The Songwriter And Producer's Roles In The Music Industry

Your manager also helps you develop who you are as an artist; your personal image is being developed here. Do you begin to appear in public with other artists of the same level of success? Do you volunteer time and services for charitable purposes and do you begin to identify those charities whose interests you feel you can advance by your involvement? (Thall, 2006) This image will develop and change overtime due to the music industry environment and the people you become associated with along the way.

In today’s society, music controls the way we live our lives. The influence that music has on society has broadened throughout the years and with social media being one of the world’s top priority, the fan base and spectrum for music in general has expanded significantly. Music is used to express feelings, moods, circumstances, experiences, knowledge, and so much more. With this being the case, the lyrics of any song can be interpreted differently by each and every listener. Many song lyrics give positive messages, promoting well-being, whiles others give negative messages, promoting violence, criminal behaviors, sexual contents, and disrespect towards others. With this being said, music reflects what the public demands, and in many cases the negative messages are often times what sells more than those music giving positive messages.

I propose that all unsigned rising artist should target the business side of the music industry to be successful in the entertainment business because it allows the artist to be taken seriously and make solid connections that can further his/her career. Learning the works of the music industry also enables a new artist to be further successful and profitable. Recent studies show that most new artists without professional representation and a business mindset have a slimmer chance in getting signed to major or independent labels (Lowry, 2011). Overall, the specific change needed is that unsigned artists should be concentrating on their careers as professionals and not amateurs, thus focusing on the ins and outs of the music business and

The occupation or role that will be discussed is the publisher. Publishers take a song that has been already been composer and attempt to persuade various artists or producers to record the song. Publishers also register copyrights, file mechanical and performing rights to the respective organizations, audit record companies, and collect royalties and payment.

From the day we’re in our mother's stomachs, to the day we die, we have always been listening to music. For me, listening to music all my life helped me develop a passion for it. When I was around the age of 6 my dad introduced me into the world of Rock. The very first band I remember listening to was System of a Down and ever since then, I fell in love with rock music and all its possible variations; for a long time this was all I listened to. It wasn’t until high school that I started listening to all sorts of genres and realized that I wanted to have a career in the music industry. That's when I learned about producing music.

For songwriters and composers, music publishing has been an integral part of their professional lives, and quite possibly one of their most valuable and lucrative income streams. At its core, music publishing can be defined as the promotion, sale and administration of music catalogs and copyrights. (Strasser, 2010 p.18) However, historically - in the late nineteenth century, before musical recordings existed, publishing was based around the distribution and sales of printed sheet music for people to perform. (Rutter, 2011 p.92) Soon after though, the development of alternative entertainment such as radio and TV would also call for the duty of the music publisher to be widened to what it is today. (Strasser, 2010 p.18)

For all of music’s history, the industry has favored the interests of songwriters over those of the performers. It appears that the industry believes that songwriters, both composers and lyricists, have full exclusive rights to whatever they compose, while performers have none to the music they perform. In Rock: Music, Culture, and Business, Schloss, Starr, and Waterman hold this value to be true in all of music’s history as well as currently, today. In terms of music business, this still remains an uneasy question to answer; to say whether, performers and composers both have rights, I have to agree. Schloss, Starr, and Waterman would be correct in that fact because performers like composers place their own styles and twists on the music. Therefore,

Everyone has a dream. No matter where you’re from, or how you grew up, you have a dream. My dream is to one day get into the music business as a music producer. I chase after my dream everyday. I’m a junior in high school with close to a full time job at an entertainment company. I started out at the company as just a tech guy. Now I’m starting to do gigs all across Ohio at clubs I’m not even old enough to get into. I make remixes and original songs for the company. Most nights I stay up till three or four in the morning working on new songs because it’s the only time I have to work and if I don’t get everything out on time, I get fired. It gets tough sometimes, especially when you go to school on maybe two hours of sleep. Maybe

In contrast to the to the roles songwriters, performers, and song publishers had in the time of Tin Pan Alley, the roles performed by these individuals today in the music industry differ in some ways. For example, in today’s popular music industry, a musician could write and publish their own music if they wished to. Although not all musicians do this, it is more commonly done now than back then. I think the roles for each a songwriter, performer, and song publisher have gained more independence in the music industry with time (Resnikoff, “Now You

This book is the most trusted for songwriters for the past 34 years. This book provides up-to-date information that writers need to know so they can properly place their songs in the hands of publishers, record companies, producers, managers and agencies, and music firms. In this book, you’ll find placement opportunities and see how each market differs from one another also ways to find success in the industry. This book also went over the basics of the business, like how to properly submit music, the proper way to copyright your work, how to point out scams,

They compose the music, write the lyrics by themselves. What I

Nothing is more enjoyable than listening to your favorite song. All over the world, people listen to music on a daily basis. Music plays a major part in a tremendous number of people’s lives. While they are enjoying the music, they do not think about how the song came about. Music is not just the sound you hear or the voices in the background. People do not think about what is behind the scenes of where music comes from. Before the song is completed, someone has to make it happen. In music, there are different careers which are the song writer, the manager, the marketing executive, and the produced. Each of these careers play a huge role in how music is brought to the public.

The music industry has changed in very quickly in so many ways it almost seems impossible. Thomas Edison recorded the first voice in 1877 and now we listen to hundreds of different types of music on devices that hold more information than the computers that sent the first astronaut to the moon. People have been getting music in tons of ways for the past hundred plus years and when the internet came into the picture, the music industry sky rocketed. People could get their own music out and be heard just by clicking a few measly buttons and using the internet to stream millions of songs with high speed. But even though the internet has helped the music industry by making it easier to distribute, advertise, and produce music, it still has its disadvantages.

The creation of musical works has always been culminated by several different processes and usually involves many people. The process takes a lot of time delaying the release of music. Advancement in technology has played a significant role in the music production by lowering the length of time it takes to produce recorded material. Artists usually sign a contract with a recording company that markets their music products. The internet and low-cost recording technologies have created a “do-it-yourself” music movement. New artists have gained worldwide recognition without landing a recording contract with a major record label.

The evolution of the music industry follows the familiar pattern of digitization. Innovation began with the introduction of the vinyl record, transitioned from the cassette tape to the compact disc and landed us in an era of digital downloads. The emergence of music streaming services like Spotify has progressed the industry even further, giving consumers the ability to access music on demand using download-free online platforms. Spotify faces criticism from artists as a result of the overlap of creativity and commerce. They argue that business activities corrupt creativity, transforming it into a tool for profitability rather than an outlet for expression. Artists insist that Spotify deters album sales, favors established artists and fails to support them financially. However, Spotify was created for consumers. It delivers an accessible alternative to purchasing and downloading music. The interplay between creativity and commerce is changing the nature of the music industry. Spotify has adapted to this change, providing a platform that supports both artists and consumers. Through analysis of the market, artist’s revenue, record labels and consumers, I will argue that artists should accept the evolution of the industry and support Spotify.