. They are both artists during the nineteenth century and were painted at the same time; however, there is a difference between their styles, their point of view, and the scenery. However there are similarities between the two paintings. The paintings that will be compared and contrasted are “Under the Birches, Evening” and “The Campo Santo, Venice.”

Claude Monet’s piece titled Sunrise (Marine) illustrates the daylight in the industrial port of Le Havre of the north coast, France. This piece was made in March or April of 1873. The piece’s present location is the J. Paul Getty Museum, west pavilion, gallery w204. The medium is oil on canvas and is next to another piece made by Monet called The Portal of Rouen Cathedral in morning light. Claude Monet was part of the impressionist movement that changes French paintings of the nineteenth century. For Sunrise (1872), people criticized the paint due to the appearance of an unfinished painting, however other artist saw it as an honor and eventually called themselves “impressionist”. The painting brings out a beautiful image due to the colors, texture, and technique that plays an important role in society and culture.

When the new upper class movement, Renaissance, occurred in Italy around the 14th century, a revival of the classical forms originally developed by the ancient Greeks and Romans, an intensified concern with secular life, and interest in humanism and assertion of the importance of the individual began. Thus, artists such as Mosaccio and Giotto depicted art that unlike the Middle Ages, showed emotions, feelings, and bright colors, thus demonstrating the deep concern for naturalism in the society. Other artists during the Italian Renaissance period such as Giovanni Bellini began to express their art through secular and religious themes and ideas that were exhibited through landscapes and portraits. As new styles of