Story Of An Hour Satire

Decent Essays
There is immense power in well-written satire: it can make its audience laugh with witticisms rooted in truths, even make them think differently about any subject, mundane or critical. Bad satire, however, emphasizes all the wrong parts: it gets its facts wrong, goes off track, and closes its audience’s minds to any new way of thinking it might present. Li Chongyue and Wang Lihua’s article would be bad satire, a bad argument. Chongyue and Lihua’s “A Caricature of an Ungrateful and Unfaithful Wife” distorts Kate Chopin’s “The Story of an Hour” through imaginative exaggeration of character interaction, emotional ignorance, and its simplification of the characters and the text. Firstly, there is no evidence in the text of “The Story of an Hour” to suggest that Louise Mallard has been at all unfaithful to her husband. One sentence within the article suggests that some readers have sensed an extramarital affair—or an attempted one—between Mrs. Mallard and Richards, which, given its inclusion, the authors appear to agree with (Chongyue and Lihua). However, Richards is mentioned by name in the text of the short story three times: at the beginning when he confirmed the news of Brently Mallard’s death, toward the end when he awaited Josephine and Louise at the bottom of the staircase, and when he tries to block Louise from seeing Brently Mallard alive as he walks in the door (Chopin). He does not even truly interact with Louise: he is described as “near her” when she learns of
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