The Societal And Cultural Values

The Hip Hop music industry is infamous for being controversial. In the article Hip Hop’s Betrayal of Black Women there’s a debate on whether the exploitation and constant verbal slander of women should be acceptable just because it sales records. It presents the question that why is it that male poverty breeds sexism? Even though women may have lived in the same environment males still see women as the enemy in their music in an effort to sell records.

Her clothes accentuate her cleavage or have a sexual shock factor, such as wearing “sequined pasties…[that] coordinate with the rest of her attire”. The vulgar, sexual nature of her raps makes it impossible for her to not receive attention from the media. Another artist, Eve, dresses sexually to accentuate her body and appears in videos with music video models but raps about social issues like domestic violence. By comparing the nature of these artists and their music, Perry tries to show that young girls have very few role models in hip hop that promote positive feminists values and body images. But, she neglects to discuss other feminist artists she mentions in the essay such as Destiny’s Child and Mary J. Blige and how their lyrics and actions in the media allow young black girls to have positive role models that show a woman can be independent, strong, and beautiful in their own way. Perry’s focus on the more sexualized female artists in hip hop and how their shocking appearance and lyrics allow them to be as successful as their male counterparts took away from the development of her argument about conservative artists and their success. By leading the reader to believe that artists are either overly-sexual or conservative, Perry limits how the reader forms an opinion on why or why not young girls’ body image may be threatened by the media and the hip hop

Music and society have always been closely related. For years now music has been apart of people’s everyday lives all around the world. Having so many different genres out there, it makes it easy to be appealing to so many different ethnic backgrounds. However, one type of genre in particular has seemed to grab the attention of a younger generation. Rap music has undoubtedly had its utmost impact on African American youth, since many of the performers themselves are African American. An overtly masculine culture dominates rap music and creates gender stereotypes that become abundantly popular to the youthful audience. Three constant themes that are found within the rap culture are encouragement of violence, the misogynistic representation of women, an extreme hatred of homophobia. Each theme plays a detrimental role in the process of defining black masculinity as well as shaping the values, morals, and beliefs that its younger audience adopts after tuning into this “gangster lifestyle”.

It is clear that the hip hop culture plays a huge role in the lives of many people. It has influenced the way people dress, the way they talk, and the way they act. Unfortunately, many big corporations have taken advantage of this and commercialized rap music in order to gain a profit (Blair, 497). Commercialization is a very complex topic; however, it is important to understand. This is because of the fact that when something becomes widely known, such a hip hop and rap have, it is vulnerable to change (Phillips, paragraph 9). An example of this is when author Nicole Phillips states, “Hip-hop became more about edge and less about the content of the message. It became about sales….” (Phillips, paragraph 9). Therefore, in order to prevent any further change, one needs to understand commercialization and how it works. This paper is going to explore the complexities and nuances of commercialization of the hip hop culture. In order to do this, this paper will consider what commercialization of hip hop culture entails. This paper will also discuss how Elizabeth Blair, author of “Commercialization of the Rap Music Subculture,” conceptualized commercialization, as well as how she discusses the situation in general. After discussing these topics, the paper will move on to discussing cultural appropriation. This discussion will include how authors describe cultural appropriation, and a debate regarding this topic.

The misogynistic treatment of women in commercialized rap has become a widespread phenomenon which as a result has become commonly accepted by majority of the individuals in society. Rappers, in general, nowadays use women in their videos in a way which is both derogatory and exploiting. Black men in today’s society, especially in the entertainment industry, do not see women as their equals; rather they objectify them as being nothing more than sex objects. People in the Hip Hop industry do not believe that sexism and misogyny is as big of a deal as racism, thus they push this issue to the side by simply ignoring it and learning to accept it. This misogynistic portrayal of women is ruining the image if Hip Hop as both an industry and a form of expressive art. However, instead of taking action against this atrocity, many women simply believe that the images of women and their portrayal in rap videos does not represent nor refer to them as an individual and the type of woman they truly are. By being silent these women are allowing themselves to be victimized by the men of not only the Hip Hop industry but also general society. By not having a say in this matter of the false classification and portrayal of women, they are voluntarily allowing men to do whatever they please to do so, in any given time and with any approach they feel is necessary. They do not

In the essay, “Hip-Hop’s Betrayal Of Black Women”(221), by Jennifer McLune, she vents her feelings regarding hip-hop songs that are rhythmically diminishing the value of black women. She provides example on how the lyrics are being voiced and how hip-hop artists do not seem to care. Kevin Powell in “Notes of a Hip Hop Head” writes, “Indeed, like rock and roll, hip-hop sometimes makes you think we men don’t like women much at all, except to objectify them as trophy pieces or, as contemporary vernacular mandates, as baby mommas, chicken heads, or bitches” (221). There have been apologizes for what the rappers have said but nothing to resolve the dehumanization of black women. McLune informs the readers that hip-hop singers belittle black women and make them invisible. Jay-Z, a popular hip-hop artist is brought to center stage by McLune. The essay shows the example of a part of Jay-Z song that says, “I pimp hard on a trick, look Fuck if your leg broke bitch hop on your good foot” (222). This lyric is a perfect example of how hip-hop artist have no remorse in the words they sing. The hurt feelings and loss of self-esteem black women suffer, is of no concern to the rappers. McLune expresses that those who are underground hip-hop artist follow the footsteps on being sexist and using crude words in their lyrics just because they yearn and dream of being in the spotlight. Upcoming rappers want to be loved like Jay-Z and other famous notorious rappers.

Joan Morgan, a self proclaimed feminist, loves the power that rap and hip hop offers. Joan, also a music writer, is exceptionally troubled by the disrespect of women in not only in the musical lyrics but also the music videos. In the June 1990 edition of Ebony Magazine, Charles Whitaker wrote an editorial addressing the problems American culture brought on by the hip hop industry. Even though, his editorial was published in the 1990’s, it is extremely clear Charles Whitaker saw the negativity brought along with “The Hip Hop and Rap Revolution.” Both authors loved the powerful energy the new hip hop movement brought along with its beginnings, dating back to the mid to late 1970’s. With that being said, the two authors, both had one recurring theme within their respective works, the evolution of hip hop and rap. In other words, both Joan Morgan and Charles Whitaker addressed the issues brought on by the change in the rap and hip hop industry over its short exists. Change is the absolute most constant thing in our world, whether it is positive or negative change that is uncertain, in both of the articles that change in hip hop and rap is demonstrated

The course topics this session were all very interesting. The one that seemed to resonate with me the most was the section about Rap Music. The way that the material was presented and how Rap Music as a whole was dissected was really intriguing. One point that really stuck with me was the “Our Buddy” discussion. It really opened my eyes to how the rap/hip-hop industry markets the music to us. This paper will show that the stereotype of “Our Buddy”in rap music is very real and how the material has turned from an art form into and marketing ploy. I intend to support my argument with examples and analysis by explaining how the stereotype can become accepted as a social norm.

Another challenge occurs when emotional influences over the decision-making process, which may over shadow the importance of personal values in the process, pose as another challenge. Emmerling (2003) states that the emotions felt during the decision-making process can have an effect on the number of alternatives, amount of effort people are willing to invest, and people's willingness to take risks.

It is suggested that one of the reasons why artists use misogynistic lyrics in their music is that they have internalized the negative stereotypes about women that are prevalent in American society. African women were historically portrayed as animalistic sexual beasts and African males in a submissive role, giving in to wild instinct or bodily impulses. The internalization of such stereotypes may be a possible explanation of the hyper sexuality within certain hip hop music. Various authors have argued that misogyny is merely an outgrowth of the cultural acceptance of misogyny at large.

...Tell me is it cool to fuck?” or Jay-Z’s hit song: 99 problems, “99 Problems but a bitch ain 't one. If you having girl problems. I feel bad for you son. I got 99 problems but a bitch ain 't one.Hit me.” Each song displays a different type of hatred and is sexually degrading towards women in their own way. However, many of these rappers face the pressures of their hierarchy, the corporations that produce this music, and find what its viewers are listening and responding to the most. The content of the messages in these rap lyrics has become more hardcore over the past years in order to make records sell, because that’s what consumers like, that’s what they want to hear. The negative depiction and hegemonic masculinity are what is making these records sell. Consumers play a key role in the process. Misogynistic representations of women and the more general marketing of “hood narratives”, occur in part, in response to a perceived consumer demand for stereotypical representations of the ghetto, and specifically of young Black men and women (Watkins 2001:389). Negative representation towards women isn’t only talked about in their songs, but shown in the popular music videos that played on stations aimed for kids of the younger generation, such as MTV. It is found that women in rap music videos were more likely then men to be associated with themes of misogyny. The prominence of misogyny as a theme may be related to viewers’ expression of similar attitudes towards their own

With means to express oneself, helps one overcome the difficulties of life. This approach represents the entire nature of the hip hop culture, especially when dealing with social justice issues. Today, hip hop culture’s association revolves around raps (lyrics) and the rappers which reflect how consumers receive messages about social justice issues. Unlike breaking and graffiti, the music/lyrics penetrate society more. However, for this analysis, the focus will rely on a visual element with a connection to hip hop music. Even though a music video would make sense as a visual means of expression, this analysis has more interest in a hip hop album’s cover art. Also, this focus will lead to the question of how important is art to send messages

In “Welcome to the Candy Shop…”, Marita B. Djupvik examines what she finds to be conflicting representations of Black Masculinity in 50 Cent’s music video for “Candy Shop” which was released ten years ago (2005). Djupvik’s thesis in this article is as follows “I propose that the macho masculinity presented here is threatened when the male body is on display, but 50 Cent reassures himself (and his audience) through selective framing involving both other performers and the music,” (209) which doesn’t even begin encompass the broad scope of themes and tactics she explores that are used by 50 Cent, but it is an introduction nonetheless. Overall she aims to examine quite a few things in this review of the music video including 50 Cent’s characters

Generation after generation, music has revolutionized cultures around the globe. Every generation goes through a trend of music that greatly inspires that specific era on what to wear, how to act, and what to say. Music is something that everyone can connect with and as it continues to evolve, so will society. As of today and what has been going on for decades is rap music and how it portrays women. In the rap world, women represent success and are treated as accessories: a means for rappers to prove that they have made it to the top. It is not that rappers feel that women are inferior, but they feel treating women as a collector’s item is how they should go about displaying their new found success.

The 1980’s consisted of several historical events and societal changes that have been relived though the lyrics of many young hip-hop artists. Of the numerous genres of songs, hip-hop has been labeled as of the most relatable genres. During this 1980’s, many of the songs that were written by male hip-hop artist tend to focus on the relationship aspect of male and female interactions. This finding is similar to what was stated in Frith’s article (1986) that most successful pop songs were about being “happy in love” and “frustrated in love” as well as having a sex interest (p. 78). Instead of using derogatory terms to describe women, men felt the need to use more delicate and gentle terms. Through their music, artists portrayed women as individuals who provide love, support, happiness and fulfillment to a man’s life. Furthermore, male artists portrayed themselves as men who weren’t afraid to express their emotions, admit their dependency on women, and their willingness to do what it takes to keep a woman. There were no signs of hypermasculinity or dominance in the first few songs