The Stranger by Albert Camus

“The Stranger” by Albert Camus follows the story of an apathetic and withdrawn man, Meursault, as he easily cruises through life with the belief that he is indifferent to the universe. The novel begins with Meursault receiving news that his mother had passed away. Immediately after traveling to the funeral, and not showing an ounce of emotion, Meursault engages in an unemotional relationship with a woman named Marie. His moral bankruptcy and emotionally detached demeanor stays constant throughout the majority of the novel, even after committing murder and being sentenced to death. In fact, as a consequence of his sentencing Meursault has an epiphany and realizes that the universe is irrational and therefore indifferent to human life. This theme

The Stranger by Albert Camus is a novel about a man named Meursault who sees the world as a place of no hope for the living human being. The setting of the story takes place in 1940s Through Meursault’s selfish behavior, he goes through a series of events that are formed by his nonchalant attitude. On one day in particular, when he's out with a couple of friends he decides to shoot an Arabian man and soon after being charged guilty of murder. Camus is an Existentialist philosopher, but also an Absurdist as well. Existentialism focuses on free will and expressing the individual to be oneself to choose their own actions. Existentialist’s tend to back out with the belief

I didn’t think I would like this book simply because I knew that it has existentialist themes which I was never fond of. Rosencrantz and Guildenstern was confusing and I probably would have liked it more if I saw it live as an actual performance. However, I do like how Meursault has clear actions and thoughts even though I don’t believe in all of them. Like when he is pretty much indifferent to Raymond’s abusive nature. But somehow he pitties Salamano’s dog. That whole point is confusing to me like I don't understand if Meursault is just bad at seeing the similarities or what.

Finding the meaning of life has been an endeavor undertaken by countless philosophers with almost no uniformity from their answers. Ranging from promises of eternal life, to the belief that life has no meaning at all, Albert Camus, a French philosopher, offers his own unique view on the matter. In Camus’ novel The Stranger, he uses the beach scene where Meursault, the main character, kills an Arab in order to signify that life definitely has a meaning at times, albeit with absurd implications.

Scientist are researching genetic modification for many reasons. Some people think we are not good enough the way we are, and want to create a ‘perfect’ person. We have been given the ability to learn how to heal sickness and fix wounds with science. However, we have a responsibility to use this information wisely. We have been created with unique gifts and those gifts are important to the enhancement of life. Likewise, while researching about the Author of “The Perfect Stranger”, Amy Sterling Casil, I have discovered that she also has similar feelings about the gifts that we have all been given. We need to consider a few things as we review Casil’s story “The Perfect Stranger”. First, medical advancement is a great thing. Next, we need to make sure we are taking responsible steps while advancing and not creating even more division in our society. And lastly, we need to make sure we don’t lose our diversity and unique qualities. Although, some people believe genetic modification is what we need to better the human race, in actuality genetic modification can be dangerous, because overstepping our boundaries will produce something that is no longer authentic or that is unable to relate on a genuine level.

In his novel, The Stranger by Albert Camus, translated by Matthew Ward, irony within the protagonist’s ( Meursault ) contrasting perception of the human condition is used to illustrate and invoke the reader to question the contradictory nature of societal expectations. His indifferent and unprecedented reactions to experiences - relative to the characters that Camus laid before him - aid in displaying the absurdity of a world constrained by the chains of conventional wisdom. The contrasting nature of Meursault's demeanor in defying conventional wisdom in experiences such as love and death not only reveals the underlying hypocrisy of the human condition but further illustrates the arbitrary essence of defining a human life.

Sitting across from a petite Chinese woman, a reparative therapist my mother found for me, I confided in her that I did not see any point to my existence. I explained to her that according to my church and family my purpose on this terrestrial ball was to serve God and that instead my “lifestyle” was serving Satan. Pouring out my heart, I told her that I did not want to live anymore if just being alive sentenced me to hell. She candidly responded, “Well enjoy your life the way you want and then go to hell.” Heart-broken I smiled, said thank-you, and left her office. Later that night, I went to the garage and tried to hang myself. Soon after, I began a journey to search for the meaning of my existence.

In the novel, The Stranger by Albert Camus, Meursault the protagonist, becomes drawn into a “senseless” murder that has to face the absurdity of life and because of his actions, Meursault is presented as a danger due to his lack of “morality” to society. Meursault who is not able to take control of his life but respond to what life offers him believes in the simplicity of life. He tries to understand the living through logic and objectivity, which ultimately turns futile, as he himself cannot maintain proper control over his thoughts and emotions. From the interactions between Marie, to the murder of the Arab, and the meeting with the Chaplain, Meursault overcomes his indifferent views to form an opinion about what life really means. The central theme presented by Camus is how the threat of mortality becomes a catalyst for understanding the significance of life.

In The Stranger, author Albert Camus involves the sun throughout the novel in order to display mans vulnerability. He presents the sun as a powerful, unfortunate influence on main character, Meursault and describes him as a simple minded, easily influenced, mellow individual. The Main influence in Meursaults’ life is the sun. Meursault is bothered by it however he does not make much of an attempt to stop or ignore it. He simply permits the suns heat, accepting it and affirms his personality. Becoming vulnerable is basic however with a more vigorous charisma, persuasion can be avoided. However an able source such as the sun, Camus establishes is a little more difficult to avoid.

Meursault was introduced as a young man whom recently found out his mother, Maman, died. He was not the most emotional person, but he dealt with his feelings the best he knew how. Meursault lived his life on the verge of truth and honesty. He was honest within every aspect of life, from women to freedom. He was never certain about anything in life ,but one thing he was sure of, death was inevitable. After murdering an Arab, he was on trial in front of many people being interrogated with many questions about why he did what he did, but also to evaluate his psyche about the situation. Unlike others, Meursault did not hide from the truth and that is what others could not cope with. Living his life the way others were afraid to, Meursault was the outcast in his society.

The French philosopher Roland Barthes once said, “Literature is the question minus the answer” (Barthes 2). This statement hold true for most works of literature that explore a central question. According to Barthes, literature often raises a question, but leaves it up to the reader to determine the answer. The Stranger by Albert Camus is an excellent example of how a central question, “Is there value and meaning to human life?” is raised and left unanswered, resulting in different interpretations of the answer, depending on the viewpoint of the reader. Although the question is never explicitly answered, Camus offers perspectives on what French society regarded the answers to be, such as connections with others, elusion to freedom, and faith in religion and God.

Many people often base their opinions on a person by judging his whole life in general and his attitude towards life without caring about who the person really is deep down inside. This unfair reasoning can occur in the courtroom when people are put on trial and the judge and the jury must delve into the life of the accused and determine if he is a hazard to society. Occasionally, the judge and jury are too concerned with the accused’s past that they become too biased and give an unfair conviction and sentencing. In his novel, The Stranger, Albert Camus uses the courtroom as a symbol to represent society that judges the main character, Meursalt, unfairly to illustrate how society forms opinions based on one’s past.

The novel The Stranger, by Albert Camus, translated by Matthew Ward, follows the story of a man, Meursault, and how his emotionless way of living and his one grave mistake ends up killing him through a court of law. Throughout his journey, there is tension in him, and between him and other people and groups. This tension is represented throughout this novel with the motif is heat. And as tension can grow and is part of everyday life, it is part of Meursault’s as well. Furthermore, through tension and it growing, it can result in a conflict of multiple varieties. This motif comes up at scenes such as the trial in the courtroom, the conflict on the beach with the Arabs, and the magistrate and his heated argument. And due to Camus specific placement of the motif during these scenes, it also foreshadows conflict and trouble throughout the novel. Camus’ motif of heat shows a tension between opposing sides to foreshadow various types of conflict which demonstrate the theme that tension leads to conflict.

The essay “The Naked Face” written by Malcom Gladwell is about the ability of recognizing the meaning behind someone’s facial expressions. He starts the essay with a life or death situation between an inner city police officer and a suspect that both are pointing guns at each other. The officer clearly has the right to shoot the suspect, but decided not to base on a hunch that the armed suspect was not a threat (Gladwell 24). Gladwell then demonstrates that the police officer is one out of a thousand people that scored really well on a psychology test to determine if someone is lying or telling the truth based on facial expressions (Gladwell 59). Gladwell’s essay then continues with

Widely recognized for philosophical writings as a French essayist and playwright, Albert Camus is a major contributor to exploring the absurd in modern Western literature. Characterized by highlighting the human condition, Camus’ writing style focuses on the everyday lives and inner psyche of individuals in both ordinary and extraordinary circumstances. Such a character-driven writing style is most notably displayed in his 1946 work, The Stranger, a tale of an emotionally-detached man known as Meursault, who lives in French-colonized Algiers during the intermission of the two World Wars. Consisting of two parts—The Stranger first explores his daily life as a free man, and in the second, delves more into the character’s own philosophy as Meursault contemplates during his remaining time in jail. At its core, the story explores the relationships and interactions of the odd Meursault through the character’s inner monologue and dialogue with those around him. The story itself is very ambiguous in its’ nature, and the idea of contemplating the meaning of life and purpose is prevalent throughout The Stranger. Evidently, Camus writes Meursault as a man who believes that life has no meaning, and therefore people are free to do as they please. To supplement the protagonist’s view, the author also presents Meursault alongside various personalities of key supporting characters, each with their own unique personality, and differing outlooks on life. Doing so thus enables Camus to get readers to contemplate about meaning through multiple perspectives. Stylistically, through many devices that emphasize diction, imagery, and story themes. Ultimately, The Stranger is a way for Camus to convey that there are multiple ways to perceive the meaning of life, using Meursault to directly project a different view than what readers are used to. Surely, with the intent of crafting a protagonist so strange, that Meursault becomes comparable to other characters; less so as a reflection of what the author personally believes the meaning of life is, but more of what such exploration of the idea could be.