Plato's Symposium

Symposium is a gathering hosted by Agaton to celebrate his first tragedy award for playwriting. Each of the guests gave a speech about love. The speech dealing with questions about what is love; interpersonal relationships through love; what types of love are worthy of praise; the purpose of love; and others. A series of speech about the love ended by the entry of Alcibiades, known as a wealthy aristocrat of Athens for his good-looking, and political career. He entered the discussion drunkenly supporting by a flute-girl, follow upon his speech about love. His unexpected entrance and speech dramatically changed the mood left from Diotima’s serious dialogue with Socrates about the ideal love. The first five speeches contradicted each other and were reconciled in Diotima’s speech, especially her speech about “Ladder if love” and “love of wisdom ”, which implies the delicate relationship between Alcibiades and Socrates.

thesis what Aristophanes defines as love. He believes that love is innate: " love is born into

Agathon hosted a gathering for a small group of philosophers to talk about how they perceive love and what their own unique ideas are of beauty, virtue, honor, or anything else that may fall under the category of love. Eros, or Love, is a god that the philosophers have decided to praise with a speech of their own perspective. You get to see each philosophers different style and way of thinking within their speeches. All philosophers have agreed to drink while each other is speaking, but there is no pressure from one another or one’s self to drink excessively. The first to kick off the speeches is Phaedrus, an idealist, who believes that being shamed upon who you love most is of the highest caliber of embarrassment, even compared to relatives

One of the overarching themes that spanned over the many books we read over the semester, was the nature of love and the search for meaning. Love is an inherent aspect of humanity, and while it is an often inexplicable and complex sentiment, it is intrinsically connected with mankind's search for meaning in life. Love often leads a person in directions that they do not expect, and this is obvious in the very different applications of love in different books. However, one common idea about the relationship between love, suffering, and wisdom, can be argued for based off the ancient texts that we read. In The Epic of Gilgamesh, Antigone, and The Tale of Genji, love is used as a vehicle for wisdom through suffering and loss.

In Plato’s Symposium, sequential speeches praise the god of Love, but they stray from truth until Diotima’s speech provides a permanent form in which love “neither waxes nor wanes” (Sym. 211A). Through the speeches, love shifts from identifying with the concrete to the abstract, but still ultimately advances goals of present: Phaedrus sees love as helping “men gain virtue,” Aristophanes as only a “promise” to restore humans to their “original nature” and Pausanias and Eryximachus have to use two changing notions of love (Sym. 180B, 193D). In contrast, Diotima relates love as the closest humans can come to immorality, a future goal motivating us to seek completeness and an uninhibited timelessness. She uses this shift to explain love’s

Life is pink, or so says Louis Armstrong’s version of Edith Piaf’s beautiful French song, La Vie En Rose. Plato is arguably the most famous philosopher from Ancient Greece. The Symposium, one of Plato’s most famous works, is a brilliant piece of literature centered on a group of men telling their own versions of what they believe to be Love. The Goddess of Love however, is the main focus of Plato’s work more so than the act of actually being in love. This becomes the men’s main focal point for the duration of their speeches. Both the story and the song, depict versions of love of Love that are relatively common. In the soft tones of La Vie En Rose, the perfection of what being in love can become is heard clearly. Believing that everything is wonderful and it could never change is a symptom of the rose coloured glasses Armstrong is singing about. Socrates in believes that Love can be both horrible and bad. There are people who believe that love is the solution to all of their problems, and those who believe that there are bad aspects that come with being in love. Hundreds of years apart, and these two men are trying to send different messages about the same subject—love.

Plato is often criticized for preaching the gospel of me first. The claim is that his understanding of love is essentially egoistic, and this is seen as troublesome for the obvious ethical reasons. But there may be an even more troubling issue with Plato's understanding of love. In this paper I will attempt to argue that for Plato, love is in a sense impossible; that it can only ever be a desire for something out of one's grasp. The stakes are high but perhaps there is a way to understand this problem in a way that seems a little less damning. To do this I will analyze arguments from the Lysis and the Symposium, first questioning even the possibility of love and then attempt to show that love is in fact possible, all though in weaker

The Symposium in simple words is a drinking party consisting of dinner then discussion. For tonight’s party, they will decide the topic will be on the god of love. The whole group mainly focuses on the love relationship between two men. Each speaking about what they think about love. Focusing more on Pausanias speech he talks differently about his view of the lover/boyfriend relationship. To help his argument Alcibiades in some ways prove his points. Pausanias contradicts Phaedrus’s view of the lover/boyfriend relationship by looking at the meaning of love, a connection between old and young, and the outcome.

nature of love and argues that there should be a balance between the two. He elaborates on that

In Plato’s work Symposium, Phaedrus, Pausania, Eryximachus, Aristophane and Agathon, each of them presents a speech to either praise or definite Love. Phaedrus first points out that Love is the primordial god; Pausanias brings the theme of “virtue” into the discussion and categorizes Love into “good” one or “bad” one; Eryximachus introduces the thought of “moderation’ and thinks that Love governs such fields as medicine and music; Aristophanes draws attention to the origin and purposes

with some very different views of love as brought to us by Agathon, Phaedrus and

Plato’s Symposium attempts to define the eclectic theory of love, a theory that is often believed to be the universal principle that guides mankind’s actions. Plato introduces several narratives in the form of a dialogue that seek to characterize this multifaceted theory of Eros. The meaning of love naturally varies in each narrative. Yet, in this dialogue of love, Plato presents a metaphysical approach to understanding the ambiguous meaning of love. Ultimately, Plato values the perennial quest for knowledge above all else. In Symposium, Platonic love is exhibited in the relationship between virtue and desire, as expressed in Diotima’s ladder. Desire is the vehicle, or the means to an end. The six Athenians ultimately present different

Plato was a philosopher from Classical Greece and an innovator of dialogue and dialect forms which provide some of the earliest existing analysis ' of political questions from a philosophical perspective. Among some of Plato 's most prevalent works is his dialogue the Symposium, which records the conversation of a dinner party at which Socrates (amongst others) is a guest. Those who talk before Socrates share a tendency to celebrate the instinct of sex and regard love (eros) as a god whose goodness and beauty they compete. However, Socrates sets himself apart from this belief in the fundamental value of sexual love and instead recollects Diotima 's theory of love, suggesting that love is neither beautiful nor good because it is the desire to possess what is beautiful, and that one cannot desire that of which is already possessed. The ultimate/primary objective of love as being related to an absolute form of beauty that is held to be identical to what is good is debated throughout the dialogue, and Diotima expands on this description of love as being a pursuit of beauty (by which one can attain the goal of love) that culminates in an understanding of the form of beauty. The purpose of this paper is to consider the speeches presented (i.e. those of Phaedrus, Pausanias, Eryximachus, Aristophanes, and Agathon) in Plato 's Symposium as separate parts that assist in an accounting of the definition and purpose of platonic love.

In the Symposium, written by Plato, Socrates and others engage in a dialogue in the home of Agathon on love. Instead of "singing the honours" (94) of love like the other participants, Socrates uses a retelling of a discussion that he had with a woman named Diotima to tell the audience of what he perceives to be the truth of love.

In the Symposium on that night, Socrates’ speech is one of the most important of the night as he is clearly a central figure, admired by the other guests. Socrates begins by presenting his argument that if love is nothing, then it is of something, and if it is of something, then it is of something that is desired, and therefore of something that is not already possessed, which is then usually beautiful and good. Human beings begin by loving physical beauty in another person, then progress to love of intellect and from that level to see the connection among people and ultimately, the lover of beauty enjoys a kind of revelation or vision of universal beauty, which we find ourselves in the pursuit of during our own study of Plato’s work. The