The Storyteller By Mario Vargas Llosa

To play a role given to us, isn’t fun once we learn of it, however, breaking away pushes us further into the journey. The Hero's Journey, a repetitive process that seems to be in the basic natural structure of every human, and despite any efforts are often replicating it ourselves. Following the journey is simple and sometimes unavoidable. The whole journey is mapped out by Christopher Vogler's The Writer's Journey. Then seen in Dracula, Bedazzled, and Noah. Also, in a easier way Howl's Moving Castle and The Game.

In the book, the Truth About Stories, Thomas King sheds light on the power of stories. King explicitly enforces that one must take caution in the way he or she tells a story, since it will shape one’s thoughts, decision-making and future (2). Through the use of literature, King weaves his way through native history, anecdote by anecdote, informing his readers about the importance of storytelling. “Stories are wondrous things,” the author writes. “And they are dangerous.” (9). To prove this, King mentions two creation stories; the differences in these stories is the way in which they are told. The first is a famous native story called, “the woman who fell from the sky”; this story is told in a complex, persuasive way (10-20). This story discusses a society emphasizing the value of cooperation as the animals work together to create a better world (21-22). The second story, a Judeo-Christian biblical story, describes a Western Capitalist society. It is told in a historical, punitive and direct fashion, underlining a society of boundaries and punishment. King highlights that storytelling is not just simply telling a story, rather it is how the stories are told. King uses these particular stories to show how different stories shape people’s perspectives, which impacts their ideas, thoughts and decision making. Therefore he addresses how sensitive storytelling may be, for once a story is told, it can never be taken back (10). This is true in all realms of life, cautioning

Although stories are a universal art form, they hold a more significant role in Native American culture, and literature. This occurs due to the millennia spent in isolation from the rest of the world, and having stories as the main source of entertainment. Thomas King’s statement, “stories can control our lives,” is an important notion, because it embarks on the idea of molding the diseased into more interesting versions of themselves. The statement is prevalent in many pieces of literature which fuse reality into the imagination, and cause people to lose themselves in the fictitious realm. Native literature is all closely related, and they all hold messages within their stories that show their great culture; both the good and the bad. Story

In his story “The Lakota Way; Joseph Marshall III adequately convinces the reader to persevere through a series of stories that allows the reader to develop a personal connection with characters. Marshall achieves this by informing the reader and using formal diction. This allows his readers to experience how perseverance can have a positive impact on one’s life. Marshall teaches us that Perseverance represents a quality in human beings that allows us to be steadfast despite the difficulty. In the folk tale “The Story of the Giant,” perseverance is abundant; Marshall utilizes the skill of teaching to persuade his audience to persevere through the story. Marshall‘s unique way of writing allows the reader to take lessons from a story and influence them to use it in their own lives. From lya the giant terrorizing people to Indians having to leave their land because of the government to Marshall’s grandfather’s stories of hardship, Marshall shows his audience how the Native Americans have always had it rough but more importantly how they persevered.

There was never just one person who did all the storytelling. There were some members of the tribe who would be designated for storytelling sometimes. It was the elders who taught the children or the younger generation. The elders taught them legends, lessons, and the knowledge they would need later on in life through stories. They wanted to pass on the knowledge and wisdom of their ancestors. They wanted the younger generation to carry on the customs and never let it die. The elders never want the younger generation to forget where they come from.

How have notions of story telling or marginalization informed and challenged audiences? In your answer, you must refer to at least TWO set texts, at least ONE of which has been studied since the half yearly.

Ernesto Quinonez 's novel is very influential and gives insight into the harsh reality of being a minority in America. Quinonez also speaks on the history of the Latino culture and the life experiences. The fabricated stories based on true events, affected Latinos as well as other nationalities. This book has served its purpose and is speaking to families, friends, wives, husbands, and children on being aware and conscious of the reality that surrounds them. This novel amazed me with the political and historical content surrounding the Latino community, and it is extremely powerful as it shows independence in its own culture. The novel uses its content to bring awareness of Latino ethnic identity, their way of life, and defines social factors from within. (Barajas 2014)

What makes you different then someone else? Do you really believe that someone is different than you by the way they look? do we believe this to be true? Who’s to say we aren’t all the same? While undefined I think it is crazy how they are treated.

In Indigena as scribe: The (W)rite to remember. A Xicana Codex of Changing Consciousness Writings, Cherrie Moraga emphasizes the importance of writing, as people of color. Moraga makes us aware of how much we deny our culture, practices, and myths because we are so afraid to be like our ancestors. Although we fear this close proximity to our ancestors, to Moraga, that same proximity is what makes our narratives valuable. The fear carried within us silences us and makes us forget about the powerful voices we hold. Moraga also writes about the importance of recognizing that institutionally, we have become colonized beings and to understand this concept, can help us break away from the shackles that keep us from being who we truly are. For Moraga, it is important that we acknowledge the power that writing has. She wants us to realize that our narratives are important and we have the right to remember who we are.

In the tradition of Native American culture, there is no custom of written records of personal life or tribal history. Even though they have written language, the major way to record history is by oral storytelling. Those stories focus more about creation time, tribal and family history rather than individual life. Recording autobiography from different Native American tribes is a convention way for anthropologists to preserve the Indian traditions, which gradually decline and lost after Native American contact with Western culture. Moreover, the autobiographies of Native American individuals also fulfill the public curiosity about their culture. Nevertheless, the culture differences create the confusion and misunderstand in the written records. For the people does not familiar, and understand the Indian cosmology, the autobiography provides us as a tool to reveal the secret veil of Native American. In the same time, it leads a certain degree of deduction about the narrator original meaning.

Throughout time, storytelling has evolved and changed with society. While oral storytelling is not as prevalent as it once was, the stories that were once passed down orally have now been written and passed through generations and cultures in this manner. However, the form that the story takes has not had an effect on storytelling as a whole. Storytelling has provided a way for tellers to pass along ideas on culture, ways of life, and traditions that may otherwise have been lost. Oftentimes, stories can become convoluted after being passed on via word of mouth, yet, others keep their integrity. No matter the truthfulness of the story, storytelling has consistently been harmful due to its ability to influence the listeners’ or readers’ thinking. In this paper, I will prove that stories are inherently harmful due to the ability the teller has to influence the listener through relatable or believable stories, whether they be fact or fiction, to solidify the gender hierarchy as shown in literary stories such as Lysistrata, the Tale of Genji, and Sunjata.

For two more weeks I remained in the hospital. Three times every day a nurse brought me a tray with a meal and medication. She watched as I swallowed the tablets, but never as I ate the meal. Compared to a normal sized portion of food, what I was given in hospital would be considered small, but my stomach was far too used to rations beyond small. Most days I was able to eat almost half a plate of pasta before my stomach rebelled and decided to throw it all back up again.

Upon orders of the King of Spain and help from a beautiful young lady, Cortez is encouraged to return but won’t do so without his children. Upon telling Malinche of his decision and separation, she escapes with her two kids and is surrounded next to a lake by the men sent by Cortez. Having been inevitable to be captured, she stabs her children with a dagger to the heart and sends their bodies down the lake. Contemporary legends have transfigured the story of Malinche to attribute the legend of La Llorona. The story of La Llorona traces back to many years ago, referring to a woman of pure elegance and beauty. Having been the gem of her town, she belittles and neglects all the gentlemen with a pretentious attitude and superior ego. Claiming that she deserves, she awaits in anticipation the man made of perfection. Upon having met, they born two children but the appreciation he devotes to her has vanished. The attention and admiration has now gone to the kids and seemed to care nothing for her. After a few years, she’s insight of her husbands and kids with another

Mr. Mdeouze influenced Jose to write that incredible story. He told him enough stories to open up his imagination and produce a beautiful paper. Mr. M taught Jose the power of language. For extra credit for this class, I listened to an interesting lecture about African Storytelling. This is what Mr. M reminded me of. Traditional storytelling is usually told by adults and spoken to children about life, rewards, and consequences. The fables are usually metaphorical stories that have to do with lessons children will learn in their daily lives. While Jose listened to Mr. M’s

They way stories are told may morph, but never will storytelling cease. From their people skills to their memories, there is no argument that storytellers possess boundless talent and intelligence. They were the first educators. And now, storytelling is a large part of everyday life. The news in the morning, the gossip throughout the day, the casual response to the casual “What’s up?” – It’s all a form of storytelling. Our lives are steeped in it. In almost every conversation a story is told. At every turn a story is born. So we all are storytellers, and the world is our audience, just waiting to hear the gospel leave our