The Straight Stanza And The Tone Of The Speaker Essay

    Figurative language plays a key role in the poem, as well. The best example is  The Morning after Death,  which sounds a lot like  mourning after death.  In fact,  mourning  could even replace  morning  and the poem would still make sense. Another example occurs in the second stanza, when Dickinson uses the words  sweeping  and  putting.   By using such cold, unfeeling words when describing matters of the heart, the author creates a numb, distant tone. She really means that after someone dies, one almost has to detach oneself from the feelings of love that once existed for the deceased.

In the first stanza she simply states that just because one can’t see or have never seen something doesn’t mean that it can’t or doesn’t exist. That being said, Dickinson then says that she has not ever “spoken with God” or visited heaven in the third pair of lines (Dickinson 1273). The final set of lines says that she is “certain of the spot” (Dickinson 1273). This second stanza clearly confirms that she is confident of her place in heaven. Dickinson believes in all of these things even though she hasn’t observed any of them. (Benfey 25) This particular poem shows of her assurance of God and heaven.

“And as to you Corpse I think you are good manure, / but that does not offend me / I smell the white roses sweet-scented and growing, / I reach to the leafy lips, / I reach to the polish’d breasts of melons” (Whitman “Song of Myself” Lines 1291-1293). Whitman knows that something amazing happens to the ones who die. Emily Dickinson on the other hand, remains either apathetic or has a negative opinion on death. “Or rather, he passed us / The dews grew quivering and chill / For only gossamer my gown / My tippet only tulle” (Dickinson “Because I Could Not Stop For Death” Lines 13-16). Dickinson admits that she is afraid of death. The quivering and chill is describing that death is cold hearted, and gossamer is covering her. If death were so nice, then he wouldn’t have such a creepy image and Dickinson would be describing her trip with him like a trip through a haunted house. She is afraid of him at this point. Though Walt Whitman and Emily Dickinson may share different opinions about dying, they both know that death is inevitable and they will have their time one as well.

The narrator believes you do not have to attend church to be spiritual and that common practice can be done in a peaceful place such as the orchard in her yard. The last two lines of the poem state, “So instead of getting to Heaven, at last- / I’m going, all along” (Dickinson 639). I interpreted this as the long journey to heaven has become a huge part of her life. It is not just a look into the future, but a continuous look in the present. The symbols Dickinson uses in this poem are by far the highlight of this short piece of poetry. In the first stanza, a bobolink and orchard are used to replace things that modern churches value as sacred and holy. Those natural occurrences are used by Dickinson to show her love for nature. More examples of this are shown in the second stanza. The narrator uses her own “sexton” to call her holly time instead of a brass bell to call church service. This is important to analyze as yet another natural occurrence that highly defines the authors writing style.

Dickinson starts the first stanza of the poem with, “Because I could not stop for Death – He kindly stopped for me” (807). Clearly she was not ready to go, death simply took her by surprise and brought her busy life to a halt. This could be seen as a beautiful way to take on death because death is usually said in such a morbid tone and the fact she associated “kindly” with death makes it beautiful. The second line says, “The Carriage held but just Ourselves – and Immortality” (Dickinson 807). The author emphasizes Carriage, Ourselves, and Immortality. Dickinson seems to be talking about her own death chariot and by immortality, she believes her death is not the end, but rather as a step to eternal life.

The ensuing line states, “He kindly stopped for me” (Line 2). From this, the reader could possibly deduce that the narrator was glad to see death. Dickinson was known throughout her life to have been oddly fascinated with death and immortality, so it’s not out of the question to assume that this fascination was reflected in the narrator’s personality and was why death was welcomed. However, a more likely conclusion is that Dickinson was merely being ironic. Death is ominous as it is a leap into the unknown; we simply cannot fathom the eternity of afterlife. Taking us without consent from our lives (which we already have no power over), and thrusting us into an incomprehensible eternity is not exactly a kind act to commit, thus irony was used in this case. This further strengthens the idea that our lives are out of our control because with or without consent, death will choose to take a life whenever he pleases.

Disguised as a carriage ride, Dickinson cleverly creates her metaphor of death. The carriage starts out riding and passing beautiful, natural scenery, similar to the journey of life. The ride is described as slow, and when the carriage stops, the horses of the carriage have their heads pointed toward. Whether this "eternity" resembles Heaven or Hell, it remains unclear. This poem gives an accurate representation of the short journey's people have until

Finally in the final stanza of the poem, Dickinson remembers the horses in which she was being taken away when she died. The horses seem to be taking her into Eternity, basically an afterlife.

Dickinson gives Death many characteristics that help to shape our image of him. The line "He kindly stopped for me" in the first stanza, immediately gives a male gender (2). This male image gives the reader the traditional idea of the gentleman caller. This line also reveals a kind quality of death. The kind quality is important throughout this poem because it allows the speaker to

In Dickinson’s poem, “Because I could not stop for Death,” there is much impression in the tone, in symbols, and in the use of imagery that exudes creativity. One might undoubtedly agree to an eerie, haunting, if not frightening, tone in Dickinson’s poem. Dickinson uses controlling adjectives—“slowly” and “passed”—to create a tone that seems rather placid. For example, “We slowly drove—He knew no haste / …We passed the School … / We passed the Setting Sun—,” sets a slow, quiet, calm, and dreamy atmosphere (5, 9, 11,

This is symbolic of her looking at death as a new beginning as opposed to a sad ending. There is a feeling of disappointment as she thinks that she is going towards eternity but she just ends up viewing the “House that Seemed a Swelling of the Ground” and then centuries later, reflects upon her journey towards and eternity she didn’t witness. To Dickinson death was not something to be afraid of but to rather embrace and accept because it was inevitable, yet as in her life ends up disappointed because death leads to nothingness.

The scene the speaker is describing is her dying, lying in her deathbed. She is in her room as it is storming outside. The people around her were crying, and the speaker is making a will to leave behind, and then she dies. In the final stanza, the speaker says, "the Windows failed," which symbolizes her eyes closing, her losing contact with the world outside her, as she crosses the other side, meaning she dies at the end. Dickinson uses synecdoche in stanza II to give the readers more vivid details that we can picture and imagine in our head, to emphasize just what the people who are represented by those parts were doing and feeling at that certain point.

(14, 18). During this poem, Dickinson wants us to simply see her version of a person's trip during death. The imagery is supposed to lead us into seeing what the author is describing.

We are immediately made aware at the beginning of the poem that there is nothing out of place about this day except that they lost a family member. Dickinson was letting it be known that while the rest of the world continued as usual, they sat there in a room watching one of their suffering family members take her last breath. Death makes life different somehow. As Dickinson states, “-this to Us Made Nature Different” (lines 3,4), she tells us that when her family member died it changed them. This poem shows the raw emotion of sadness and the effect of grief overtaken her in just 6 short stanzas.

This poem clearly functions as an allegory. On a symbolic level, it was easy to grasp that this poem was a recollection of the speaker’s death. Dickinson describes this death so well it is almost as if she is writing about her own death. The main clue that this was a poem of death was that she got in a carriage with two guys whose names just happened to be Death and Immortality. Death symbolizes the passing away of the body, and Immortality represents the Christian belief that the body dies but the soul is immortal.