The String Quartet

In Tabuh Pisan, there are homophonic textures as well as monophonic textures because the solo instrument is not accompanied as it plays in the introduction, however the Gamelan melody later dominates it by playing the melody and is accompanied by the Kendang rhythm. In the Beethoven Symphony, the textures are monophonic, homophonic and polyphonic. Monophonic texture is seen when the melody is introduced by one instrument. It is also homophonic because there are single melody lines that are accompanied by other instruments. However, when it plays a fugue or canon, the texture is polyphonic because there are two melodies present at one time. Thus both pieces show changes of

The first movement of both pieces start off in their own unique way. Haydn’s work begins stridently with a quick timpani strike accompanied by the strings, then is followed by a toned-down melody in C-minor. The second theme of Haydn’s first movement is more jovial sounding and is in C-major. After the

          Haydn has a special preference for writing music in a bundle of six. Each of the six pieces has its individuality while sharing many common features at the same time. Haydn’s solo keyboard sonatas show striking diversity in type and style. They often could be categorized by their style periods and each of them reflects a corresponding social background.

The symphony is in four very powerful and entertaining movements. The first movement begins in the pianissimo tone with the strings section, but quickly enters the fortissimo tone with the introduction of the woodwind, brass and percussion sections. The dynamics of the musical melody varies throughout the movement moving from crescendo to decrescendo modes. The first movement reminds you of a raging storm from soft blowing winds to thunder and lighting. The audience is mesmerized by this first movement of the sonata.

The Green Violinist by Marc Chagall is the work of art I am going to analyze. The Fiddler aka The Green Violinist is the main figure in this painting. He stands out more than any other figure. In this painting, The Green Violinist is on the roof of a house. Marc Chagall uses scale and proportion when making this painting. The angle of this artwork makes The Fiddler resemble a giant but he is not.. He doesn't seem connected to other figures in the painting. He looks like an outcast and doesn't fit in. In the background, I see a dog and his companion playing in the backyard. I also see a person in the sky "flying" and someone is trying to reach for them.

While Ludwig van Beethoven and Peter Ilyich Tchaikovsky have much in common, they also have many differences. Both men are famous for their orchestral compositions and their future influence on other composers. They experienced a blend of horrible failures and great successes. Although they were from different musical time periods, they both made huge contributions to the world of music.

“A Music Faculty Recital” at Prince George 's Community College was actually the very first concert I’ve been to that included Baroque style. The environment created a nostalgic yet modern and elegant mood; something that made you feel like you were in the late 1700’s yet still in modern times. The songs were mostly enjoyable and we 're all well played. This concert included an ensemble: the flute, the cello, the piano, and the harpsichord. Peggy Bair, who played the flute, was very enthusiastic. Irma Cripe, who played the cello, was quiet for the first part of the concert but gradually became more important throughout the concert. And lastly, the virtuous Gary Kirkeby, who played the piano and harpsichord, served as the backbone of all parts of the concert and made this concert very enjoyable.

Haydn composed his Op. 74 quartets in the later years of his life between 1796 and 1797 and it was the last of his completed string quartets. The set of quartets were dedicated to the Hungarian Count Joseph Erdödy and were published in 1799. It was said that this selection of quartets was one of his “most ambitious chamber works” with his attempt of “emphasizing thematic continuity, seamlessly and continually passing motifs from one instrument to another” 1. The fourth of these quartets is nicknamed “Sunrise”. This is due to the exquisite rising theme heard in the first violin part at the beginning of the first movement from bar one to bar four as seen in Figure

Music is constantly changing. The Baroque period (1600-1750) and the Classical period (1750-1820) have both differences and similarities in elements such as form, texture, and dynamics. I will be comparing the first movement of Spring from the Four Seasons composed by Antonio Vivaldi and the first movement of Symphony No. 5 in C minor by Ludwig van Beethoven. I will construct a stylistic comparison of the two compositions and their musical stylings with regard to the periods of music of which they belong.

•There wasn't a fixed, standard orchestral group. Ensembles were usually composed of strings, a few woodwinds, percussion, and the harpsichord providing the basso continuo.

In classical music, the structures emphasize more the grace of proportion and balance, moderation and control; polished and elegance in character with expressiveness and formal structure held in perfect balance. Furthermore, the forms do not vary as much as the Romantic era, they had forms like sonatas, symphonies etc. The melodic phrases are usually balanced and symmetrical made up of two phrases of the same length. For an example, in Mozart's Clarinet Quintet, the music is very symmetrical and well balanced, in a variation form. However, in Romantic music, they rather emphasize on the emotional content than trying to sound balanced and symmetrical, and expanded their use of forms and created new forms, like impromptu, ballade, etude, nocturnes etc,. Moreover, the melodies normally have either really long or short phrases, increased in range, but also increased in chromaticism. For example in Mahler's symphony no.1 in D major "Titan", we can see that except it is in a ABA form, the whole movement was not as symmetrical and well balanced as the Mozart, although it is in a variation form, the melodic phrases have increased in range, are either really long, for example in the first 18 bars, or really short, where the melody can be hardly seen in bar 134-137.

Music during the Baroque era was regarded as a powerful form of communication that could invoke any emotion in the audience members. This philosophical belief was derived from a revival of the ideas of the Greco-Roman culture. As a result of these ideas, composers believed that they could also affect their listeners through the power of melody, harmony, rhythm, and stylistic details. The emphasis on communication was reflected in the major styles and components that were used throughout Baroque compositions. Baroque music is characterized by the composers’ attention to detail, such as contrast in dynamics, ornamentation, and the emphasis on bass line. These characteristics of the Baroque era of music are reflected in Antonio Vivaldi’s compositions. Known as one of the most popular pieces in Baroque repertoire, Vivaldi’s The Four Seasons reveals how composers of the Baroque period used different techniques, such as ritornello and contrast, to invoke emotion through the powerful communication of music. The Four Seasons perfectly represents the Baroque period because of Vivaldi 's style, techniques, and theme.

When the performance will upcoming, no one walk around, no one to eat and chat, no one use the cell phones. On the stage, performers were wearing black clothes and shoes. They debug with instruments by themselves, or sit quietly wait for the show to start. And then the conductor makes a short description about the performance. As for this concert paper I would like to focus on Symphony No. 1 in C Major. It was Beethoven 's first symphony genre works, and linking the romantic and classical styles. It built in 1800. The main melody is based on the flute and oboe. The first movement is Adagio molto - Allegro con brio. Beginning with slow teases. The first theme of a dance, vice theme is beautiful oboe and flute repartee. After the beginning, the melody change to powerful and variation. It only a little of melody do not have harmony. In general, violin and viola play first, and then it will add flute and oboe. The second movement is Andante cantabile con moto. It is built around a simple theme of the sonata allegro musical form of development and expansion. There are a lot of decorations in main theme. The third

Beethoven’s symphony No. 5 in c minor, Op. 67, I has four movements allegro con brio, andante con moto, scherzo allegro, and allegro. The first movement is a sonata that contains a motif and fortissimo phases using imitation and sequence with a constant flowing melody. The second movement contains two themes in alternation. The first theme starts later followed by the second which later dies of as a third theme is born followed by fortissimo The third movement contains a scherzo and trio and is in ternary form the theme is immediately stated and continually gets revived. The fourth and final movement starts immediately after the third and is a variation of a sonata. The piece has strong cadence and recapitulates only to finish in an extremely

String section and basso continuo central to the orchestra. Other instruments are occasional additions. Standard group of four sections: strings, woodwinds, brass and percussion. Different instruments treated individually.