The Southern Gothic Is A Subgenre Of Gothic Fiction. The

In the 19th century, the Southern Gothic genre quickly became popular after Edgar Allen Poe poems in the 18th century. Most writings were formed around the Civil War era, which plays an enormous part in the tone and setting in Southern Gothic writing styles. (O’Connell 63) Southern Gothic writing elements consist of “horror, romance and psychological and domestic dramas” (63). The setting of Southern Gothic was always dingy and dark which explains the tone of most southern states at this time. Southern Gothic writing styles were known to be grotesque, violent and gloomy with dark psychological twists that were to be carried on into the 20th century. There can also be other ways to exercise Southern Gothic styles like including strange events, paranormal elements and representing history in an almost comical approach. (63) There are some authors who have written very influential Southern Gothic style literature, such as A Rose for Emily by William Faulkner, A Good Man is Hard to Find and Good Country People by Flannery O’Conner.

Gothicism is a representative of the South’s nobility eventually being defeated after the American Civil War. The characterization of Miss. Strangeworth symbolizes the gothic elements of the South’s “higher society” before the Civil War. The non-participating

Southern Gothic literature, which is a sub-genre of the Gothic writing style, is unique to the American South. Southern Gothic literature has many of the same aspects as Gothic literature; it focuses on topics such as death, madness, and the super natural as well has having many mystical, bizarre, violent, and grotesque aspects. These tools are used "to explore social issues and reveal the cultural character of the American South (Wikipedia)."

Is Stown a classic or contemporary piece? S-Town, a classic piece of southern gothic literature, the story of John B. McLemore, a man living in the terrible town of Woodstock, Alabama, who has to deal with violence, social issues and decay everyday. S-Town brings back southern gothic literature in this classic southern story of John B. McLemore and his town. S-Town fits into the southern gothic classic category although it’s a bit different from most stories from this genre. S-Town, a classical piece of southern gothic literature, the story of John B. McLemore, a man living in a terrible town, who has to deal with violence, social issues and decay everyday.

S-Town is a contemporary piece of Southern Gothic Literature because of the use of social issues, outsiders, and violence. Southern Gothic literature has been around since the early nineteenth century. This type of writing deals with the moral issues and conflicts surrounding the South. More contemporary versions of Southern Gothic Literature can be found today and differ greatly from classic pieces due to the elements inserted throughout the plot. Southern Gothic pieces of literature such as S-Town teach many moral lessons that people of today’s time can relate to. Elements such as social issues, violence, and the portrayal of outsiders make up the structure of the genre. S-Town is a contemporary piece of Southern Gothic Literature because of the use of social issues, outsiders, and violence.

Consolidate that with a southern setting and we understand that it's not quite Gothic, but rather Southern Gothic. The Southern Gothic kind concentrations – now and again inconspicuously, now and again clearly – on servitude, or the fallout of subjugation in the South. You can see this in "A Rose for Emily."

“John B McLemore lives in Shittown, Alabama,” Brian Reed quoted. Many people today can relate to some of the problems John faces in S-Town. Most of these problems are derived from southern gothic characteristics within the podcast. The podcast uses many different southern gothic characteristics in order to make it more interesting. Many of the examples of these characteristics are more modern so that they relate to our current society. S-Town is a piece of contemporary Southern Gothic Literature because of its use of social issues, irony, and outsiders.

The first hidden truth in Bastard out of Carolina came when Anney, Bone’s mother, married Daddy Glenn. The first sexual abuse encounter occurred while Anney was in labor with Reese. Because

Southern gothic is a type of literature that focuses on the harsh conflicts of violence and racism, which is observed in the perspective of black and white individuals. Some of the most familiar southern authors are William Faulkner, Flannery O’Connor, and Cormac McCarthy. One author in particular, Flannery O’Connor, is a remarkable author, who directly reflects upon southern grotesque within her two short stories, “A Good Man is Hard to Find” and “Revelation.” These two short stories are very similar to each other, which is why I believe that O’Connor often writes with violent characters to expose real violence in the world while tying them in with a particular spiritual insight.

Southern Gothic literature is a sub-genre of the Gothic writing style. It is unique to Southern America. Southern gothic style is a style of writing that engages very ugly and ironic events to study the value of the American south and its people. In this essay, I’m going to go over each story and give some details about the authors and their backgrounds. On one page, I will be comparing and contrasting all three stories. I will show how they’re similar through tone, plot, and scene in the story. And at the end, I am going to describe the three stories; “A Rose for Emilycomma inside quotes”, “A Good Man is Hard to Find”, and “Sanctuary”. Period inside quotes All of these short stories are good examples of southern gothic writing, because

Southern Gothic literature has rooted itself in American culture and created several classic short stories that have pushed literary boundaries and minds. Among the most influential of these Southern Gothic stories is “A Rose for Emily”, by William Faulkner; “A Good Man is Hard to Find”, and “Good Country People”, both by Flannery O’Connor. After first discussing what characteristics make up the genre of Southern Gothic, each of these stories will be evaluated and discussed in terms of what makes each of them a prime example of Southern Gothic literature.

Race and gender roles were an ever present issue in the Southern culture and dynamic. After the Civil War, dramatic changes began to take place in the South. Political leaders began to enact Civil Rights amendments, industrialization became more popular, and gender roles were beginning to be indistinct. In Southern literature, the portrayal of female characters evolved along side with the Southern culture. Female characters became more independent, strong-willed, and hardworking. Even African Americans became the main characters in Southern literature. In “Caroline Gordon’s Ghosts: The Women on the Porch as Southern Gothic Literature”, Tanfer Tunc discusses the evolution of the female character in Southern literature.

Throughout the course of history, literature has gone through considerable changes. Dating back to its humble beginnings in folklore, fables, and storytelling all the way up to the scientific books and dramatic novels of today. Literature is arguably the centerpiece of all mankind. It is useful for record keeping, education, and bringing cultures and societies together. It has allowed us to expand our minds by painting a picture of the beautiful places this world has to offer outside of our corners of the earth. One genre of literature I find especially intriguing is Southern Gothic Literature. It is a subclass of gothic fiction, specifically set

First, to begin by discussing what Southern Gothic is. “Southern Gothic is a mode or genre prevalent in literature from the early 19th century to this day. Characteristics of Southern Gothic include the presence of irrational, horrific, and transgressive thoughts, desires, and impulses; grotesque characters; dark, humor, and overall angst-ridden sense of alliteration” (Bjerre). Faulkner is widely known for his grotesque descriptions of Yoknapatawpha County and character description.

As Brian and John B. Mclemore walk through the maze John had built himself, John exclaims “It’s kind of funny being lost in something you designed yourself.” This ironic statement perfectly describes the life of John in this piece of southern gothic literature. The story of John’s eccentric life is told spectacularly told by Brian Reed in Stown. Stown’s southern setting and values makes it a piece of southern gothic literature, but Stown goes further and relates to today making it more contemporary. S-town is a contemporary piece of southern gothic literature because of the social issues, decay, and irony it presents throughout.