The Social Structures Of A Destroyed World Essay

A dystopia the darkest form of government, a utopia gone wrong, a craving for power, struggling for fewer rules. The dystopia is factual the worst possible form of a government. Its the struggle to be so perfect that it fails. There are typically two types of dystopias first a monarchy. A monarchy is a group of people controlled by a king or queen, and they make every last decision. What they want they get. A monarchy is typically born like this example from lord of the flies. “He became absorbed beyond mere happiness as he felt himself exercising control over living things. He talked to them, urging them, ordering them"(Golding 58). This shows that a monarchy starts by one just taking over from the start rather than being a

For years, post-modern writers have foreshadowed what the end of the world would look like through dramatic representations in literary works. Cormac McCarthy’s The Road and Margaret Atwood’s novel, Oryx & Crake, are no exception to this. Delving into the complexities that underlie man’s existence on Earth, these authors use their novels as vehicles to depict a post-apocalyptic world, in which all that once was is reduced to an inconceivable wasteland, both figuratively and literally.

When drastic times occur and sweep one of everything they own, do they have a plan of action? Will they be prepared for a life without power, resources, and stability? Many times when people are faced with this situation they find themselves unprepared and unable to live in such conditions. They lose the connections with the world, the water they drink is likely to get contaminated, and the scarcity of goods is a threat to themselves and anyone left alive. Everywhere around them there is death and destruction leaving them isolated in their own dystopia. Pat Frank’s Alas, Babylon illustrates a nuclear bomb simulation. In such a way, he gives the readers a taste of isolation and survival needs when facing such drastic times.

dystopian communities, there is always some form of suffering occurring. A dystopia never benefits society as a whole and will provide nightmares for those who do not benefit. A civilization following dystopian characteristics involve illusions of prosperity, people being singled out, and a strong sense of corruption. Dystopian civilizations are full of suffering whether it be covered up, out in the open, or even done in a ceremonious nature.

In disastrous situations, humans are brought to the extremes. At first, people panic and become desperate for any solution, as seen on pg. 74 where Kathy describes an empty shelved Walmart that looked like the end of the world. Greed and lawlessness due to a lack of police is also an extreme; this is seen on pgs. 128-129 when Zeitoun encounters a gang robbing a Shell station on his way to work, it had thugs armed with guns. It is even more clear on page 175, where Mayor Nagin described the events in the Superdome, “About three days we were basically rationing…that’s why the people, in my opinion, they got to this almost animalistic state…they were trapped…for five days watching dead bodies, watching hooligans killing people, raping people…” Mayor Nagin says that the feeling of desperateness, of being trapped, and of helplessness made people animalistic. On the other hand and to a lesser extent, people like Zeitoun show an opposite extreme. After Katrina, Zeitoun developed a hero complex after rescuing the

Humanity as a whole is plagued with the misfortune of being trapped perpetually in a world filled with hate and violence. However, those residing in this world should be able to see potentiality of reducing day-to-day dangers. This is especially true when considering how pivotal the individual is, for it all begins with one person. Humans can be dangerous creatures; look no further than to the media which recounts awful injustices committed by groups like ISIS, Al Qaeda, or even the IRA. People are designed intricately and uniquely in such a way that no single being is identical. The way an individual acts, talks, laughs, dances, eats, and so much more varies from person to person. Malcolm Gladwell tackles the psychology behind an individual’s

In Penny M. Von Eschen’s book Satchmo Blows Up the World: Jazz Ambassadors Play the Cold War, Von Eschen writes about the positive effect that the jazz tours had on the international opinion of America during the Cold War. Due to the Soviet Union relaying the message in their communist propaganda that America was ridiculously racist, President Dwight D. Eisenhower and the State Department funded multiple trips across the globe where jazz musicians, both white and African-American, would perform their music and inevitably help end the war. The musicians and the government often clashed though, mainly because they were both using the tours for their own personal aspirations, which were completely opposite of each other

When faced with survival conditions, and with no knowledge of their future, people lose their conscious, and will resort to heinous actions in response to their fear or

Post-Apocalyptic settings used in fictional works have become increasingly popular over the years. The entire bases around post-apocalyptic is how the world as we know it is great changes, therefore altering the lifestyle of all things living. Whether the reasoning be weather, or an epidemic there already build society is arubtlly changes forcing major alterations in how life continues on. The ethical code of morals in which we live by is replaced by the instinct to survive when adapting to life in an altered world. Using examples from Cormac McCarthy’d The Road, George R. Stewarts, and the AMC series The Walking Dead, this paper will demonstrate the transitions human society makes as survival takes precedent in a post-apocalyptic world and how rebuilding civilizations while establishing hierarchy occurs. These three fictional works demonstrate the beginning, middling and end stages of the changing process as people move away from traditional life styles of the past world and into the realization of present existence.

In the story, “The Destructors” by Graham Greene, the author's position is that humans are inherently good. The author argues that humans can behave badly due to their circumstances of their lives and being in a gang is a release of anger for them. Graham Greene In the story emphasized that whatever your surroundings are, it will drastically affect your actions, good or bad.

John Hersey, the author of the book “Hiroshima”, recounts the tragic events surrounding six survivors living in Hiroshima at a time the atomic bomb was being dropped. “The characters in his account are living individuals, not composite types. The story is their own story, told as far as possible in their own words” (Hersey VI). Part of Hersey’s goal was to emphasize how catastrophic events can foster a need for survival and bring communities together as they lean on each other for support. Although cultural behaviors differ around the globe, the basic needs in which to satisfy for survival are surprisingly similar. For this analysis, we will take a brief look at what is inherent in each of us, the need for survival.

The history of human nature has been bloody, painful, and even destructive. Nonetheless, before understanding their environments humans used to kill each other based on their own mindset on the ideal of violence, and what it actually meant. Pinker describes narratives of violent acts from the past, that today are foreign to us. He gives us a tour of the historical human violence and how the violence in human nature has changed throughout time. The main idea from Pinker’s book,“The Better Angels of Our Nature ', is “for all the dangers we face today, the dangers of yesterday were even worse.” He provides its readers with explicit violent stories beginning from 8000 BCE to now, and describes how violence has evolved from a blood lost to more of a peaceful existence.

As a culture we are obsessed with the concept of the end of the modern world as we know it. We contemplate what would happen if everything we love and care about were to suddenly disappear and never come back. The everyday commodities we enjoy gone in the matter of days, and left in its place is a sinister survivalistic world where no one is safe and the only thing that matters is surviving day by day. Doesn’t matter what caused the world to come to an end, only matters what we do after in order to survive. This genre of movies and films is known as post-apocalyptic. Although the film may delve into the causes of the apocalypse through flashbacks or memories, the film will generally revolve around the characters struggle to survive the aftermath. The genre is riddled with hundreds of films with unique twists and turns, but the majority share similar patterns that help us identify the fears of our culture. The major fears of our culture which post-apocalyptic movies portray is the fear of loneliness, major change in routine, losing our humanity, and losing the feeling of security present in our modern day society.

T. S. Eliot’s “The Wasteland” depicts a definitive landscape of desolation, reflecting the damaged psyche of humanity after World War I. Relationships between men and women have been reduced to meaningless social rituals, in which sex has replaced love and physical interaction has replaced genuine emotional connection. Eliot’s “The Love Song of J. Alfred Prufrock” goes a step further in depicting these relationships: the speaker reveals a deep sexual frustration along with an awareness of morality, in which he is conscious of his inability to develop a connection with women yet cannot break free from his silence to ask “an overwhelming question” (line 10). “The Wasteland” and “The Love Song of J. Alfred Prufrock” together illustrate that

2. Translated by Samuel Lee, The Travels of Ibn Battuta. 51-68, 139-168, 172-176, 181-183, 199-206.