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The Starry Night Essay

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Description: Van Gogh painted more than 10 paintings of olive trees, which was mostly in Saint-Remy-de-Provence, France in 1889. The painting of Olive Trees in a Mountainous Landscape was complementary to The Starry Night. The landscapes are in a pattern of curves as painting from The Starry Night. Van Gogh’s unique painting technique, impasto was used. The characteristic style of divisionism is used by painting multiple strokes with varieties of colors. It is decided character of each horizontal zone of this turbulent work that keeps the picture from succumbing to the dullness of chaos, which so often results from an artist's immersion in pure feeling. In the visionary cloud, with blue and yellow streaks and wavy outline, vaguely organic, …show more content…

In all these there was a pervading luminosity, from the distant cloud to the earth beneath the olive trees. The curvy texture created the landscapes to merge together smoothly with the sky. The mountains, color of deep blue, were seen as a part of the background of sky. The olive trees have a significance in the middle portion of the painting. The trees were painted in multiple layers with varieties of colors to demonstrate the leaves, branches, and the texture of a bark of olive trees. Van Gogh tried his best to paint from his own individual perspective rather than drawing landscapes realistically. The curviness landscapes identify the unique allure of the style of the artist. Besides, the cloud has a bizarre shape above the alps. The cloud could be seen as a mother holding a baby when it was seen from the yellow outlines. Van Gogh also used the yellow highlights to demonstrate that the painting is on daytime. The sun was not drawn from the painting, but the painting has bright colors for highlights on the land and the cloud. Moreover, the people were not painted in this painting. Even houses, roads, farmlands were not found. Van …show more content…

He expressed his feelings about his religion of Christianity through painting olive trees. Van Gogh painted olive trees to show how France can be “demanding and compelling” place. Olive trees are the representative of Provence, France. The “pure nature” of rural Provence in France is equivalent of a painting of Christ on the Mount of Olives. Olive trees are painted included a religious meaning with overtly using traditional Christian imagery. The image is dominated by the swelling rhythm of the earth, the swirling cloud, and undulating mountains. Van Gogh considered the countryside to be a rejuvenating antidote to the enervating decadence of the modern city. Olive trees are singled out as motif and images that he saw as being “the essential that makes up the enduring character” of Provence. Moreover, Van Gogh’s passionate of painting fills the entire landscape – land of grass, olive trees, mountains, and clouds, with a tumultuous disordered motion. The painting is more powerful and imaginative as expressionist art, which proceeded from a similar, emotionally charged vision of nature. After Van Gogh voluntarily entered the asylum at Saint-Rémy in the south of France in the spring of 1889, he wrote his brother Theo: "I did a landscape with olive trees and also a new study of a starry sky." Later, when the pictures had dried, he sent both of them to Theo in Paris, noting: "The olive trees with the

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