The Structure of Hawthorne's Young Goodman Brown Essay

Due to his naivety, Goodman Brown continues on his journey with the stranger, to spite what Faith and his instincts tell him, which ultimately turns him into a corrupted man. When the reader first meets Goodman Brown he is departing from his young wife, Faith. Faith urges young Goodman Brown to stay with her and not go on his journey but he refuses, assuring her that his journey is one of no real danger: "'A lone woman is troubled with such dreams and such thoughts, that she's afeared of herself, sometimes.' […] 'My journey, as thou callest it, forth and back again, must needs be done 'twixt now and sunrise'" (620). Faith tells Goodman Brown about nightmares she has been having and how she wishes that he will stay beside her. Goodman Brown ignores her warnings and continues on his journey as if it is just a trip to the grocery store. After meeting the stranger, Goodman Brown inquires about turning back but the stranger has other ideas in mind: "' Let us walk on, nevertheless, reasoning as we go, and if I convince thee not thou shalt turn back, We are but a little way in the forest yet.' 'Too far, too far!’ exclaimed the Goodman, unconsciously resuming his walk" (621). The stranger wants Goodman Brown to continue on his path, and even though young Goodman Brown desires to turn back towards Faith, he is easily swayed to keep walking with the stranger. Hawthorn says he "unconsciously" resumes his walk,

    In "Young Goodman Brown," Nathaniel Hawthorne, through the use of deceptive imagery, creates a sense of uncertainty that illuminates the theme of man's inability to operate within a framework of moral absolutism.  Within every man there is an innate difference between good and evil and Hawthorne's deliberate use of ambiguity mirrors this complexity of human nature. Hawthorne's Young Goodman Brown, is misled by believing in the perfectibility of humanity and in the existence of moral absolutes. According to Nancy Bunge, Hawthorne naturally centers his story upon a Puritan protagonist to convey the "self-righteous" that he regards as the "antithesis of wisdom"(4). Consequently, Young

Brown as a very, very round character. As Goodman meets the fellow-traveller in the woods, he sizes him up, along with  his cane:

Goodman Brown, a young man who was only married for three months, left his home and his wife, Faith, to go into the forest and spend the night on some mission that he will not explain. Even though Faith has strong feelings about his journey and begs him not to leave, Brown has made his decision and leaves everything behind.

The power of imagination makes us infinite, and when it is dulled, one can feel trapped. Only after freeing ourselves, can we understand the beauty of a creative mind. Nathaniel Hawthorne explains how he also had to get back in tune with his imagination after not using it for years while working at the Custom House. Hawthorne draws a very well sketch of the boring life at the Custom House, and how after his head was “cut off” he got the mindset to be able to write the Scarlet Letter. In this long introduction to the Scarlet Letter, Nathaniel Hawthorne uses rhetorical devices to describe character traits, show relationships between characters, hint at future events, and enrich the plot for the reader's enjoyment. With his effective use of imagery, symbolism and biblical allusions, Hawthorne adds depth to the novel while creating a connection to the meaning beyond the story that it tells.

Young Goodman Brown is a short narrative written by Nathaniel Hawthorne. Just like many of his other works, the story is set in the 17th century Puritan New England, and the author primarily addresses the puritan beliefs at the time which state that humanity exists in a state of degradation and God holds some unconditional love to humans by giving them unmerited grace. “The author mainly focuses on underlying tensions within the puritan way of life” (Jaynes, 2006). He thus uses symbolism to showcase the story of Young Goodman Brown’s journey. The main character delves deep into self-scrutiny and ends up losing his beliefs and virtue.

When analyzing an allegory like "Young Goodman Brown", the reader must realize that the story is in its entirety, a symbol. Hawthorne, through his writing is trying to convey the contradicting aspects of the Puritan ideology. This is made evident after discovering that Goodman's father burned an Indian Village and his grandfather lashed a Quaker woman. By Hawthorne including these acts of violence, he is revealing that the

Hawthornes stories to say the least are different in theme but interesting to read and try to understand. These stories are interesting for many different reasons but one of these reasons is the use of framing devices in his stories. Stories such as “Young Goodman Brown” and “Ethan Brand” are my favorite for this reason. Although these stories have their own actually theme and setting and plot there is a sub story attached to these framing the outside of the main idea. Hawthorne uses these to keep the audience’s attention, making us think of what the sub story.

Secondly, “a spontaneous overflow of powerful feelings” is Abrams’ next criterion for romantic writing. And for a certainty there is considerably much of this in “Young Goodman Brown,” especially as the climax approaches.

“Young Goodman Brown” by Nathaniel Hawthorne is a complex tale with many hidden meanings and themes. Hawthorne uses literary devices to propel his story further into speculation of the unknown world. In his essay, Fogle uses examples of irony and symbols of opposites to convey the mystery behind Hawthorne’s “Young Goodman Brown.” Without both ambiguity and clarity, the story would not portray an atmosphere of doubt which is at the core of Hawthorne’s tale.

Darkness, confusion, and terror are some words that come to mind when thinking of the setting in this writing piece. The story has a way of getting the theme across that seems very extreme, partly with its vast use of symbolism. The tale comes down to a single central theme. The story “Young Goodman Brown” by Nathaniel Hawthorne shows that anyone is susceptible to a change in beliefs, and everyone's lives can be affected from the act of being caught off guard.

     Nathaniel Hawthorne utilizes symbolism throughout his short story Young Goodman Brown to impact and clarify the theme of good people sometimes doing bad things. Hawthorne uses a variety of light and dark imagery, names, and people to illustrate irony and different translations. Young Goodman Brown is a story about a man who comes to terms with the reality that people are imperfect and flawed and then dies a bitter death from the enlightenment of his journey through the woods. Images of darkness, symbolic representations of names and people and the journey through the woods all attribute to Hawthorne's theme of good people sometimes doing bad things.

Ronan states Goodman Brown is “both a Hawthorne and a son of Burroughs—“ the holy man” whose hanging is portrayed in “Main-street” as the ultimate symbol of the witch trials’ injustice”( Ronan 279). As Goodman Brown continues to walk with this older man he starts to get nervous say “too far too far!’ exclaimed Goodman, unconsciously resuming his walk” (Hawthorne 388). Although Goodman Brown knows what he is doing is wrong, he continues walking in the woods with the traveler. Goodman Brown states “My father never went into the woods on such an errand, nor his father before him. We have been a race of honest men and good Christians, since the days of the martyrs. And shall I be the first of the name Brown, that ever took this path”(Hawthorne 388). Again, the importance of family history in the role of guilt regarding Puritan values and practices emerges as the traveler enlightens Goodman Brown about his father and grandfather. The traveler states “ I helped your grandfather, the constable [lash a] Quaker women smartly through the streets of Salem...I brought your father a pitch-pine knot, kindled at my own hearth, to set fire to an Indian village, in King Philip’s war” (Hawthorne 388). This is also the first time when the reader sees the traveler as more than a normal man, but the devil.

Whether Faith obeyed, he knew not. Hardly had he spoken, when he found himself amid calm night and solitude, listening to a roar of the wind, which died heavily away through the forest. He staggered against the rock, and felt it chill and damp, while a hanging twig, that had been all on fire, besprinkled his cheek with the coldest dew.

Goodman Brown’s conflicts of interest are represented throughout story through the characters. All his evil desires are his id and his reason for avoiding his sin such as the views that his society will have on him is his ego.  Levy said in his essay “The Problem of Faith in “Young Goodman Brown””, “His submission to evil suggests that the demands of the id have overtaken the ego” (379). When the highly respected people in his