The Struggle Of Women In The Epic Of Gilgamesh

The earliest surviving literary work, dating from 2100 BC in the Sumerian city of Uruk, The Epic of Gilgamesh tells the story of a hero’s journey to immortality. The Epic of Gilgamesh, written by the Sumerians in their akkadian text and translated by George Smith in the early 1870s, follows the main character Gilgamesh, the unjust and cruel king of Uruk, and his friend Enkidu on their journey to achieve greatness in which Enkidu dies, prompting Gilgamesh to seek immortality. In the story, Enkidu’s character serves as a foil to show and exaggerate Gilgamesh’s immorality and bravery.

Furthermore, the boundary between men and the gods is separated by a thin line of mortality. Utanapishtim’s wife shows that Gilgamesh cannot cross that line. Also, Ninsun's wisdom keeps Gilgamesh in check and shows women's power of knowledge. When Gilgamesh dreams of meteors and axes, the goddess Ninsun, Gilgamesh's mother knows exactly what is going on. Here, Ninsun gives Gilgamesh the exact thing that will keep him in his place. Only a woman could do that. When Gilgamesh asks Utanapishtim how to get immortality he responds, "You only must prevail against sleep for six days and

The Epic of Gilgamesh follows a tale of two brothers tasked with defeating an all-powerful beast, yet they aren’t the most important characters in this story. Without their wisdom and guidance, Gilgamesh and Enkidu’s journey would have ended a lot sooner, and Gilgamesh would have still rampaged in Uruk, never bringing peace to those who were below him. Aruru, Shamhat, Ninsun, Ishtar, Siduri, and Utanapishtim’s wife all contribute to Gilgamesh’s journey, and in the end, provide Gilgamesh with the necessary tools in order to transform his character. These women in The Epic of Gilgamesh are essential to the plot, and provide both wisdom and perfection, but can also bring temptation and destruction if given the power to do so.

For thousands of years there has been a strong distinction between the roles of men and women. Often times in stories there will be women that are only mentioned for their beauty and charisma. Hardly ever will you see pages upon pages being spent talking about the true character and accomplishments of women characters. Even though stories like The Epic of Gilgamesh and the Book of Genesis were written thousands of year ago, (when stories were told mostly told from a males perspective) the light shined on women in the texts show them as wise, strong, and greatly influential beings. In The Epic of Gilgamesh and the Book of  Genesis, the writer shows the women as bringers of knowledge,  guidance, and care to the men in the texts that are lacking thereof.

About 2700 years ago there lived a king by the name of Gilgamesh who ruled the city of Uruk in Mesopotamia now known to us as modern day Iraq. Parts of his life are written on clay tablets believed to be the oldest existing written story of a man’s life. (XI). “The epic of Gilgamesh”, is the story of his quest for eternal life. In this paper I will be writing about the influence that the women in his life have played in his quest.

This journal article examines 3 versions of the Gilgamesh Epic: the Old Babylonian version; the Eleven-Tablet version; and the Twelve-Tablet version. Though all 3 versions deal with the issues and choices of human beings and also with the inescapable issue of Death, the 3 different versions focus on 3 different aspects of Gilgamesh. The Old Babylonian version is the oldest, probably written during the Old Babylonian Period of 2003-1595 BC, and focuses on the fight of hero vs. man. The Old Babylonian version was circulated in the Near East and underwent many revisions. One of those revisions was the Eleven-Tablet version, which focused on the fight of hero vs. king. The Eleven-Tablet version, written in the later second millennium, adds to the beginning and end of the Epic, plus the Utnapishtim meeting, and shows the Gilgamesh-Ishtar passage that was added in Tablet 6. Another revision of the Epic was the Twelve-Table version, which focused on the fight of hero vs. god. The Twelve-Tablet version adds a translation of the second half of "Gilgamesh, Enkidu and the Netherworld" and changes the nature of the Epic by showing a conflict between Gilgamesh's two identities as god and man, and the rules controlling life in the

In the “Epic of Gilgamesh” translated by N.K. Sanders, Gilgamesh completes a series of many challenges and obstacles, fulfilling the conditions of an archetypal quest story. In order to fulfill an archetypal quest story, the hero or protagonist must complete a series of hurdles, on their way toward achieving their goal. In the “Epic of Gilgamesh”, Gilgamesh hunts for his main obsession, immortality, while he battles off monsters, with the help of some friends. Sensing Gilgamesh embraces too much power, the gods create a friend for Gilgamesh named Enkidu in the hopes of lessening Gilgamesh’s power. Enkidu and Gilgamesh turn out to be best friends after Enkidu loses a wrestling match

The Epic of Gilgamesh chronicles the life of the great warrior and hero Gilgamesh. Gilgamesh is not great hero because he is moral. In fact he is feared because "a goddess made him, strong as a savage bull, none can withstand his arms" (1). This phrase underlines the terrible power of femininity, in the view of the Mesopotamian culture that produced the text. On one hand, the female principle is responsible for creation. On the other hand, the female principle also has the ability to destroy: the epic takes a largely dim perspective of humanity, and often, by extension of women, because the source of all creation is a goddess, Aruru. Aruru creates but she also generates suffering.

In "The Epic of Gilgamesh" it seem like the women have all the power. The women have great influences on the men. In "Gilgamesh" sex plays an important role, and it also seems that sex has a hold on Gilgamesh and also Enkidu - not just a hold on them, but more of an addiction throughout the story of Gilgamesh. In the beginning of the story, Gilgamesh has a great lust that leaves "no virgin to her lover, neither the warrior's daughter nor the wife of noble men. To me, the lust in Gilgamesh's heart makes him a very selfish person. I think what makes Gilgamesh a selfish person is because the gods made him perfect, he was beautiful and strong as a savage bull and everyone feared Gilgamesh. Gilgamesh knew he had power so he abused it, because

“You will never find that life for which you are looking. When the gods created man they allotted him death, but life they retained in their own keeping,” Siduri talking to Gilgamesh. (Gilgamesh 4). The epic of Gilgamesh has an abundance of parallels to the trial and tribulations of any human life. Gilgamesh’s story is humanities story of life, death, and realization. The awaking of Gilgamesh from a childish and secure reality connects my own life experiences to the epic tale.

The Epic of Gilgamesh has its place as one of the first examples of epic poetry in recorded history. The epic describes the adventures of the demigod-king Gilgamesh who, after the death of his close friend Enkidu, seeks immortality but is ultimately unsuccessful. This story arc is not dissimilar to those found in the epics of the ancient Greeks centuries later. This excerpt from The Epic of Gilgamesh clearly demonstrates Gilgamesh’s reckless lust for pride and fame at all costs.

After seeing his friend died, Gilgamesh was not confident of his immortal life. He found himself being scared of dying. The death of Enkidu drove him to search for the power of immortal life and this took him on a long journey. Gilgamesh’s journey was not like a normal journey. In his

“Who says Gilgamesh ever died?” (Ziolkowski 57). The Epic of Gilgamesh has remained a widely read story throughout the years. The Epic of Gilgamesh is a story of an imperfect hero on a journey for everlasting life. It features Gilgamesh, the king of Uruk, and Enkidu, a wild beast man, on a journey of heroic quests and misadventures. This story has inspired many new literary and visual works in many languages; it has also inspired modern archeologists to learn all about the ancient city from the epic.

All throughout history, the role that women play have been overlooked and not thought of as being as important as the men. In reality, the world could not possibly go round if it wasn't for the women and the minor, but crucial roles they play. Although the women in the Epic of Gilgamesh had minor roles, their roles were definitely important. The women, who are Aruru, Shamhat, Ninsun, Siduri, Ishtar, and the wife of Utnapishtim, represents not only great wisdom and power, but also temptation, which the men try no to fall victim to, and ruin. Just like the men in this epic, the women also have powers, of which the men were aware.

The epic of Gilgamesh is a myth or also known as “a poetic story” about a legendary hero that embarked on a journey to find immortality in order to revive his friend Enkidu. Enkidu had died because he was punished by the god of love, Ishtar, for “insulting her during the course of their adventures” (The Epic of Gilgamesh, 9). Witnessing the death of his friend Enkidu, Gilgamesh realizes that he is not immortal and decides to embark on a journey to find immortality for himself as well as reviving his friend. At the start of his journey, Gilgamesh is warned by a Goddess named Siduri that “he will