The Stranger By Albert Camus Research Paper

Albert Camus’s novel, The Stranger is regarded to the philosophical ideas of Existentialism, yet seems to also incorporate Absurdist tenets throughout the book that show ideals of being a unique type of individual with different actions that society disagrees with.

Everyone will die. Meursault’s awareness of death contributes to his nonchalant attitude toward every death he witness or must endure in The Stranger. Death fails to upset Meursault. In The Stranger, Albert Camus emphasizes mortality in order to expose the ignorance humanity has towards the inevitable or unknown end.

My purpose on earth is to bring peace and happiness. As of 2015, this world is the opposite of peaceful. Many people are being killed just to get education, kids are in poverty, and a plethora of international terrorism’s Martin

In his novel, The Stranger by Albert Camus, translated by Matthew Ward, irony within the protagonist’s ( Meursault ) contrasting perception of the human condition is used to illustrate and invoke the reader to question the contradictory nature of societal expectations. His indifferent and unprecedented reactions to experiences - relative to the characters that Camus laid before him - aid in displaying the absurdity of a world constrained by the chains of conventional wisdom. The contrasting nature of Meursault's demeanor in defying conventional wisdom in experiences such as love and death not only reveals the underlying hypocrisy of the human condition but further illustrates the arbitrary essence of defining a human life.

Albert Camus in The Stranger demonstrates how in French-occupied Algeria, Meursault, a French colonist, is on trial for his inconsiderate behavior in regards to his mother’s death, rather than being convicted for the murder of an Arab man. Over the course of the novel, Camus illustrates how this French-colonized society frequently takes advantage of Arabs, explicitly making note of the embedded racism during 1830 to 1962. In doing so, he makes apparent the demeaning attitudes towards Arabs; whereas Meursault does not undergo any reciprocated aggression for the crime he commits, alternatively being treated as a free man. As he internally becomes accountable for his actions, Camus insinuates how the white population is not aware of the present racial inequality until put in situations similar to those oppressed.

In the novel, The Stranger, by Albert Camus, Camus uses a variety of literary devices in order to create a moment of inward reflection from readers, in which we reflect on just how absurd our existence is. Camus expresses his critique through one major character, Meursault, and a few minor characters as well. Camus’s use of irony pushed readers to look beyond the surface, and come to the conclusion of where the irony was displayed. Camus also made use of ironic moments in order to contrast the expectations of society, to how Meursault differs from that, all to gradually expose the hypocrisy of mankind. Camus generally uses this literary device in order make us evaluate our own selves and more importantly to display the fact that we as people can be truly happy, only if we accept our fate, instead of fighting it. In a way, he’s suggesting we be more like Meursault. Examples of this would be the funeral caretaker insisting that Meursault view his mother's body, and Meursault continuously refusing. Camus does this to make people think: what exactly is wrong with Meursault not wanting to see his dead mother? Through this technique camus shows societal expectations of how people are supposed to mourn lost, and certain responses to lost are deemed abnormal. Thus Meursault’s lack of grief automatically made him an outsider. Other uses of irony can be shown through Meursault's interactions with the chaplain, and the authority involved in his criminal case played out later on in the

Flat characters play a significant role in all novels. For instance, the brother of Raymond’s mistress is a key flat character. The Arab never grows throughout the novel; rather, he remains a stalker, stalking his prey, tempting a fight. Without the role of the Arab, Meursault, would never have gone to prison, and never be tried for murder.

In The Stranger, author Albert Camus involves the sun throughout the novel in order to display mans vulnerability. He presents the sun as a powerful, unfortunate influence on main character, Meursault and describes him as a simple minded, easily influenced, mellow individual. The Main influence in Meursaults’ life is the sun. Meursault is bothered by it however he does not make much of an attempt to stop or ignore it. He simply permits the suns heat, accepting it and affirms his personality. Becoming vulnerable is basic however with a more vigorous charisma, persuasion can be avoided. However an able source such as the sun, Camus establishes is a little more difficult to avoid.

The French philosopher Roland Barthes once said, “Literature is the question minus the answer” (Barthes 2). This statement hold true for most works of literature that explore a central question. According to Barthes, literature often raises a question, but leaves it up to the reader to determine the answer. The Stranger by Albert Camus is an excellent example of how a central question, “Is there value and meaning to human life?” is raised and left unanswered, resulting in different interpretations of the answer, depending on the viewpoint of the reader. Although the question is never explicitly answered, Camus offers perspectives on what French society regarded the answers to be, such as connections with others, elusion to freedom, and faith in religion and God.

In the novel, The Stranger, author Albert Camus confronts some important issues of the time, and uses the singular viewpoint of the narrator Meursault to develop his philosophy and effectively weave together themes of absurdity, colonialism, and free will. Through the progressive disruption of Meursault’s life and his characterization, Camus presents the absurdity of the human condition along with the understanding that a person can actually be happy in the face of the absurd. Camus also intentionally sets the story in the colonized country of Algeria, and hints at the racial tensions that exist between French-Algerians and Arabs.

In The Stranger by Albert Camus, the main character, Meursault, is an absurdist who lives in the moment and refuses to be distracted by societal norms. He views the world as random and is indifferent to it. But to many French people living in Algeria, religion, social order and character are intertwined and are imperative to human life. Camus uses the crucifix and the courtroom to convey the idea that religion is man’s desperate attempt to create meaning in life where there is none.

Many people often base their opinions on a person by judging his whole life in general and his attitude towards life without caring about who the person really is deep down inside. This unfair reasoning can occur in the courtroom when people are put on trial and the judge and the jury must delve into the life of the accused and determine if he is a hazard to society. Occasionally, the judge and jury are too concerned with the accused’s past that they become too biased and give an unfair conviction and sentencing. In his novel, The Stranger, Albert Camus uses the courtroom as a symbol to represent society that judges the main character, Meursalt, unfairly to illustrate how society forms opinions based on one’s past.

In The Stranger, Albert Camus allows the main character to tell the story in order to give the reader an experience of his own. Obviously, with a novel also comes language, which Camus incorporates cleverly as a way to indirectly illustrate Meursault’s thoughts about certain situations. Although the novel represents a postmodern setting, the author shifts the overall meaning. In The Stranger, Camus applies a unique literary style as a power that deflects blame from Meursault, the antiheroic character. In order to disclaim the fault of Meursault, Camus incorporates several instances in which he leaves a greater sense of authority to nonliving objects, while further drawing attention away from the main character. Based on the implication of

The novel The Stranger, by Albert Camus, translated by Matthew Ward, follows the story of a man, Meursault, and how his emotionless way of living and his one grave mistake ends up killing him through a court of law. Throughout his journey, there is tension in him, and between him and other people and groups. This tension is represented throughout this novel with the motif is heat. And as tension can grow and is part of everyday life, it is part of Meursault’s as well. Furthermore, through tension and it growing, it can result in a conflict of multiple varieties. This motif comes up at scenes such as the trial in the courtroom, the conflict on the beach with the Arabs, and the magistrate and his heated argument. And due to Camus specific placement of the motif during these scenes, it also foreshadows conflict and trouble throughout the novel. Camus’ motif of heat shows a tension between opposing sides to foreshadow various types of conflict which demonstrate the theme that tension leads to conflict.

Widely recognized for philosophical writings as a French essayist and playwright, Albert Camus is a major contributor to exploring the absurd in modern Western literature. Characterized by highlighting the human condition, Camus’ writing style focuses on the everyday lives and inner psyche of individuals in both ordinary and extraordinary circumstances. Such a character-driven writing style is most notably displayed in his 1946 work, The Stranger, a tale of an emotionally-detached man known as Meursault, who lives in French-colonized Algiers during the intermission of the two World Wars. Consisting of two parts—The Stranger first explores his daily life as a free man, and in the second, delves more into the character’s own philosophy as Meursault contemplates during his remaining time in jail. At its core, the story explores the relationships and interactions of the odd Meursault through the character’s inner monologue and dialogue with those around him. The story itself is very ambiguous in its’ nature, and the idea of contemplating the meaning of life and purpose is prevalent throughout The Stranger. Evidently, Camus writes Meursault as a man who believes that life has no meaning, and therefore people are free to do as they please. To supplement the protagonist’s view, the author also presents Meursault alongside various personalities of key supporting characters, each with their own unique personality, and differing outlooks on life. Doing so thus enables Camus to get readers to contemplate about meaning through multiple perspectives. Stylistically, through many devices that emphasize diction, imagery, and story themes. Ultimately, The Stranger is a way for Camus to convey that there are multiple ways to perceive the meaning of life, using Meursault to directly project a different view than what readers are used to. Surely, with the intent of crafting a protagonist so strange, that Meursault becomes comparable to other characters; less so as a reflection of what the author personally believes the meaning of life is, but more of what such exploration of the idea could be.