The Stone Angel by Margaret Laurence

In the short story “the White Heron” (1886), Sarah Jewett portrays a young little girl, Sylvia, bear the temptation of money and affection from the young man with mental struggle, and resolutely determined to protect the fairy of nature – a white heron. Through describing Sylvia’s authentic emotions and using of vivid theme colors and exquisite word choice, Jewett delivers the story like showing a lifelike 19-century country-life drama in front of the readers.

The Glass Castle, by Jeannette Walls, describes the unfortunate struggles of Jeanette and her family throughout her childhood. Often times, the hardships in one 's life can shape their future and how they develop as a person. Jeanette went through so many hardships that seem unbelievable to me. Her struggles and life experiences are much more extreme than mine will ever be. Her hardships have helped shape her personality and her career. She has made the best out of her childhood, and everyone should take a tip from Jeanette, including myself. I have not had many giant hardships in my life to this date. Jeanette is a role model to people everywhere. She showed that it doesn’t matter where or how you grow up, the only thing that matters is

In the vivid, personal memoir The Glass Castle by Jeannette Walls, she painstakingly recalls her “story” and how it affected and made her who she is today. She grew up in an environment that most children typically do not. Her father was an alcoholic, and her mother was a selfish woman who put herself first. You could say their way of parenting was not your average “cookie cutter” household. One main social issue in The Glass Castle, is the impact on child neglect in a family and how that affects the way the child turns out. Although, Jeannette Walls ended up as a successful writer along with her siblings Lori and Brian, her other sister Maureen took a route which many neglected children face. What set apart these siblings and how the

“The Glass Castle” by Jeannette Walls is a memoir of a family that is frequently homeless and living in very poor conditions. Despite all this, the protagonist Jeannette Walls does not lose faith but, but does the exact opposite. She does everything in her power to earn money and get an education so she can escape her current life and move to a place with better opportunities, which is New York (Walls 2005) This book intrigued me because of the way Walls tells her story. She does not have a trouble-free life, but she is a brave woman for telling her story to others. Walls admitted in her interview with Oprah as well as in her book, that she is so embarrassed of her parents in the streets. While she lives in her warm and comfortable home, her parents are in the street looking through garbage cans for food. Jeannette Walls’s approach to life is astounding, and the way she tells her story with such emotion but at the same time some parts are relatable to many others. Walls uses many rhetorical techniques in her writing that absorbs the reader not only to enjoy her book but also to empathize for her.

Individuals can be seen responding to the circumstances they endure in many different ways. The way they choose to respond to issues can determine whether the effect of their exposure will end up to be a positive strengthen to their character. In the memoir The Glass Castle written by Jeannette Walls, we see the effects of past experiences on Jeannette and we see how she uses those situations to shape the person that she becomes. Jeannette is a focal point to the life of success that a person can live even after growing up in an unorthodox family. She goes to prove that even with the strangest life she lives, she had the passion to pursue her goals is significant and her desire achieves the life she wants while her dreams were being

Jeannette Walls is an American writer in journalist who found success in New York City, most notably writing a gossip column for MSNBC in which she details the effects of gossip in politics. She published her memoir, The Glass Castle, in 2005. The book spent 261 weeks on the New York Times Best Seller list. In it, Walls recounts her childhood while growing up in an unstable family with her father and mother, Rex and Rose Mary Walls, her older sister Lori, and her younger brother and sister, Brian and Maureen. Rex and Rose Mary could not settle down and constantly uprooted their family of six to different locations in the southwest region of America. Neither parent could keep a job and struggled to feed and put a roof over their heads. In the novel, Walls views her parents as irresponsible because it rarely seems as though Rex and Rose Mary genuinely want to work and make money to support the family. They thrive off their sense of adventure, as they drive all over the country in a rundown car, looking for their latest shack to pile their family into, usually without running water, heat, or indoor plumbing. Walls will tell the story of her childhood through a series of pivotal moments that ultimately shape her opinion of her parents and lead her to a successful career in New York City.

Besides the children of Macon Dead, there are other biblical allusions in the names of people. One of these is Hagar, Pilate's son and Milkman's cousin. Though the biblical Hagar is not well known, her character in the Bible reflects, in some ways, the character in Morrison's novel. In the bible, Hagar is Sarah's handmaiden. When she bares the son

Sky of Stone is a highly entertaining novel that could be considered a mystery novel with its style that rivals some of the best thriller stories throughout history. The novel revolves around the death of Tuck Dillion, and throughout the story, Sonny and the reader slowly began to understand the full picture of this mystery, which is suspenseful to the very end. The novel even puts the reader on the edges of their seats as Sonny, Bobby, and Johnny race to finish their track in a bet with the Caretta miners, while 700 feet underground in a dark mine. The most enlightening part of the story came when Sonny mentioned “I’ve been looking up at the sky ever since Sputnik got launched four years ago. Now my sky is five feet high and made of stone,”

As Hagar’s love for Milkman grows more and more obsessive, Morrison reveals the bitter consequences of life as a woman seeking intimacy in a strictly patriarchal world. In the beginning of the novel, Hagar is associated primarily with her female relatives, Reba and Pilate. Even then, well-fed Hagar declares, “Some of my days were hungry

“Belief is nearly the whole of the universe whether based on truth of not.” by Kurt Vonnegut. People live day by day on what they believe whether it is their morals or values, and what people say. We choose to believe what we want to like in all of the Bluebeard variances. Bluebeard is a not as well known fairytales that tell you the grim consequences of disobedience and curiosity that women deal with during marriage. Although, marriages have many secrets, every wife and husband deserves the truth when it comes to dishonestly, disloyalty, and sometimes murder.

Now, let us look at Hagar’s position in the situation. Looking at her status we see that she has no authority and no control over her future. She is wholly under the demands of her mistress Sarai (Jeansonne 43). Hagar is not even introduced as a person, but merely as a maidservant. She is only referred to by titles such as, “Sarai’s maidservant” or “her” or “your slave-woman.” Sarai and Abram do not even give her the status of a person who deserves a name. Due to her lack of power and control, Hagar was given no choice in having a son for Sarai and Abram. The verse reads in Genesis 16:4, “He cohabited with Hagar and she conceived…” This is all we are given; none of Hagar’s opinions or feelings are shared with the readers, the narrator remains silent about Hagar in the situation (Jeansonne 44).

When she got home, Hagar found that she was not able to cry. "The night my son died I was transformed to stone and never wept at all" (243). Her pride leads her to become isolated, she never wants anyone to comfort, or help her. In addition, in the hospital Doris tells Hagar about an old friend and "I never realized until this moment how cut off I am." (294), is the

In the same fashion that the law binds the Biblical Hagar to Abram and Sarah, Hagar Shipley is bound by - as D. Blewett points out - the Currie code of values, the Shipley freedom, and the Manawakan elitist attitude, in addition to her own pride (Blewett 36). Hagar Shipley is a modernised version of the Biblical Hagar, in that, people can no longer be bound as slaves in western culture but are, quite often, bound by personal or social restraints, like Hagar is. Hagar's freedom is limited by the conflicting influences - internal versus external - in her own life. The Currie virtue keeps Hagar from expressing any outward form of emotion, which, ultimately, limits or ruins the majority of her relationships, including her marriage to Brampton Shipley. Initially attracted to the Shipley casualness and freedom, because it is the exact opposite to the Currie conformity, Hagar marries Bram, a poor farmer and social

Bram knew what people thought of him but it did not seem to dawn on him. On the day Hagar and Bram got married he kindly gave Hagar a decanter. Her reaction of sheer disgust resulted in Bram saying “Let's see what you look at under that rig-out, Hagar.” (chp 2 pg 51).

I want to show people that we could be whatever we want. I am sick of getting pushed around by The Fairy Academy. Men should be able to be a fairy godparent. I’m going to show The Fairy Academy that men could do it, too.