The Study On The Regents Place Pavilion

With this project comes heavy opposition from people all over the Sunshine Coast. Many people feel that the design of this project is not aesthetically pleasing and will not fit in with the “quaint” style of our town. I would like to pose the question what is the style of this town? Is there a style of architecture that is recognizable feature of Gibsons or does the the differentiation of all buildings make Gibsons unique. One other problem that has been posed is the breaking of the OCP height restrictions. The proposed height for The George is 25 metres which is approximately 8 stories, double the current OCP restrictions. People worry that if we were to change the rules for one building would other developers run in and try slip under the rules too. For this town to further flourish we need to think about changing some of the rules of the OCP to allow projects that will help further our community culturally, and economically.

Those of us who are now here carry on the vision of people like Don Hanauer, former Director of Operations for St. Albans. He saw the beauty in this building and had a vision of restoring it to its former glory. As outlined in the final chapter of this book, we have worked on a number of special events developed to generate funding for the structure’s restoration.

Stability and balance is also achieved through the incorporation of the vertical and horizontal planes. In the southwest facade of the building the vertical slits are balanced with the horizontal planes created by the cubes, cornice and the ornamental horizontal band that runs halfway through the walls. These vertical and horizontal planes further dictate a rhythmic continuity throughout the building. Building's scale is rather modest in comparison to its site and the surrounding landscape and the smooth texture of the facade helps its integration to the environment. (Figure 4)

Then, on the other side of that, there is a triangular roofed structure with an ally behind it and the beginning of more buildings on the other side. On the very bottom of the image, in front of the triangular building, there is a parking lot with a couple of dark colored cars. Lining the bottom edge, is the top of a chain-link fence.

Question 1. Choose an architect or practice whose work is covered by or relevant to this course and discuss critically one or more of their design projects or drawings or urban proposals as precedent case-studies. Selectively situate this work in relation to their body of work, and against the practices and concerns of the period. Focus on the architectural qualities of a specific key aspect of the design of the projects. Selectively consider how they might relate to the historical situation, cultural values, theoretical concerns and design practices of the time. This may involve a selective analysis of compositional design practices, material fabrication production and the experiential reception of built outcomes of the projects.

On June 23, 2006 Clarence Eggleton sold his 1/4 of ownership of the property at 1237

King Island Council is custodian of an extensive range of community assets that it provides to facilitate the delivery of its services to the community. Buildings are an important component of Council’s asset portfolio. In order to facilitate the provision of its services to the community, KI Council manages an extensive range of community assets and one of the more significant asset groups are buildings. In developing this plan, it was identified that Council’s interests historically (and in line with community’s expectations) extended beyond Council owned assets to other community facilities. The purpose of this Buildings Asset Management Plan is to:

Taking a design that was once used for events, now abandoned and derelict, and reinventing its potential to be used by all to enrich their lives and provide a social and content atmosphere is a goal of attaining. It will be something extraordinary to redesign a building and mix existing features to make a new design that everyone can appreciate. “Instead of downplaying the 110-year-old building, S&T made enthusiastic use of the old timber floors, brick walls and open trusses, celebrating heritage alongside contemporary design.” (Arch Daily). No matter what materials, space, or structure is being used within a design, in the end, it is always about the creativity for its achievement. “Creativity is about play and a kind of willingness to go with your intuition. It’s crucial for an artist. If you know where you are going and what you are going to do, why do it?” (Freshome). Capturing memories and expressing them into a design that tells a story that has never been told is what makes this project, inimitable; it cannot be special if it was heard or seen before. Everyone has a way of

Throughout this essay I will explore to what extent Inigo Jones’s design for the Queens House was inspired by the works of Palladio and Palladian architecture and 15-16th century European architectural precedents, while also exploring the role the building played on the development of Neoclassical architecture on a wider scale. The Queens House represents the stylistic point of origin for the great imposing buildings surrounding Greenwich but also for Neo-Classical architecture in Britain more generally. The formative years of the designer, Inigo Jones (1573-1652) is largely unknown although its believed he trained as a joiner and received no formal architectural education. Its documented that in the year 1597 he visited Italy several

When the Provincial Government announced the purchase of this land, in 1980, it was planned that this historical marvel would be demolished. It was only after some special interest groups came together that this beautiful building was saved.

The range of housing choice was discussed, which Dr. Laura Johnson talked about the re-planning of Regent Park and Dr. Markus Moos talked about the housing for young adults.

A deep understanding of architectural heritage and aesthetics allows Tom to maintain a balance between existing traditional architecture and the new contemporary additions. He has some prestigious and

We saw Chiswick House; this is a William Kemp designed garden. Syon House, the London home of the Dukes of Northumberland; the ‘house’ was stunning inside. The conservatory is one of the best preserved in the UK. Glorious landscapes designed by Capability Brown, this year we celebrate 300 years since his birth. Beautiful scenes showing hundreds of daffodils, magnolias, camellias, rhododendrons and azaleas. There is such a huge variety of daffodils which we never see here, over the years

The building itself is a large white structure with a massive rotunda and four wings coming off the rotunda like arms. Surrounding the building are small parks and benches, as well as the busy sidewalk, which on Saturdays is packed with farmers’ market customers. The streets surrounding the square are lined with excellent local cafes, restaurants, and bars.

From the observation tower the horizontal building’s three parallel bands can be seen that extend into the lush landscape. The architects’ concept was to immerse the museum in nature by creating a set of three bracketed pavilions under one roof surrounded by gardens. The roof can be seen as