The Storm Essay

Her sexuality has been repressed by the constraints of her marriage and society's view of women, represented by the housework being done before the storm hits. Chopin alludes to this theme of suppression again as Alcee is invited into Calixta's home. The author writes, 'Come 'long in, M'sieur Alcee. His voice and her own startled her as if from a trance, and she seized Bobinot's vest. Alcee, mounting to the porch, grabbed the trousers and snatched Bibi's braided jacket that was about to be carried away by a sudden gust of wind.'; Alcee grabs Bobinot's pants, symbolically subverting the social and martial constraints that control Calixta.

Kate Chopin wrote the short story “The Storm” one of her most bold stories and did not even intention to publish it (Cutter 191). The two main characters in the story are Calixta and Alcee. They both used to be attracted to one another in previous years, but now they are both married to someone else. After Alcee arrives to Calixta’s house looking for shelter they are driven into a passionate moment. In the story “The Storm” the storm has a significant meaning; without it the affair of Calixta and Alcee performed would not have been as powerful as it was between them. “The Storm” has a great deal of symbolism throughout the story: the clouds, the use of color white, the storm relative to the affair, the after effects of the affair, Calixta,

In the story "The Storm", Kate Chopin plots a situation in which two people surrender to their physical desires. Chopin wrote fiction stories in the late 19th century. She was condemned due to the immorality presented in her work. At her times, woman was considered to be very innocent, and always faithful to her husband. In Chopin's work one sees a totally different view of a woman's behavior. She is not a popular writer of her era because of her crude works; the audience of her period could not justify her stories. In the story "the storm", Kate Chopin by hiding the immoral behavior of her characters behind the fear of bad weather is being ironic.

The theme adultery was first initiated when Alcee requested to reside in Calixta’s house till the rain passed. “His voice and her own startled her as if from a trance…”. Judging from the way they both reacted, it is clear that the two still have some sort of feelings for each other. Another aspect that leads to the feelings of both characters is when Chopin outlines the setting of the room they are in. “The door stood open, and the room with it’s white monumental bed, its closed shutters, looked dim and mysterious.” Already, the tone has changed becoming more tense and so has the storm as it beat upon the shingled roof with force like Chopin describes in the story. When Calixta realizes the storm has gotten worse, she then walks over to the window with a disturbed look on her face and Alcee of course follows behind her which proves that he wants to be around her. From the minute Alcee walks in, Calixta begins to show signs of nervousness which proves that he still has some affect on her. The tension of the rain and Calixta’s feelings both build up as it begins to rain harder, the winds blow harder and the lightening become stronger which symbolizes Calixta’s feelings at the moment. She tries to

Kate Chopin implies in the selection, "The Storm" that the setting and the plot reinforces each character's action, but only two characters exemplify the title itself, Calixta and Alcee. The storm becomes the central element of Alcee's unrequited love for Calixta and ultimately the instrument of their forbidden love to each other. Hurston concurs in the "The Storm" that a forbidden relationship can become a cancerous love and silent death sentence.

With the passing of the storm and the departure of Alcee, Calixta does not revert to her subordinate housewife bonds. Instead, she uses her awakening to discover newfound happiness in her marriage and duties as a wife and mother. When Bobinot and Bibi return, the reader sees a different Calixta than the downtrodden, worried, and selfless Calixta from the beginning of the story. In fact, it is the father and son who must begin ?to relax and enjoy themselves,? not Calixta, who is already joyously preparing dinner (861). At the dinner table, ?they laughed much and so loud that anyone might have heard them? (861). The only other time

'The Storm' begins on a stormy spring day, with the protagonist Calixta at her sewing machine. She is alone, her husband Bobinot and son Bibi have gone to the store. Calixta seems to be a bored woman, confined to her duties as a housewife and mother. As the distant storm approaches she is unaware of what the storm brings, her former lover Alcee.

Readers first get a glimpse of Calixta in the beginning of the story when her son Bibi mentions she’ll be afraid of the approaching storm; he refers to her as “Mama” (99). Calixta’s husband Bobinot reveals her name as he thinks of her when he finds a can of shrimp she’ll like.

Once the storm has passed and all is normal, Alcee leaves and Calixta’s family returns. Bobinot and Bibi make themselves look presentable for Calixta, the “over-scrupulous” wife (page 397) after going through the heavy roads and wet fields the storm left behind. Calixta seemed to have forgotten the encounter she had with Alcee moments before, “and seemed to express nothing but satisfaction at their safe return.” (page 397) The family sat at the table and enjoyed themselves for the remainder of the time, everything was forgotten and back to normal.

Calixta and Alcee had a strong passion for each other. Chopin says: Alcee rides up to her house and asks “if he can take shelter

Lust and love are very different things, but they are commonly confused. Kate Chopin’s “At the ‘Cadian Ball” and “The Storm” are set in the nineteenth century Louisiana. Although they both have the same main characters, the two stories are mainly about Alcee and Calixta’s relationship with one another. These stories are centered on Calixta and her confusion over her feelings for Alcée, but in the end love conquers.

The presence of Calixta's sexual desire and its intensity make this story revolutionary in its feminist statement about female sexuality. Chopin uses the conceit of a thunderstorm to describe the development, peak, and ebbing of passion in the encounter between Calixta and Alcee. At first, Calixta is unaware of the approaching storm, just as her sexual desire might be on an unconscious level; yet, as the storm approaches, Calixta grows warm and damp with perspiration. Chopin does the obvious by these two events when she writes that Calixta, "felt very warm . . . she unfastened her white saque at the throat. It began to grow dark and suddenly realizing the situation she got up and hurriedly went about closing windows and doors" (Part 2 Paragraph 1).

A storm can represent and symbolize many different meanings. The impact of the word can be brought about in many different views and aspects that arrange themselves to create and portray detailed information and great definition to the subject of the short story as a whole. By using the storm as a symbol, it gives way to a passage that will encounter the relationship and parallel aspect of both the fervent thunder that occurs and the sexual passion that is encountered throughout the story. Kate Chopin opens up an interesting view and tentative explanation of human sexuality and the strong point of view of regulations placed on human sexuality as well as the aspect of trying to control a storm. By tying up these two ideas with one word,

but she behaves immorally. She is a very pretty woman who has a fling with her former lover Alcee while waiting out the storm. Calixta seems to be a good mother and to care for her husband, she just isn’t happy with him. For example, she worries about Bibi and Bobinot’s safety the storm, which proves she cares for them. Yet she finds comfort from her former lover Alcee while worrying about her husband and child. Chopin states “Alcee’s arm encircled her, and for an instant he drew he close and spasmodically to him” (The Storm 2). This proves she must care for her husband, but turns to Alcee when needed comforting.

While Bibi and Bobinot are "Stuck in the storm," Calixta is feeling "free" because of the storm. Now by free I don’t mean released, as from captivity, but free of Bobinot and the marriage long enough to do something she wanted to do, which was sleeping with Alcee, even if only for a short time. It is discovered towards the end of the story that Alcee is also married with children, so it was a moment of "freedom" for him as well. Ironic, no? It would make more since for this to be an "accidental meeting" if Alcee lived further away, or if it happened out in public and they were both single, but this is not the case. He mustn't live far away, and we know this because in the end of the book, once Alcee has left, we read that "When they seated themselves at the table, they began laughing so much and so loud that anyone could hear them as far away as Laballiere's," which Alcee’s is. This tells us that he must not live very far away, so that being the case, why make the special stop off at Calixtas? We also find out that they had been lovers in the past, making it easier to assume that they still have feelings for each other, although no one suspects it in their marriages. The two seem to be married only for convenience, not for lust or