The Son of God in Milton’s Paradise Lost: Taking One for the Team

“I was their plaything and their idol, and something better- their child, the innocent and helpless creature bestowed on them by Heaven, whom to bring up to good, and whose future lot it was in their hands to direct to happiness or  misery, according as they fulfilled their duties towards me. With this deep consciousness of what they owed towards the being to which they had given life.”

In John Milton’s Paradise Lost, the parallelism between Satan and Eve’s fall is strong in that they were once both the highest before pure perfection. Lucifer is associated with evil, which stems from his free will leading to his rebellion against God and, ultimately, his great fall. He is known as the one who introduces sin to Adam and Eve – the first humans to ever exist. His plan to go against God is the beginning of a whole new world to the universe and a whole new significance of himself as the one known for human error and evil. Eve, “the mother of human race,” is Satan’s target to pull her down to his world of sin because she also wishes to become independent of Adam making her susceptible to anything that can separate her from

The sons character is a symbol of hope to the father throughout the novel. In the father’s perspective the son is almost described as holy, “if he is not the word of god. god never

“How stand I then,/That have a father killed, a mother stained,/Excitements of my reason and my blood” (4.4.56-58)

The boy and the father have strong morals demonstrating a high level of authenticity, especially in a world where morality is extremely uncommon. To be ‘authentic’ means to genuinely be yourself. Although, as presented by Existentialism, one cannot be their true self until one has defined themselves. First, one must create their authentic selves, then they must live according to that (Varga). The father and the boy have strong principles to do what is right, even when their fellow survivors have completely abandoned morality altogether. At times, the father struggles with following said principles, however, he then justifies his actions which are purely for the safety of his son. This depicts that the father will do anything and everything to assure that the boy lives. The father expresses that “He knew only that the child was his warrant. He said: If he is not the word of God God never spoke” (5). When a man holds a knife to the son's neck, the father does not hesitate to kill him. Although this is

   Satan's primary operational problem in Paradise Lost is his lack of obedience. The fundamental misunderstanding which leads to Satan's disobedience is his separation of free will from God's hierarchical power. In the angel Raphael's account, Satan tells his dominions, "Orders and Degrees/Jarr not with liberty" (5.792-93). Tempting as this differentiation seems, Satan is mistaken. Free will and hierarchical power are not mutually exclusive, as Satan suggests, but overlapping concepts. Even though Satan has been created with sufficient freedom to choose to disobey, he tacitly acknowledges God's sovereignty when he exercises his choice. Satan is constrained existentially, from the outset, by

Of Things Invisible to Mortal SightThe Holy Bible is in many ways a story of origins. The history recounted both in the Old and New Testaments has at its base the perception of a fallen humanity; beginning with the fall from Eden and the nature of evil, to the means of regaining Gods grace and the discussion of free will, it emphasizes humanitys inability to fully comprehend the nature of God and of the universe. In writing his epic Paradise Lost, John Milton is fully aware of his limitations as a mortal man; however, in an attempt to transcend the finite to the infinite, to describe the indescribable and to understand the unknown, Milton bases his arguments on Biblical theology to show that mankind has fallen from immortality to mortality

Paradise Lost, Milton’s epic poem narrating “things unattempted yet in prose or rhyme” builds on the subject matter of the Biblical story of the Genesis and sings of Satan’s temptation of “man” and his consequent fall. Having invested the first three books in revealing the rebellion in heaven and fall of Lucifer, and the divine plans concerning the fate of human kind, it is in the fourth book that Milton first takes the reader to the hallowed setting of the best part of the action, the Garden of Eden, and introduces two of his arguable protagonists, Adam and Eve, the general parents of mankind.

Select a novel, play, or epic in which a character experiences such a rift and becomes cut off from “home,” whether that home is the character’s birthplace, family, homeland, or other special place. Then write an essay in which you analyze how the character’s experience with exile is both alienating and enriching, and how this experience illuminates the meaning of the work as a whole. You may choose a work from the list below or one of comparable literary merit. Do not merely summarize the plot. (2010 AP Literature and Composition)

Man above woman, or woman above man? For the entirety of human civilization, this question of gender hierarchy has been divisive issue. Regardless, Milton does not hesitate to join the heat of the battle, and project his thoughts to the world. Since the publication of Paradise Lost, many of Milton’s readers have detected in his illustration of the prelapsarian couple, particularly of Adam, a powerful patriarchal sentiment: “he for God only, and she for God in him” (Milton, IV.299). In essence, this idea declares that Adam and Eve possess unequal roles – Adam is better than Eve, as men are better than women, in accordance to the deeply conventional reading of the relations between the sexes. Eve’s purpose for Adam makes her less

In Milton’s Paradise Lost, surely we have come to ponder upon the makeup of Satan’s attractable character—his rebellious, seductive, almost “bad-ass” attitude—a case of admirable evil. But let us not forget his ambition, his strive to weld the image of God. We have seen many moments throughout where we get Satan’s ground for imitating the image of God: “…In imitation of that Mount whereon / Messiah was declar’d…” (V 764-65). But why does Satan do this? What is it in Satan that causes him to “look up” to God? Is God a tyrant yet a role model to Satan? I propose that Satan’s drive is something more than just an act of pretending; maybe, it is rather a means of trying to grasp what he has been taken away from him. Or, we can say that Satan was more. Perhaps he came to existence not in the mold of angel, but as a divine tool. There must be a reason as to: why Satan was considered God’s “first and favorite angel”? This seems to suggest that Satan is, originally, at some level of divinity; an experiment of God’s that was put to the test (or is a test)—a divine prototype.

When John Milton decided to write, he knew from the start he wanted his creation to be that of an epic. Paradise Lost is just that. It is Milton's own take on the biblical story of Satan's fall from grace as well as man's fall. Milton was not only armed with an extensive knowledge on the Bible, but in everything a man of his time could learn. With his wisdom he emersed himself into his work, making Paradise Lost not only a tale of epic perportions, but one that would "Justify the ways of God to Man." (I 26)

Throughout time, John Milton's Paradise Lost has been studied by many people and comprehended in many different fashions, developing all kinds of new interpretations of the great epic. There have been many different interpretations of this great epic. Milton's purpose in writing the epic was to explain the biblical story of Adam and Eve. Although the epic is similar to the Bible story in many ways, Milton's character structure differs from that of the Bible's version. All through out the epic Milton describes the characters in the way he believes they are. In book II of Paradise Lost, Milton portrays Satan as a rebel who exhibits certain heroic qualities, but who turns out not to be a hero.

In his epic poem titled Paradise Lost, John Milton describes his work as a process to justify “the ways of God to men”. In terms of the personal and individual, Milton’s main concern was between a man’s relationship and God. With this, comes the very idea of free will itself. One can define free will as the ability and freedom to choose between different possible courses of action. Not only is free will portrayed in Adam and Eve, but is also associated with God, Christ, Satan and the fallen angels. Milton enables these characters to make their own choices and have their own consequences based on their own decisions and free will. Throughout the poem, John Milton supports this concept of acting freely under God, he shows the reader that choosing ones own actions freely and independently is way more substantial and becomes more meaningful to ones self. Each characters free will in this poem helps explain why having this freedom of choice is so important and crucial in expressing and becoming ones self.

In this essay response I shall discuss the social and historical context of A Portrait of the Artist as a Young Man and My Son the Fanatic and how they enhance our understanding of the texts and then compare the two in their respective contexts.