The Story Of An Hour

Chopin expertly adds irony to the story by stating, “When the doctors came they say she had died from heart disease - of joy that kills” (8). However, the readers know that she died because of the sudden loss of her new found freedom. This develops irony because the characters didn’t know the excitement she felt when her spouse “passed away”, but the readers know she rejoiced in her freedom. From the characters point of view, it may seem she died because she was so excited her husband returned safely. After Mrs. Mallard barracked herself in her room, it is stated that she “Abandoned herself” and then started chanting “Free! Free! Free!” (7). This displays her excitement towards her husband's death. However, the other characters are fearing for her health since they believe she is not strong enough to get through the

The doubt and misconstruction placed upon the women in the stories is a huge factor in the way their characters develop. Mrs. Mallard's sickness was misdiagnosed by both her family and doctor. They believed she suffered from heart problems but no evidence of this was produced during the story. When Mrs. Mallard was up in her room, her sister, Josephine, was worried that Mrs. Mallard would make herself ill because she was alone and suffering from her husband's death. Chopin gives the reader an insight as to Mrs. Mallard's thoughts by using a third person limited omniscient narrator, and by doing so, allows the reader to understand that Mrs. Mallard's family's ideas of her health were false. Near the end of the story the doctors and Mrs. Mallard's family believe that she has had a heart attack because she was happy to see that her husband was alive, while in actuality, she died because didn't want to live if she had to live with him.

1. What are fictional stories? 2. Many people will say fictional stories are stories that are not true. 3. Yes, that is correct, but there are many more parts to fiction. 4. Per Kirszner and Mandell, “A work of fiction is a narrative that originates in the imagination of the author rather than in history or fact” (62) 5. Some examples of fiction are poems, epics, and novels. 6. Not all fiction is one hundred percent false, “some fiction focuses on real people and is grounded in actual events, but the way the characters interact, what they say, and how the plot unfolds are largely the author’s invention” (Kirszner and Mandell 62) 7. The plot, the setting, and the point of view of a fictional story are only three

Mallard as “young, with a fair, calm face…” (428) who is suffering from heart trouble. From the start, the readers are led to believe that Mrs. Mallard was going through emotional turmoil in her life, as it is scarce for a young woman to be facing heart issues.  The story is written in 1894, a time period where women had no right to vote and were expected to remain housewives. It is clear that Chopin is referring to Mrs. Mallard’s health issues as a result of her being overly limited by her husband. Chopin illustrates, “There would be no powerful will binding hers… men and women believe they have a right to impose a private will upon a fellow-creature” (429). Mrs. Mallard realizes that the life she lived, with her husband controlling her and society dictating how she is supposed to act, was not the type of life she ever wanted. She understands her worth as a human being, and her rights to freedom and equality. This is shown when she echoes, “Free! Body and soul free!” (429). At the end of the story, the fear of losing her freedom and sense of self-worth is what causes Mrs. Mallard to die due to her already weakened heart, after seeing her husband

In the short story “The Story of an Hour” written by Kate Chopin, the character Mrs. Mallard is a grieving wife who pictures her life by herself. While grieving her husband’s death, she is thinking about being free and independent. Mrs. Mallard and women in the days where they depended on their husbands to provide for the family, while they stayed home and took care of the house. “But she saw beyond that bitter moment a long procession of years to come that would be hers absolutely.” (Chopin 548) She was a sympathetic character who loved her husband but is ready to be free. Mrs. Mallard’s reactions to Mr. Mallard’s death is justified by the way she grieves for him. The way she is dealing with the loss of her husband is admirable, even though in the end it kills her.

Women are taught from a young age that marriage is the end all be all in happiness, in the short story “The Story of An Hour” by Kate Chopin and the drama “Poof!” by Lynn Nottage, we learn that it is not always the case. Mrs. Mallard from “The Story of an Hour” and Loureen from “Poof!” are different characteristically, story-wise, and time-wise, but share a similar plight. Two women tied down to men whom they no longer love and a life they no longer feel is theirs. Unlike widows in happy marriages Loureen and Mrs., Mallard discover newfound freedom in their respective husband’s deaths. Both stories explore stereotypical housewives who serve their husbands with un-stereotypical reactions to their husband’s deaths.

Mallard after her sister tells her the news of her husband is not the common reaction expected when someone suddenly dies. Her reaction quotes, “She did hear the story as many women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden, wild abandonment” (Chopin 653). This quote indicates the fact that she does not react the way that a spouse would when he or she’s spouse has passed and having the utter feeling of denial. Though uncertain of her own feelings, Chopin begins to describe Mrs. Mallard’s decaying thoughts of her former lifestyle into something more

For this story, I will use Mrs. Mallard as the example, and will discuss her challenges and struggles. According to the text, she was “afflicted with a heart trouble," so based on that alone we know that she struggled with delicate health issues. The narrator further described her as, “young, with a fair, calm face, whose lines bespoke repression and even a certain strength.” The ‘lines’ or wrinkles of repression that he speaks of is most likely caused by the stress of suppressing feelings or emotions in her life. Although she described her husband in a positive light, I do not believe she was happy and/or in love with him. My assumption is based on the fact that she demonstrated an incredible sense of relief when she thought he had passed on.

Mrs. Mallard’s heart trouble is symbolic of her broken relationship with her husband, Brently. Of all the possible health issues that Mrs. Mallard could have been battling, it is heart trouble that she if faced with. It is noted that Josephine speaks “in broken sentences; veiled hints” (Chopin, “The Story”), so that the news of Brently’s death is revealed to Mrs. Mallard as carefully as possible. However, the news of her husband’s death actually brings a new life to Mrs. Mallard: “Her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body” (Chopin, “The Story”). Mrs. Mallard’s marriage has confined her to her home and has caused the loss of her freedom, which is represented by her heart trouble. Her death is not caused by the joy of seeing her husband like the doctors thought, but rather due to a loss of joy, as she loses her newly found independence upon seeing Brently walk through the front door. Chopin shares: “When the doctors came they said she had died of heart disease – of joy that kills” (“The Story”). The window in Mrs. Mallard’s bedroom also serves as an important symbol in the story, representing Mrs. Mallard’s freedom. Upon seeing the beauty throughout the streets as she looks out her window, Mrs. Mallard is finally able to realize that the rest of her life is full of countless possibilities (Rosenblum,

In "The Story of an Hour," Kate Chopin suggests that in certain scenarios, the death of a loved one may be a blessing in disguise. Possible situations may include an abusive relationship, or an unhappy marriage, as the story suggests. Although the circumstances throughout the story might lead the reader to believe that Louise's husband's death would cause her great pain, ironically, when she hears the news, she feels a sense of euphoria. This suggests that death may not always cause agony.

There is immense power in well-written satire: it can make its audience laugh with witticisms rooted in truths, even make them think differently about any subject, mundane or critical. Bad satire, however, emphasizes all the wrong parts: it gets its facts wrong, goes off track, and closes its audience’s minds to any new way of thinking it might present. Li Chongyue and Wang Lihua’s article would be bad satire, a bad argument. Chongyue and Lihua’s “A Caricature of an Ungrateful and Unfaithful Wife” distorts Kate Chopin’s “The Story of an Hour” through imaginative exaggeration of character interaction, emotional ignorance, and its simplification of the characters and the text.

Chopin also includes an example of what could set Mrs. Mallard into a fatal heart attack, when she mentions how Mrs. Mallard’s sister and husband try to tell her the news of her husbands alleged death as simply as they possibly can (par. 2). Moreover, Chopin has incorporated a forbidden topic, which is Mrs. Mallard’s happiness stemming from her husband’s death. Using this topic, the work then takes a dramatic turn, as she begins to realize that she’s “free, free, free” from the “oppression” that is her husband, and this aids in establishing a sense of dramatic irony nearing the end of the tale (par. 11). To further elaborate about her husband, she was in a position in which I would assume the marriage

In “The Story of an Hour” we are taken through a journey. The journey is the thoughts and emotions going through Mrs. Mallards (Louise) mind. The journey only takes an hour, so everything moves at a fast pace. Louise seemed to process the news of her husband’s death without an initial element of disbelief and shock. She goes right into the reaction of grieving for her husband. She quickly begins to feel other emotions. At first she does not understand them. The journey is a way that Louise comes to her final thoughts of freedom. She looks into the future and looks forward to living a long life on her own terms.

`The Story of an Hour' was written in the nineteenth century and during this time highly restrictive gender roles forbade women to live as they saw fit. Kate Chopin presents in her story,

Mrs. Mallard suffers from a heart condition; thus, her sister Josephine gently and carefully breaks the news of Mr. Mallard’s death. Richards, a close friend of Mr. Mallard, is the first to discover the news of Mr. Mallard’s railroad tragedy. When hearing the news, Mrs. Mallard collapses in grief into her sister’s arms and retreats upstairs into her room. While her sister begs Mrs. Mallard to open the door, Mrs. Mallard reflects on her feelings. She sinks into an armchair facing an open window noticing the “new spring life, the delicious breath of rain in the air, the peddler in the street crying his ware, the notes of a distant song which someone was singing and countless sparrows twittering in the eaves” (Chopin 556). This signifies a new blossoming life: a life that she would live for herself. Although her husband is loving, and she knows that she will weep again when she sees his dead body, she realizes how confined marriage is for her. Robert Evans, author of “Literary Contexts in Short Stories: Kate Chopin's “‘The Story of an Hour,’” claims that Mrs. Mallard looks forward to a bright future rather than a dreadful life. She becomes aware that she must live alone rather than being imprisoned by marriage. As these thoughts circulate in her mind, she keeps whispering, “Free! Body and soul free!” (Chopin 557).By conveying the story through Mrs. Mallard’s thoughts, Chopin portrays how women actually feel compared to what they present in society. While Josephine and society expect Mrs. Mallard to be grieving, Mrs. Mallard is actually looking forward to the days ahead of her: “Spring days, and summer days, and all sorts of days that would be her own” (Chopin 557). When Mrs. Mallard discovers that the news of her husband’s death was inaccurate, Mrs. Mallard dies from a heart attack after seeing her husband alive. The