The Spanish Ballad, Or Romancero

Style is the special way an author creates his or her work. Gabriela Mistral exploits an informal style in her poem “Ballad”. The poem discusses the poets feelings and is written in first person point of view validating its informality; “My heart’s blood.”-Line17 using ‘my’ and describing her heart confirm this. Diction contributes to style in an extensive way. Repetition is a form of diction that is heavily spread out through the poem. “Saw him pass by.”-Lines 2/6, “He goes loving.../...in bloom”-Lines1-2/11-12, and “He will go.../through eternity.”-Lines 19-20/23-24. The repetition emphasizes the authors style an diction. In this poem diction is displayed through negative connotation. Choosing to describe her emotional state as “,wretched,”-Line 5, instead of sad or unhappy, and by adding a

In Anglo-Saxon works of literature, alliterations are used with stresses to organize poems and to create a certain flow. There are certain patterns that can be seen in the lines of poems, often containing four stressed words with three of the word being alliterative and a caesura separating the four stresses words in half. A simple example of this would be in line 94 of “The Wanderer” stating, “Alas bright beaker! Alas burnished warrior!” The audience can almost feel the rhythm of the poem as they read it or hear it told out loud. Having this structure in a poem also works with the language and how it is spoken. It is hard to hear these patterns in translated versions due to other language influences in the English we speak today. When I heard the original version of “The Wanderer” spoken in Old English, the stressed words really stood out to me and the alliterative words were clear. Listening to the mixture of the Old English language and the alliterative and stressed lines I can feel the way the character in the stories feel. In the first few lines of “The Wife’s Lament”

The longest fragment of Alcman consists of the hundred or so lines, complete or partial, of his parthenion or maiden song. It seems to have been sung by a choir of girls at a religious festival before dawn, competing in music and beauty with another choir… Its swift simplicity, brilliant images and melodic beauty convey the grace and gaiety of an archaic world. ‘’

In the study of English literature, “The Sullivan Ballou Letter” by Sullivan Ballou and “To Lucasta, Going To The Wars” by Richard Lovelace are very similar and different in many various forms of ways. These works of literature can be categorized as goodbye letters from two men who sent them to their wives to show their love, before they leave for different wars. “The Sullivan Ballou Letter” is written in American literature and “To Lucasta, Going To The Wars” is written in British Renaissance literature. The work of literature written by Ballou is perceived in more of a formal way and Lovelace’s is viewed in the form of a ballad with a iambic tetrameter as a rhyme scheme. These two works of literature are compared and contrasted by their

“Perpetua’s Passion” is one of the only few records of the life of a female martyr Vibia Perpetua. This record is very special because it contains Perpetua’s own narrative of her last days before her execution, along with an editor’s comments. Most of Perpetua’s narrative is about her experience after the capture, and her dreams, or visions, or the “revelations” of the divine to Perpetua. In this paper, I will discuss the presentation the symbols in her dreams, in order to exam the power balance of female and male presented in her voice, and reveal the struggle of Perpetua’s voice under the editor’s manipulation.

In Lucha Corpi, "Romance Negro" combines dramatic narrative with Spanish lyrical meditation. In it describes a chronological of events related by cause and effect; in the latter mode, it establishes a relationship between the events and through the narrator. "Romance Negro" describes an event in the life of a young, beautiful girl and its effect on her and her family in a rural village. The girl's name is Guadalupe. Images of luscious fruits; the sweet smells; tastes (oranges, cacao, sugarcane, vanilla, cinnamon), establish a tropical setting and climate. After having a sexual experience while bathing in a stream one Sunday afternoon she has to confront her family. The poem gives no evidence of Guadalupe's voluntary participation, yet it makes no clear statement that her participation was involuntary. "Dark Romance" has a lesser trauma factor about what happens to Guadalupe compared to the Spanish

Mexican folk songs or corridos have encounter great change over the years. Some of the changes of corridos can be credited to the different culture we live in now. Corridos in the past have been about the Mexican-American War, but most recently corridos began to be about life struggles such as immigration and the violent drug war. While the topics of corridos have changed over the years, corridos keep a familiar format with focusing on key issues of oppression, daily life, and socially relevant events. In addition, corridos may help spread attention to events going around society that has not been brought up in the media. This at time may be informative or controversial depending on what the artist feel like talking about. Corridos try be about current issues to stay revelate in the music industry. Corridos have a huge following in Mexico because of its strong roots. Its speculated that corridos originated during the Mexican-American war to narrate the battles and war generals of those wars. Much has changed since that Mexican-American war era, but one thing still remains and that the popularity of corridos. Although corridos have much of the same structure as the past, they have changed in a great deal because of the different trends going on in society

Before translations and devices, readers should first acknowledge the structure of the poem. In structure there are 8 different topics: speaker, setting, occasion, tone, rhyme, meter, number of lines and stanzas, and language of the poem. In the “Ballad of

Lope de Vega’s play touches upon several key components and ideas that were brought up in many of the other stories read throughout the semester. This included the role of gender and how men and women are viewed differently in the Spaniard town of Fuenteovejuna. Another topic included the importance of family, love, and relationships and their connection on loyalty, trust, and personal beliefs. The last major influence found in other literature and in Fuenteovejuna, were the political and religious references made throughout the play. Even though Lope de Vega didn’t make these views obvious, the reader could still pick up on their connotation and the references made towards these specific ideas. With all of this in mind, each of these

Yet Moraga writing style is very difficult to comprehend at first, due to the barrier that she create by using Spanish and English. Moraga’s choice of words force the reader’s flow to be caught off guard and roots it to focus on every details. She blends both languages together that challenge the reader to understand the multiple categories of her. As she write her struggles to define herself in relation to others, (mainly in the Chicana/o community), she also makes it a challenge for the readers to fully access her trials at first read. In the article “Cherríe Moraga’s Loving in the War Years: lo que nunca pasó por sus labios: Auto-ethnography of the “New Mestiza,” Cloud states that “the placement of her own personal experiences within the context of her community enables Moraga to capture successfully the struggle of an entire people for individual and collective autonomy” (86). Clouds argue that Moraga purposely writes for an “all in one” perspective that can be very challenging for reader to understand. She admits that, “Loving in the War Years first part speaks to the confusion and personal struggle that characterized its author’s formative years, no more so than in its poetic parts. Much of the inner turmoil that pervades Moraga’s self-portrayal revolves around the collision course that is the confluence of her two ethnic identities: Chicana and American” (91). With this reason, the only way that Moraga could have directly and explicitly share her

Both Poems are faced with the problematic situation of inner hassle. Piano’s narrator struggles with his oppression of his emotions in sentimentality. When he is listening to the sounds of the chant from the women singing he says “In

‘Romance de la pena negra,’ follows the typical writing structure of the ‘romance’ style. This includes otto-syllabic rhyme, direct speech from unidentified people, consonants, vocalic echo and rhyme in even lines in assonance, (in this

Before Beethoven struck the new note of romance in music, songwriters generally used one of two patterns for their songs: (1) the simple folk-song pattern in which the same melody is repeated for each stanza of the poem, and which is called a strophic song; or (2) the elaborate pattern of arias in the Italian style of singing which is full of runs and trills (McGehee 406).

There was a frequent reference to “a poet” whose work was widely respected in this novel. The Count de Satigny (who was Esteban Trueba’s ‘suitable’ choice of a husband for Blanca) referred to the work of the poet as “the best poetry ever written, and nothing could compare to it”. When Jaime and Nicholas became adults, the poet became more widely accepted as Clara had formerly predicted the first time she heard him recite in his ‘telluric voice’ in one of her literary soireés. It was evident that the poet lived and wrote about the right of the citizens to live their lives the way they wanted to, making their own decisions and expressing their own opinions without being controlled. For this reason, the funeral of such a poet became “the symbolic burial of freedom”.

As I began doing research on the pantoum I quickly noticed the uniqueness of this form when compared to others. Unlike many others, the pantoum is a form that is greatly influenced by the culture in which it originated from. In this essay, I will be discussing several qualities that make the pantoum such a unique poetic form. By examining both the history of the form and the way in which it has evolved over time, we can better understand the impact that this form has on art of poetry.