The Sound Of Silence Movie Analysis

At a very young age of eight, David Fincher’s passion for cinema grew when he was inspired by the movie Butch Cassidy and the Sundance Kid (1969). Born in 1962 Denver, Colorado, David Fincher moved to Ashland, Oregon in his teens, where he graduated from Ashland High School. During high school, he directed plays, designed sets, and managed lighting after school. One summer, he and a friend attended the Berkley Film Institute’s summer program, where he hoped to learn film as a true art form but instead was taught the technical production. Either way he was happy to engage is this and as his early film industry career started, he was a production assistant at his local television news station. Years went by as he directed propaganda films followed by becoming a well-known music director until his first movie feature debut Aliens 3 in 1992. However, the American director David Fincher didn’t become a modern 21st century visionary until his creation of the film Se7en (1995). The huge success from this film started Fincher’s popularity in the film industry. From there he continued to make ironic movies we know today such as: Fight Club (1999), Zodiac (2007), The Curious Case of Benjamin Button (2008), The Social Network (2010), Gone Girl, and The Girl with the Dragon Tattoo.

The American public's fascination with serial murders has not only continuously kept these violent men and women in the public eye, but has also inspired the creation of films that demonstrate and dramatize the heinous crimes committed by these people. One such film program that adapts crimes committed by serial murderers, and the murderers themselves, is The Silence of the Lambs (1991). Through a combination of criminology, psychology, and sociology, The Silence of the Lambs is able to not only inform audiences of the dangerous types of people that currently inhabit society, but also of the individuals who study serial murderers with the intent of apprehending them before they commit any more crimes and to help identify these murderers victims.

‘When No One Would Listen’ is a based in part of the true story of a woman, named Jessica in the movie who is married to Gary, and endures years of abuse and only when she realizes that he has begun to abuse her children does she get the courage to leave. The movie is told from the perspective of both the victim and the abuser. The violence does not start immediately, just as in most relationships it comes when it is least expected. It is a progression from something simple as a name being called or an injury that is later described as an accident. Just like in the cycle of domestic abuse it is not something that either wants to repeat however it is a dance that they will continue until someone decides to stop the music. The movie starts out with a family moving into their new home. The picture should be that of domestic bliss husband, wife and two children boy and a girl. The American dream a home on a street that has other people like you, or so you think. Almost instantly you begin to see signs that something is different about this family. A wife who is unpacking pictures stops to admire a wedding picture, you assume she is remembering her special day only to jump when her husband comes up behind her. The jump is not because he startled her but because when he touched her, she had to process whether or not she needed to protect herself from the touch or enjoy the moment. It is perplexing to the viewer and they shrug it off as maybe they are newlyweds or they just

I chose to do my paper on the movie Sweet Nothing in My Ear. The movie was about a child who was born hearing and ended up going deaf, so his parents had to deliberate on whether or not they wanted to get him a cochlear implant. The wife Laura (played by Marlee Matlin) is deaf and her husband Dan is hearing. The movie is centered around Laura and Dan’s struggle to decide if a cochlear implant is what’s best for their son Adam. It doesn’t help Laura make the decision when her parents are both deaf, and her father is basically prejudiced against the hearing culture.

There were several memorable moments which impacted my mind. One of them was Jacob's story. It was sad to see how the persistent labeling with hyperactivity by preschool teachers took a 3 year old boy down to the pathway of a million American children, who were eventually diagnosed with bipolar disorder. Most of these children were forced to take several strong antipsychotic drugs and mood stabilizers already in their

A feature in the movie that grabbed my attention were the characteristics Dalton Trumbo had. His character emits grit and was genuinely

The Graduate is a great example of a film where lens and camera choices were used effectively to convey the director’s point of view. It seemed like every choice made by the director Mike Nichols director and the director of cinematography Bob Surtees was justified. The outcome of each shot played an important role in shaping the message of the film. The cinematography of Bob Surtees is very complicated and thoughtful but at the same time seems poetic and spontaneous.

The Graduate is a 1967 film directed by Mike Nichols who won an Oscar for his direction.  This hit of the 60's focuses on the development and the maturing of the ultra-naïve college graduate Benjamin Braddock.  This movie is about "just one word...Plastics."  Mr. McQuire sums up this entire movie when he tells Ben that there is "a great future in plastics."  In this film the relationships, except the one between Ben and Elaine, are like plastic because they are not real, they are molded, and they are artificial. 

The following essay examines the characteristics of the aestheticisation of abjection by analysing Jonathan Demme’s, The Silence of The Lambs (1991) to better understand what pleasure we, as a culture, find in consuming horror films. The Silence of the Lambs shows women being tortured, sexually assaulted and murdered yet is still a widely popular film that serves to entertain a seemingly sane society.

"Mrs. Robinson, you are trying to seduce me," says Benjamin Braddock (Dustin Hoffman). The Graduate, directed by Mike Nichols in 1967 is an influential satire/comedy film about a recent East Coast college graduated who finds himself alienated and aimless in the changing, social and sexual general public of the 1960s, and questioning the values of society. The theme of the film is of an innocent and confused youth who is exploited, mis-directed, seduced (literally and figuratively) and betrayed by a corrupt, self-indulgent, and discredited older generation (that finds stability in “plastics”) that I found to be quite clear and understanding, while also capturing the real spirit of the times and allows America's youth to perceive onscreen

In the movies, there are a number of factors that will impact the quality of the film and the story. This is because producers and directors are using different techniques that will enhance their ability to entertain. The Sound of Music is taking numerous ideas and is integrating them together. To fully understand what is happening, there will be an examination of the film and various concepts. This will be accomplished by focusing on: the storytelling, acting, cinematography, editing, sound, style / directing, impact of the film on society / vice versa, genre, application of at least one approach and overall textual themes. Together, these elements will highlight the effects of the film and how it has influenced others inside the industry.

Growing up watching The Graduate in multiple sittings, the main character was relatable to how I grew up and I had always taken this for granted. Mr. Man had a hard time understanding the

For the purpose of this paper, I chose to analyze the communication disorder associated with ASD and the resulting social perceptions found in Stephen Daldry’s 2011 film Extremely Loud & Incredibly Close. Based off of the 2005 novel by Jonathan Safran Foer, the film tells the story of a nine-year-old boy named Oskar Schell after his father, Thomas Schell, is killed in the World Trade Center during the terrorist attacks on September 11th, 2001. The film follows Oskar on his emotional and later physical journey as he struggles to processes and accept his father’s sudden death as boy with strong autistic qualities. In this film, we are given the opportunity to better understand the emotions and mindsets commonly associated with autism and can therefore, better learn how to communicate with individuals like Oskar and to recognize their value and worth in society and this world.

The film “The Prestige” is one of many masterful Nolan films that walks the line between being a meta film about the film industry, and being focused on immersing the audience in the actual content of the film. At a close inspection, comparisons to the film industry can be seen, but they are not so obvious to distract the audience from the central conflicts that are at the forefront of the film. The subject of the film could most easily be defined as surrounding the topics of obsession or fame. More specifically, the obsession of fame, and the illusion of happiness that fame projects. The main characters of the movie both urn for the fame of being the world’s most successful entertainer, even if for different reasons.

The book Silence, by Shusako Endo follows a theme of a silent God who accompanies a believer in adversity. The main character of the book is Sebastian Rodrigues. It tells of Sebastian Rodrigues’ arduous journey halfway around the world to Japan in the 1630s, in order to track down a rumor that his mentor Father Ferreira had abandoned his faith, at a time where the Japanese leaders were extremely hostile to foreigners and Christianity and also suspicious of their intentions. He travels with two other missionaries but one of them falls sick whilst travelling and is deemed unfit to carry on to accompany him. The book is not fast paced, but immensely character driven. For example, we see the growth of Sebastian Rodrigues as a priest. At one point he labels Kichijiro a coward. “Was it possible that he was of our faith – this wretch.” Here we see him being judgmental. However, later in the novel we see him for the first time-sharing a proper