People undertake missions for different purposes and it's impossible to know what drives them to do it. To undertake missions, you need to be willing to take risks and also have the courage to do it. For example, Aengus was determined to find his true love, Ernesto was trying to fit into the American culture, and Farah Ahmedi climbed a mountain with a prosthetic leg to seek a better life. These three characters were motivated by the thought of a better future. All three individuals shared the ability to have determination while undertaking missions to pursue their goals.
"The Song of Wandering Aengus", a poem written by William Butler Yeats is about Aengus, trying to find the "glimmering girl", whom he met by chance in the hazel woods while fishing. The "glimmering girl" called Aengus by and his name and then vanished through the brightening air. Aengus is in a pursuit of love and is determined to find his companionship and true love. Aengus searches through "hollow lands and hilly lands" but he still doesn't find her (Yeats 18). The poem suggests that Aengus searches for the "glimmering girl" for a very long time because now he is "old with wandering", but he still has faith and determination (Yeats 13, 17). Aengus learned that finding true love may be a life long journey because he hasn't found the "glimmering girl" yet, but he isn't and won't give up.
Unlike Aengus, who was trying to find true love, Ernesto Galarza was trying to fit in with the American culture.
In life, many things can drive us to undertake a mission and do drastic, crazy things to fulfill our goals. While we cannot truly understand what drives each individual to do so, oftentimes people want or need something badly enough to take risks. For example, Farah Ahmedi fought for her freedom by climbing a mountain on a prosthetic leg. Aengus searched for his glimmering girl from youth to old age. Rikki-tikki-tavi took on two grown cobras when he was still inexperienced. These characters, fictional or real, had different reasons and motivations behind what they did. Ahmedi sought freedom and survival and Aengus wanted love, while Rikki-tikki was merely following his sense of duty; however, all three shared a determination and ability to endure tough times to accomplish their goals.
To undertake a mission means to set a goal for yourself means to set a goal for yourself to accomplish. People are determined and work hard to reach their goals. For example, Farah Ahmedi climbed a mountain on a prosthetic leg to reach freedom. Aengus traveled long and hard to find love. Rikki-Tikki-Tavi was determined on killing the snakes and saving his new family. These characters had different reasons for pursuing their goals and doing what they did. Ahmedi wanted freedom, Rikki-Tikki wanted to protect his new family, and Aengus was set on finding love; however all three shared the determination to accomplish their goal.
There are many questions that we might ask to better understand a person’s choices. One of these questions is, “What drives us to undertake a mission?” Depending on the person, there can be many answers to this question. In the two texts, Barrio Boy and Apollo 13, the main characters were trusting to successfully achieve their goals. Not only were both the crew in Apollo 13 and Ernesto Galarza trusting, but they were brave and dedicated too. In Barrio Boy, Ernesto Galarza’s goal or mission was to learn the English language and become a good American. In Apollo 13, however, the mission was, at first, to get to the moon, but when the circumstances changed, their mission was to return home safely.The crew in Apollo 13,
A less theoretical definition of poetry is, “putting the best words in the best possible order.” A poet may incorporate the theory as follows. The poet may astutely choose words possibly with a double meaning in order to indirectly convey a message, evoke emotions, or to slander. Then, the poet may unconventionally place such words and phrases perhaps out of expected order for the sake of creating a “word picture,” emphasizing the speaker’s feelings, or offering tangibility to the poem. By implementing this idea onto poetic works, the poet will have auspiciously written a superb poem. This theory may be applied to a few of Catullus’s poems specifically “Carmen 5”, “Carmen 8”, and “Carmen 85.” Catullus’s meticulous choice of words and arrangement highlight the central focus of the poem, obliquely criticize traditional Roman law, manipulate the audience’s attitude, transmit the speaker’s emotions, paint “word pictures,” and offer symbolic meaning consequently producing a successful poem.
Many people undertake missions, but why? Most are looking for what they most desire, to prove themselves, to achieve their long lasting dreams and goals, and changing their lives from the difficult to the simple. For example, Farah Ahmedi, went through all of these challenges to reach freedom, Aengus went searching for true love, and Rikki- TIkki Tavi wanted to prove himself and protect his “family”.These characters had different for doing what they did. Ahmedi was determined to survive any circumstances, while Aengus wanted to find the girl to have true love, and Rikki-Tikki wanted to be a true mongoose, killing and eating snakes. However all three were able to go through these obstacles and reach their goals.
When people undertake missions it isn’t always dangerous. There are many reasons someone would want to undertake a mission. In Barrio Boy and Apollo 13 they have to accomplish many challenges to overcome their missions. Certain missions or challenges can increase the desire to accomplish them. In order to undertake a mission you must work hard, trust people, and believe you can achieve your goals.
When undertaking a mission, a person is often driven to reach a goal or achievement. Occasionally, people commit themselves to a task that may seem impossible, but complete it anyways. The force that drives people like Farah Ahmedi, who escaped her war torn country on a prosthetic leg, Aengus who spent his entire life searching for a girl who he fell for, or John Steinbeck who traveled all throughout the U.S. in a camper with nothing but his dog, is much more powerful than any magic spell or super power. Using determination, you can push through hardships and undertake missions just like Ahmedi, Steinbeck, and Aengus.
The theme is a tremendously essential part of any poem. The two poems, “Musée des Beaux Arts” and “Waiting for Icarus,” contain similar themes. In “Musée des Beaux Arts” and “Waiting for Icarus” there is a strong theme of abandonment and suffering found throughout both of the poems. In “Musée des Beaux Arts” it is Icarus, the subject of Breughel’s painting, who is being abandoned while drowning in the sea. Auden clearly portrays this when he writes, “In Breughel’s Icarus, for instance: how everything turns away / Quite leisurely from the disaster” (lns. 14-15). Auden uses these lines to describe how everyone is ignoring Icarus’ current predicament. Auden examines the disaster even further by stating, “and the expensive delicate ship that must have seen / Something amazing, a boy falling out of the sky, / Had somewhere to get to and sailed calmly on” (lns. 19-21). Here, Auden is telling his readers that even though Icarus is in pain because he is drowning; life was carrying on anyway, a clear indicator of Auden’s theme of abandonment and suffering. “Waiting for Icarus” also incorporates the theme of abandonment and suffering, although Rukeyser does not depict it as fatally as Auden does. Rukeyser expresses the theme of abandonment in her poem when she writes, “I have been waiting all day, or perhaps longer. / I would have liked to try those wings myself. / It would have been better than this” (lns. 20-22). Here, Rukeyser depicts the persona as someone who has been waiting a long time for her lover to show up and Rukeyser makes it pretty clear that he is not going to. Therefore, Rukeyser shows her readers that the persona has been tragically abandoned by her lover, which evidently causes the persona a great deal of anguish. Auden and Rukeyser both use the theme of abandonment and suffering in their poems in order to show their readers how painful it is to be discarded by the world.
And pluck till times and times are done, The silver apples of the moon, The golden apples of the sun’’(line 22-24)This phrase states that when Angeus find his love and he will spend every second with her. The song of wandering Aengus is about Aengus and his journey to find his love.
Imagine someone dying from a sickness. They know that they are on their last leg. They can either fight to stay alive, or they can give up hope and pass away. People control their own fate. Controlling their own fate means that they decide when it is time for them to die, and don’t just lay down and accept death. This idea can be seen in in many pieces of text including the following poems. “Invictus” by William Ernest Henley and “Do not go gentle into that good night” by Dylan Thomas. Both authors express the theme of people control their own fate.
What drives people to undertake missions? For example, Ernesto wanted to learn english, go to school, and not give up so Ernesto came to America to go to school, learn english, and not give up. Annie Johnson did not give up and Annie made her own business and without this business Annie would not have money and would not be able to handle her childrens. Monica had more responsibilities to do because Monica wanted a little brother. Individuals are driven to undertake missions because for example one of the motivation of the first story was to learn english and go to school and be successful, another motivation was to make money to support a family, and the last motivation was that someone wanted a little brother.
Sestinas Song of Evil So much evil. The awkward moments of disconnection.
Song of Achilles by Madeline Miller focuses on the humanity of famous Greek warriors. She queues up the Iliad from a human perspective, not that of a distant and unrelated orator or that of an angry hero. By focusing on the humanity, Miller is able to capture moments of joy, anger, love, lust, and more importantly moments of flaw from a believable and relatable perspective. Achilles and Agamemnon are guilty of hubris, the word for “arrogance that scrapes the stars, for violence and towering rage as ugly as the gods,” (295) this level of pride and rage causes the fracture of the Greek army, and a fracture in the relationship between Patroclus and Achilles. Nine years into the Trojan War, Achilles and Agamemnon are reflections of each other, they are driven by the prospect of kleos and timê. The growing obsession with being an alpha-male within the army causes the two to fallout, an event that has massive repercussions and death tolls.
The twenty-four old romantic poet John Keats, “Ode on a Grecian Urn” written in the spring of 1819 was one of his last of six odes. That he ever wrote for he died of tuberculosis a year later. Although, his time as a poet was short he was an essential part of The Romantic period (1789-1832). His groundbreaking poetry created a paradigm shift in the way poetry was composed and comprehended. Indeed, the Romantic period provided a shift from reason to belief in the senses and intuition. “Keats’s poem is able to address some of the most common assumptions and valorizations in the study of Romantic poetry, such as the opposition between “organic culture” and the alienation of modernity”. (O’Rourke, 53) The irony of Keats’s Urn is he likens
Fairy tales are full of tropes and stereotypes that exist from story to story, one of the main ones being the “happily ever after” ending. Most fairy tales, especially the traditional Perrault or Grimm versions, fall prey to this trope where the main goal is for the princess to find her prince, get married, and live happily ever after. Many critics, particularly feminist critics, find this trope to be problematic because of the extreme emphasis placed on marriage as women’s main, if not only, objective in life. Karen Rowe, for example, states in her essay “Feminism and Fairy Tales”, that “fairy tales perpetuate the patriarchal status quo by making female subordination seem a romantically desirable, indeed an inescapable fate” (342). In other words, Rowe relates the “romanticizations of marriage” portrayed in fairy tales with promotions of “passivity, dependency, and self-sacrifice” expected of women in their everyday lives (342). However, it can be dangerous to assume that every fairy tale conforms to the singular promotion of marriage as women’s only option. While early fairy tales such as “Cinderella” and “Sleeping Beauty” tend to glorify the romantic ideal of marriage, and in turn female subordination, contemporary tales and adaptations such as Brave and Frozen, are working to give women a more powerful position.