The Starry Night Essay

his brushstrokes in all of his paintings. The trees cause the feeling of movement in the

Vincent Van Gogh is one of the most infamous and influential artists of all time. When I saw that Van Gogh’s painting “Olive Trees With Yellow Sky and Sun” was on display at the Minneapolis Institute of Art, I knew I had to choose it for this paper. Before doing the research for this assignment, I didn’t know much about Vincent Van Gogh, but the fact that pretty much everyone knows his name and recognizes him as a huge part of art history, it made me naturally really curious about him.

In the painting "Irises" Van Gogh portrayed the part of the field, very often dotted with flowers. Here we see not only the iris, which gave the name of a masterpiece, but also other colors. Of course, the irises are central to the composition. There is no background, but warm soft shades of the earth depicted blurred stripes and a warming glow beds of flowers. That glow enters with a picture of the outside world and gives it visibility and tenderness. Using different shades of green, yellow and purple colors, he creates a real rhythm of lines properly attached in drawing completeness. Rich and gentle at the same time

Van Gogh got excited over the look of these trees and painted them. Some of his paintings of the trees represented life, others represented how he felt about Christ in Gethsemane, and others represented a combination of both of these things. An example of an art piece that had a lot to do with religion was Olive Trees with Alpilles in the Background (Fig. 6). This piece was painted with Christ in Gethsemane in mind. He wanted to create a piece that used a more purer and serence sense of nature without using religious imagery. With this piece “he wanted to show it was possible to paint the meaning of Christ in the Garden of Olives, the garden of Gethsemane where Christ prayed the night before his crucifixion, without aiming straight for the historical Garden of Gethsemane.” Vincent had done religious paintings before, he actually painted Christ in the arden of Olives twice before, but both times he decided not to paint the images of Christ since, as he said in a letter to his brother Theo, he did not want to “do figures of such importance without a model.” Van Gogh actually had begun to avoid doing religious work around this time for both aesthetic and moral reasons. Van Gogh had rejected what he believed to be his parents’ narrow religionious views and went for a much different view, one where life itself almost didn’t seem to matter of have purpose, something close to Nihilism. Vincent instead tried to find meaning in the cycles of nature and how they related to the

As Clarice Lispector was writing what would become her last literary creation, The Hour of the Star, little did she know that while her body was plagued with the devastations of cancer, her mental struggle for peace and grace in death would inspire her most renowned novel. Perhaps it is because of those circumstances, she created a novel with intuitive reflections on both life and death, as seen through the life of the main character, Macabea. The story is narrated by Rodrigo S.M., and although Rodrigo attempts to maintain a neutral stance, he is often conflicted by his own perceptions and feelings. At the book’s commencement Rodrigo spends quite some time explaining that while the story is mainly about a woman,

Vincent Van Gogh was a Dutch artist from the mid 1800’s who was considered to have created approximately 2000 artworks. Growing up, he was classified to be highly emotional and having low self-esteem. Within those depressed emotions, it helped him pioneer the path of expressionism in his art pieces. But as he got more into him artwork he came more mature with his artwork and caused his color patterns and brush strokes to evolve into another style of art called Impressionism. Starry Night Over the Rhone was one of his last ‘few years’ paintings. It was painted in September of 1888. The canvas resides in Musée d'Orsay,

During Vincent’s time at the Saint-Rémy sanatorium, he painted one of his renowned landscape paintings, Starry Night in 1889. The choice of medium used was oil paint where Vincent famously displayed his impasto technique on the hemp material canvas. He wrote to his brother about his inspiration stating, “This morning I saw the country from my window a long time before sunrise, with nothing but the morning star, which looked very big” . Hence, you can infer that Starry Night was painted from the view of Vincent’s room where the background of the composition depicts the night scenery of a small and peaceful village, which juxtaposes the movements of the brightly lit sky. However, Vincent did not exactly follow what he saw from his window but painted from what he saw in his imagination, following the likes of Gauguin.

Vincent Van Gogh was a master of the Post-Impressionist art movement; he created works that conveyed strong emotions through the simplest of elements. In Avenue of Poplars in Autumn, Van Gogh again shows his mastery of brushwork and color, giving the viewer a scene of a person walking from a home near dusk down an avenue lined with spindly poplars. Made in October of 1884, the painting seems to accurately reflect the season with red and brown leaves stubbornly adhering to the trees. The initial feeling of this piece is one of peace and calm. Autumn is a time for being with family and avoiding the cold. But the longer the viewer looks, the more they realize that this painting seems to show the opposite of a serene scene, creating an uneasy atmosphere. The feeling only grows when they see the shadows that lick the edges of the trees, the bar-like ruts in the road, and lone figure that walks steadily away from the empty house. In Avenue of Poplars in Autumn, Van Gogh strives to create a forbidding and frightening atmosphere through dark and contrasting colors, limited space, skewed balance, straight and diagonal lines, movement, and the subject matter of the painting, all to represent his emotional response to the scene.

The two stand side by side and in the case of the cypress tree, the black in the sunny landscape may seem to be out of place, but it allows the distinctive green to become more apparent. For van Gogh, the two opposing colors collectively, along with the shape and movement of the tree, force him to accurately perceive this ordinary object as something noteworthy. For de Botton, this radiant dichotomy lays at the foundation of his argument; inspecting the dark and painful parts of life allows them to become a meaningful and essential part of the whole picture. Van Gogh took the time to look closely and get the interesting black notes exactly right, allowing the darkness to bring dimension to the light; when we spend time understanding the anguish in life we can begin to see the beauty entwined with it.

One of Vincent Van Gogh’s most world renowned paintings is his landscape oil painting Starry Night. The painting displays a small town underneath an unusual yet still extremely beautiful night sky. In this night sky, Van Gogh utilizes an array of colors that blend well together in order to enhance the sky as a whole. The town is clearly a small one due to the amount of buildings that are present in the painting itself. In this small town most of the buildings have lights on which symbolize life in a community. Another visual in Starry Night is the mountain like figures that appear in the background of the illustrious painting. Several things contribute to the beauty of Van Gogh’s painting which are the painting’s function, context, style, and design. Van Gogh’s utilization of these elements help bring further emphasis to his work in Starry Night.

The Starry Night portrait was created by the Dutch post-impressionist painter Vincent van Gogh during the period of the 20th-century renaissance. This masterpiece was one of Vincent van Gogh well-known painting in the history of art which brought him fame. The Starry Night was so popular because of this painting represents star that makes you dream. This masterpiece was painted on June 1889 during his stay at the asylum of Saint-Paul-de-Mausole near Saint-Rémy-de-Provence. During the time he created this masterpiece, Vincent van Gogh live in a hospital while he continues to make this art when he was ill.

Painted by Vincent van Gogh in 1889, the painting shows an idyllic scene of the night sky in what seems to be a rural village. The artist, however, does not employ naturalism; he apparently let his imagination run wild

In this piece of art Van Gogh shows that even tho in a dark night you can still look out your window at night and see light. Another example of that would be in your dark or hard times in life, there is always a brighter side to everything.

Vincent Van Gogh is a well-known artist to people because of one of his paintings, The Starry Night. Van Gogh has painted many other pieces during his lifetime including one that is currently on display at the Minnesota Institute of Art, Olive Trees. This painting is part of a series of olive tree paintings consisting of a total 18 pieces of art. The one at the Minnesota Institute of Art was painted November of 1889 and is known as “Olive Trees with Yellow Sky and Sun”. Through a contextual analysis of this piece a lot can be discovered about its meaning. When this piece is compared to other artwork by Van Gogh even more fascinating details emerge about this piece of art.

The Starry Night is one of the most famous paintings in the history of western culture. It was painted by Vincent Van Gogh in 1889 and is recognized as his finest work. This artwork is oil on canvas and is currently in the Museum of Modern Art, New York. An interesting fact about the artwork is that it is painted from Van Gogh’s memory, unlike his other works which are painted outdoor. This painting is the view from the east-facing window of his asylum room at Saint-Reme-de-Provence. The view includes the starry sky, cypress tree, village, and hills. “This morning I saw the countryside from my window a long time before sunrise, with nothing but the morning star, which looked very big. “wrote Van Gogh.