The Sound Of Silence : The Aesthetics Of Silence In Horror

The same applies to a dramatic scene where the music may be deep and frantic to convey to the audience the feeling of anticipation. A scene i would like to focus on is the scene in which Garry and his father have a final ‘showdown’, if you will, at the front of the house. The scene consists of the father imposing himself on Garry and proceeding to continually beat him down time after time only for Garry to rise up and face his father on each occasion. This scene evoked a feeling of pride and admiration from the audience as to Garry’s courage and determination to convey the message to his father that he is ready to stand on his own two feet and defy him. This is a very powerful scene within the movie which initiated powerful emotions within the audience. All of this was accomplished with the notable absence of music of any form. The omission of music in this scene created an atmosphere in which the dramatic affect was amplified due to the silence.

When Tim uses low key lighting to show the scary side of the movies. It helps put the scarier side of the movies. It helps put the scary part of the movie in the

For example, the people filming the movie sometimes had the camera far away, which would then make the lines that the characters said harder to hear. If the camera was too close to a character's face, it was displeasing to look at, like when Johnny was in the hospital. Also, when watching the whole movie, it was hard to concentrate on the actual movie because I was too distracted on the voices to music ratio. Typically in a motion picture, the music is lowered enough so that the lines can be heard, while having it be loud enough for the audience to hear it, and bring the point across that it's an important moment to have that type of music. To give an example, in Ponyboy’s dream, it was very quite, then all of a sudden, extremely loud music and sounds erupted as I struggled to cover my ears, and I couldn’t pay attention to what was happening on screen because of all the piercing noise! Then, when Ponyboy woke up it was all normal volume that barely transitioned. There were a lot of other scenes that did the same exact thing, such as when Johnny went to back to his house and the volume of the parents fighting in the background almost cancelled out the other important lines and music. There are other problems than this particular one, some being no music at some points when it was most likely necessary to get the emotions that the characters were feeling across, or when the characters lines and volume were so quiet that you could barely to not hear them at all, or when the outside wind was so deafening to pay attention to anything else. It was somewhat comical to me every time one of these moments occurred, because it seems the creators didn’t care enough to fix

As well as lighting, sound was used very effectively to stage the story. For example “echoes” were created in the alleyways, to make us think that Eddie’s house was a long way away. These echoes were also used to symbolise Eddie’s loneliness. This could show that there is emptiness in Eddie’s heart that can only be filled by a close friend or a brother. There was a bold use of sound especially in scary, dramatic or important scenes. This added to the drama of the overall performance, it made the audience feel a variety of emotions. In the scene when Mrs. Lyons tries to murder Mrs. Johnston, the sound affects really emphasised how Mrs. Lyons was feeling and her sheer madness. The use of surround sound made me feel like I was in the scene and it made the whole performance much more realistic.

Which is the next thing that Steven King says horror films does for us. As he says, "When we pay our four or five bucks and seat ourselves at tenth-row center in a theatre showing a horror movie we are daring the nightmare."(443).As to say that we are challenging are fear, to say yah I beat it I beat the monster. When I watch a horror film I feel unprotected, isolated, and

Lighting is used very commonly in horror movies. Lighting is the control of the light. Sometimes it starts flashing and sometimes the light all sudden turns bright or dark. lt is a great way to keep you on your toes. Jaws used the best lighting, for example the dim light in the boat made you really think the shark is coming. The lighting was really well used in most part of the movie. In The Others, they only used a few lighting techniques for one example the dim lighting used in the house. Signs had few lighting techniques used too. One was in the basement when the light suddenly goes out. If you have really good lighting used in your movie, the viewer will feel the something is going to jump out. One more is that light helps you hide something that you don't want the viewer to see what' is happening in the back.

Audio: sound effects and music. If something action filled is about to happen, you will know it. Like any horror classic an eerie song begins to play before something action packed happens, to raise our emotional levels of suspense. Toying with our emotions is a horror classic, but “Night of the Living Dead” plays that eerie music before, during, and after every minute scary scene. After the first few songs the sense of suspense is long dead (longer than the “Ghouls”). Some added features to help kill your feeling of suspense and scare it out the door are the sound effects. The sound effects in “Night of the Living Dead” are so terrible they are hilarious. The two major sound effects that left an imprint in my mind are the sounds used to suggest someone being punched and the screaming of a certain character during their death scene. In nearly every fight someone or

Along with background music, sound effects play more of a role on the way we feel than many moviegoers think, and "although the function of sound effects is primarily atmospheric, they can also be precise sources of meaning in film" (Giannetti, 225). When the

It made the movie easier and more pleasant to watch. It really brought out the emotions and each scene. A great scene that used the sound effects was right away when they were escaping Weed.

All types of horror films are designed to unfold our most horrible fears and insecurities that lie deep within. It successfully focuses on the bizarre and illicit side of life that frights us by playing around our nightmares, vulnerability, and fears of the indefinite. However, despite how chaotic and terrifying these films are, the horror-genre still attracts and repel us. We crave to see the numerous film villains overtake our nightmares and then be defeated by a particular “Final Girl” who normally places society back to its stagnant normality.

In 1928 ground-breaking technology made it possible for movies to have sound. This revolutionized horror films because sound gave an extra dimension to terror. Noise built suspense and signaled the presence of a threat. (Wilson) Instead of a monster suddenly making an appearance without warning, music would signal that they were near. Growls, Snarls, footsteps, and screams allowed the audience members to feel like the victims of the movie.

Without audio, the effect of films on an audience is less powerful and effective. Music/sound can allow an audience to automatically feel and connect with a scene when the scene has music or sound effects. For instance, in the film Charlie and the Chocolate Factory, Burton overlays many scenes with

Another aspect of sound in this film was how it affected the story. By using sound dramatically in certain parts and not using it at all in other parts, sound gave this story an entity of its own. For example, during long stretches of film with mostly dialogue, there was no music played in the background, only a phone ringing in the distance, or the men's voices during their deliberation. These long silences also took place during editing shots of the town and images that surrounded this German city. This dramatic difference in sound was a revelation of how mood can be made by images and sound put together to make an incredible component.

However, as sound increasingly became a necessity in modern cinema, Lang had to find a way to incorporate this without losing his artistic integrity, As Lang noted in an interview, he found that when he was simply sitting in a café he was aware of the background noises surrounding him. However, when immersed in conversation, he paid little attention to the noises coming from the streets, hence his justification for including conversations on-screen with no accompanying street noise. This ingenious idea has been repeated little since. Removing the street noise except when necessary, does not lend itself to creating a realistic story, but rather a more artistic one that may very well achieve its intended message more clearly. It is further used as a dramaturgical element, for instance when “the silence of the streets…is sliced in shreds by the shrill police whistles.”

Horror films are known for their ability to scare audiences, to get the audience’s hearts racing, their blood rushing. A good horror film will cause viewers to be on the edge of their seats and having their perception of reality distorted as they attempt to understand the unraveling plot of the horror film. The tone of the film aides in the amount of suspense that a horror film produces, since a much darker film will create a more suspenseful atmosphere than one that is more focused on campy monster makeup. But the tone of a film is determined by the sound of the film, or in other words, the score. Sound or music in a horror film, or the lack thereof, make the intense scenes and without the addition