The Song My Paddle Sings Poem Analysis

Jim Harrison and Jack Underwood are two completely different authors who share one thing in common; their poems involve a connection with animals. Jack Underwood writes how he does not care too much about the animals which is the poem called “Totem Pole” as he hunts them and then mentions “to appraise my work only” (Underwood). Jim Harrison writes the poem called “Man Dog” in which the main character cares for his animal so much that he even pretends to act like his animal. In both poems we experience the authors writing in first person and expressing a somewhat somber mood. Jim Harrison and Jack Underwood are both able to connect through animals and through the use of emotions as well as a deeper connection we see how two different poems

“An Anti-Semitic Demonstration” was the more effective poem by using metaphors to explain the fear one feels during the arrival and anticipation of being sent off to a concentration camp by Nazis. During this time period life as a Jew must have been unbelievably frightening, for one was unsure of when they would be collected and where the would be taken away too. All just because of their religious beliefs or the fact they may be considered “undesirable”. Whereas in “The Family Album” they explained more about how the Jews were before their life changed forever. Neufeld does not go to explain the way they felt during the tough times of the Nazi ruling. However, he instead talks about how life was instantly changed when no one saw it coming.

In this context, I believe that the fruit being cut down symbolizes that Ha is leaving South Vietnam too soon, before she is ready, just as the papaya is cut down before it is ready. I believe this because in the poem “Wet and Crying,” Ha says, “My biggest papaya is light yellow, still flecked with green.” This shows that the papaya is not quite ripe and ready to be picked, just like Ha is not yet ready to leave her home country. Furthermore, in the same poem, Ha says “Brother Vu chops; the head falls; a silver blade slices.” I believe that, judging from the word choice that the author uses, Ha thinks of this as an execution of sorts. I believe this because of the words the author uses such as “Chop” and “The head falls.” This shows that Ha

Essentially a monologue set within a frame, this poem creates two personae. The anonymous author gives a brief introduction and conclusion. The Wanderer, an aging warrior, who roams the world seeking shelter and aid. The Wanderer’s monologue divides into two distinct parts, the first being a lament for his exile and the loss of kin, friends, home, and the generosity of his king. In nature, he finds absolutely no comfort, for he has set sail on the winter stricken sea. Poignantly, the speaker dreams that he is among his companions, and embracing his king, only to awaken facing the gray, winter sea, and snowfall mingled with hail.

One example of this is when Bradbury talks about how lonely the streets are when the main character is walking, “The streets were silent and long and empty with only his shadow moving like the shadow of the hawk in midcountry” (“Pedestrian 98”). It really lets the reader soak in the setting and let the reader feel what the main character is feeling. Another form of imagery in the text is when Bradbury talks about the houses and how they look. “And on his way he would see the cottages and homes with their dark windows, and it was not unlike walking in a graveyard where only the faint glimmers of firefly light appeared in flickers behind the windows” (“Pedestrian 96”). This quote is letting the reader know about the street being empty and dark with no one to be seen. One more example is when a cop car pulls up to the character, the car asked him to get in and then describes the inside of the car “He put his hand on to the door and peered into the back seat, which was like a little cell, a little black jail with bars. It smelled of riveted steel. It smells of harsh antiseptic, it smelled to clean and hard metallic. There was nothing safe there” (“Pedestrian 100”). This quote describes the unsettling feeling of the police car and the smell of the metal and

In “The Pedestrian” by Ray Bradbury, the author uses simple, but powerful similes as a gateway to the reader understanding the setting of the story. “The Pedestrian” is the tale of a lone wandering man walking down the street at twilight. The man is then accused of being a criminal and taken back to his home, also known as “The Psychiatric Center for Research on Regressive Tendencies.” The similes used in the story help readers fully understand and see the setting of “The Pedestrian”.

The Pedestrian has diction that contributes to an overall eerie tone and very formal. The first lines in the story, specifically the phrase

The poem titled Sea Rose by Hilda Doolittle tells about a rose, but not just a rose like any other. The poem instantly begins by going against the common connotation of a rose, the reader is given this passage “Rose, harsh rose,” (line 1). When the thought of a rose comes to mind the last word used to describe the soft petals and beautiful color would be harsh. H.D. (Hilda Doolittle) wants us to think about this rose as not an ordinary or normal rose but to see it as something more or something less. She goes on to say, “marred and with stint of petals” (line 2). To mar something is to disfigure or impair the quality/appearance of something, in this case a rose. Stint means to have an ungenerous amount; by this line we can understand that H.D. has begun to take a rose something commonly associated with beauty and love and twist into a disfigured and battered depiction of what it once was. The rest of the stanza goes on to say, “meagre flower, thin, sparse of leaf,”. A rose is meant to be a strong symbol of love and beauty, yet the depiction of the rose H.D. is giving the reader goes against the preconceived notions of what a rose should be. H.D.’s language and perception of the rose challenges to the reader to think of the rose as something more.

Clint Smith is a writer, teacher, and doctoral candidate in Education at Harvard University with a concentration in Culture, Institutions, and Society. Smith Clint wrote a poem called “Something You should Know.” The poem is about an early job he had in a Petsmart. The poet allows the readers into his personal life, but before he had trouble opening up to people and his work. Moreover, Clint wrote an insight in the poem about relying in anything to feel safe and he says it is the most terrifying thing any person can do.

This is achieved in both poems through the use of a third person narrator. Again in both poems the narrator again is in the position of observing events. Bothe Dawe and Harwood use words like ‘his’, ‘she’, and ‘they’ this places the reader at a distance to the characters which creates the feeling that you have a greater knowledge overall than if it would forwardly just depict a single scene. Harwood uses present tense ‘ allowing the audience to make inferences on the past and future of the mother and her children. Dawe takes a different approach to this making the poem future tense implying that what is going on in the poem happens constantly and can now be predicted. Harwood also makes use of past tense ‘she loved once’ but reverts back to present tense ‘too late’ adding melancholy to the poem. Both poets effectively convey emotions experienced by people living on Australian land through the use of narrative

“O say can you see, by the dawn’s early light,” the first line of the United States’ national anthem etched into the mind of nearly every American citizen. It is difficult to read the line and "O say can you see, by the dawn's early light," the first line of the United States' national anthem etched into the mind of nearly every American citizen. It is difficult to read the line and not immediately recognize its origin and it is harder still to read it and not have the quintessential melody of the anthem flood the mind. While ‘The Star-Spangled Banner" is the antithesis of an unpopular song, it is commonplace to have minimal to no knowledge of its origin story. Discerning the conflict that led to the creation of the Star Spangled Banner, the

Poetry can be divided up into different forms, more easily expressing an author’s emotions and intent with their poetry. For analyzing purposes I chose the poems Self-Help by Michael Ryan, Ghazal by Agha Shahid Ali, Psalm 150 by Jericho Brown, and Emergency by Michael Dylan Welch.

The speaker refers to the night as his acquaintance. This implies that the speaker has a lot of experience with the night, but has not become friends with it. Thus, because even the night, which has been alongside the speaker in comparison to anything or anyone else, is not a companion to the speaker, the idea of loneliness is enhanced. In addition, “rain” (2) is used to symbolize the speaker’s feelings of gloom and grief, because there is continuous pouring of the rain, which is unlikely to stop. In line 3, “city light” is used to convey the emotional distance between the speaker and society. Although the speaker has walked extensively, he has not yet interacted with anyone – thus distancing himself even further from society. Moreover, the moon, in lines 11 to 12, is used as a metaphor of the speaker’s feelings. The speaker feels extremely distant from society that he feels “unearthly.” The idea of isolation and loneliness in this poem is used as the theme of the poem; and the use of the setting and metaphors underscores the idea that the speaker feels abandoned from society.

The Fish is a narrative monologue composed for 76 free-verse lines. The poem is constructed as one long stanza. The author is the speaker narrating this poem. She narrates a fishing experience. The author is out in a rented boat on a body of water, presumably a lake. She tries to describe the fish to the fullest, which appears to be the purpose of the poem, without saying either the specie or an approximate age. The narration gives the impression that the fish is slightly old. There are a number of reasons as to why that fish got caught by the author, including time of day, the weeds weighing it down, fish’s age, and the fact that it has been previously caught five times.

The poem “I Am Learning to Abandon the World” by Linda Pastan is closely similar in context with Sharon Olds’ “Still Life in Landscape.” Each of the two poems narrates an ordeal with the persona being the writer of the poem. The persona directly speaks to the audience. However, these two works differ in the number of lines, the length and appearance of each line and the entire apparition of the poems. The two authors employ a similar tone as both use a melancholic and reflective tone. The poets present their thoughts in a simple diction and understandable language. It is evident that both authors have an impeccable interest in narrating their story.