The Sociological Theory Of Double Consciousness And African American Writing

The Souls of Black Folk by W.E.B Dubois is a influential work in African American literature and is an American classic. In this book Dubois proposes that "the problem of the Twentieth Century is the problem of the color-line." His concepts of life behind the veil of race and the resulting "double-consciousness, this sense of always looking at one's self through the eyes of others," have become touchstones for thinking about race in America. In addition to these lasting concepts, Souls offers an evaluation of the progress of the races and the possibilities for future progress as the nation entered the twentieth century.

"Double-consciousness this sense of always looking at one 's self through the eyes of others, of measuring one 's soul by the tape of a world that looks on in amused contempt and pity" (Dubois, 8). W.E.B. Du Bois had a perfect definition of double-consciousness. The action of viewing one 's self through the eyes of others and measuring one 's soul. Looking at all of the thoughts good or bad coming from others. This is present in the main character of the book The Absolutely True Diary of a Part-Time Indian, by Sherman Alexie. The Absolutely True Diary is about a boy named Junior that is fourteen years old and living on the Spokane Reservation. Junior was born with too

The Autobiography of An Ex-Colored Man depicts the narrator as a liminal character. Beginning with an oblivious knowledge of race as a child, and which racial group he belonged, to his well knowing of “white” and “black” and the ability to pass as both. On the account of liminality, the narrator is presenting himself as an outsider. Because he is both a “white” and “black” male, he does not fit in with either racial group. In the autobiography of an Ex-colored man, James Weldon Johnson uses double consciousness to show the narrators stance as a person that gives up his birthright for the “privilege of whiteness”.

The next aspect of double consciousness consists of the rejection of African Americans by white Americans and institutions. Blacks are forced to live in America, but at the same time, are not considered “true” Americans and are separated by the veil that DuBois talks about. DuBois first feels this rejection when a little girl at his school rejected his card for no reason other than his skin color. He asks, “Why did God make me an outcast and a stranger in mine own house?” (Dubois 896). He describes opportunities for blacks as “relentlessly narrow, tall, and unscalable to sons of night” (896) giving the impression that a

For centuries many have practiced a deception of identity called 'passing ' not only in America but other nations as well. Passing is a term that many Black/African-Americans have heard at one time or another from an acquaintance or possibly from someone in their own family speaking of a relative that 'passed ' as another race during a time period in America pre-civil rights era, for personal gain, whether it was for acceptance in their communities, ease of living or financial equality.

DuBois’ double-consciousness is quite simply the twoness of American Negroes. It is this sense of “always looking at one’s self through the

naturally endured identity issues. I feel that W.E.B Du Bois’ idea of double consciousness comes

“It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity. One ever feels his two-ness,—an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.” (Dubois)

After the chaos of the Spanish flu pandemic that struck the city in 1918 and 1919, she decided to become a librarian and was employed at the 135th Street branch of the New York Public Library. At the first look, "Passing," the title of the short book may project many meanings to the reader. Passing could refer to the change from "life" to "death." Although the word "passing" could simply be referring to a change , the word also suggests disguising oneself, or to take on a different identity. To pass, certainly refers to a to cross an edge/border. While no significant suggestions of race or sexuality are given in the title, it anyway suggests disguise, deceit and change . This changing period is quite possibly the process that Nella Larsen is referring to in the title of her short book Passing. According to Webster, change is defined as "A passing or passage from one condition, action or place to another, and ...the passage from an earlier to a later stage of development

Through his work, “Of Our Spiritual Strivings,” W.E.B. Dubois takes the reader on a journey through the typical black man’s eyes. He creates a new meaning of the African American man as he shares personal experiences and stories of the past alike. He plays upon the heart strings of every reader, no matter the race, with his literary knowledge of words, use of pathos, and stories of his past experience to pull in emotional ties to his work. The application of dualism allows the reader, who is most commonly white men, to choose a side to sympathize with, for Dubois gives the sense of double consciousness as the African and the American throughout his entire work.

It doesn’t take long to figure out that race and ethnicity issues continue to affect America - a quick glance at the news will show the latest riot, hate crime, or police brutality incident. This centuries old struggle has given rise to a number of literary works on the topic, many of which take a different approach to the issue. W.E.B. Du Bois, for instance, published the work The Souls of Black Folk in 1903, arguing for blacks’ right to equality in a horrifically segregated society. In these essays, Du Bois coined the term “double-consciousness,” wherein those with black skin must view the world both from their own perspective, and from the perspective of the predominately white society. The short story Recitatif by Toni Morrison explores this concept through the removal of the characters’ races, and the film Do the Right Thing, directed by Spike Lee, tells a story to demonstrate it. While the former shows double-consciousness through the usage of ambiguity, the latter almost directly references the concept. Taken together, these two sources argue a multi-faceted version double-consciousness, wherein society alienates the characters in ways that go beyond just the color of one’s skin.

Double Consciousness refers to a concept first explored by WEB Du Bois. This describes the African American man and his identity having to be split or divided. In other words it “describes the individual sensation of feeling as though your identity is divided into several parts, making it difficult or impossible to have one unified identity” (WEB Du Bois). Moreover, Du Bois also expresses that Black Americans have lived in a society that has made them feel inferior, it can become extremely difficult for them to bind their black identify with their American identity. This can in turn, cause blacks to look at their

In this journey our main character also see’s the many faces of the black man, and how all of these faces where created in response to the actions of the white man never in response to one’s own actions. Towards the end of the novel the main character finds himself in a difficult predicament as he is being hounded by men who want him dead. Despite this, he manages to find a pair of glasses and a huge hat which he believes would disguise him just enough so that he can escape his potential murderers. As he walks around Harlem in his new guise, many begin to confuse him for someone called Rinehart who seems to be bookie, a pimp, and a preacher all at once. The ability to be so many things is at first attractive to the main character as he slowly begins to sink into the role of Rinehart, however he soon realizes that Rinehart’s multiple identities are merely a reflection of his inauthenthicity. Rinehart has no true self-consciousness and has allowed for others to create his image for him; Rinehart is only identified in the novel by others, never by himself. Rinehart’s character is representative of the notion of Double Consciousness as it shows the black men without the ability or better yet the privilege of self identity.

The idea of double consciousness, termed by W.E.B. Du Bois, for African Americans deals with the notion that one’s self has duality in being black and American. It is the attempt to reconcile two cultures that make up the identity of black men and women. One can only see through the eyes of another. A veil exists in this idea, where one has limits in how he or she can see or be seen. This individual is invisible to the onlookers of the veil, and those onlookers may be invisible to the individual. This then alters how one can truly interpret their conscious. This concept is one that has been explored in various themes of literature,

The theme of double consciousness pervades the poetry of the Harlem Renaissance. Reasons for expressing double-consciousness stem from historical, cultural, and psychological realities facing African-Americans realities that continue to define the sociocultural landscape in the United States. In Countee Cullen's poem "Heritage," the opening line is "What is Africa to me?" The narrator ponders what it means to be of African heritage, especially given the astounding number of generations separating ancestral ties from life in twentieth century America. Moreover, slavery tore apart families and communities, rendering African identity into a fragmented entity and African-American identity even more inchoate. The Harlem Renaissance represented a revolutionary shift in the way that the sons, grandsons, daughters, and granddaughters of slaves begun to conceptualize the African-American culture. African-American identity is naturally one of double- or even multiple-consciousness, and this consciousness is conveyed throughout the literature of the Harlem Renaissance.