The Sun Also Rises By Ernest Hemingway

Lady Brett Ashley in The Sun Also Rises has always been regarded as one of Ernest Hemingway’s most hated characters. Both critics and readers have seen her simply as a bitch, and do not view her as a likeable or relatable character in any way. Her alcoholism, her use and abuse of men, and her seeming indifference to Jake Barnes’s love are just a few reasons why Hemingway’s readers have not been able to stand Brett, and do not give her a fair chance. It is clear that Jake is biased in his narration, but no one wants to question his opinions and judgments of Brett; in fact, since the book was

On the other side of the coin to Austen’s horrible men and just women is Hemingway’s The Sun Also rises, where Jake pours his heart out to Brett and gives her anything she wants and yet he isn't good enough. Brett even tells Jake that they can’t live together because “I’d just tromper you with everybody. You couldn't stand it." Showing that no matter what Jake does for Brett, no matter how much he cares, she doesn't. Brett is the “bad women” in the novel because she has various men in her life through out the novel, and yet whenever she needs help she runs back to Jake, for help. Jake even believes that because Brett doesn't love him back that all women are only good for friends. “Women made such swell friends. Awfully swell. In the first place, you had to be in love with a woman to have a basis of friendship. I had been having Brett for a friend. I had not been thinking about her side of it. I had been getting something for nothing. That only delayed the presentation of the bill. The bill always came. That was one of the swell things you could count on.” Hemingway is also giving that because men love more than women they always come out paying with there pain, and hearts broken, but women do not pay. This again makes women horrible seductresses. Another man that Brett uses in Hemingway’s novel is Mike. Whom believes that

Brett displays both promiscuity and codependent behavior throughout the novel, and neither characteristic discharges her distress.

Throughout the book, To Kill a Mockingbird, author Harper Lee challenges the societal norms of gender roles, within the character “Jean Louise,” also referred to as her tomboy name “Scout.” Scout battles the society-defined roles in many ways throughout the text. Many factors lead to Scout redefining femininity, including Jem and Dill’s coming-of-age dilemma. An exploration of gender roles and inequality throughout the text and this time period will allow one to understand how Scout was able to overcome gender stereotyping.

One of the most interesting characters in To Kill a Mockingbird is Atticus Finch. He is a good representation of someone that is strong while keeping in mind other’s feelings. Throughout the book Atticus is show as a kind man who really cares for the people of Maycomb County. However, he still demands justice when someone is treated unfairly, even for the likes of a black man. Atticus Finch is very influential and yet still listens to what needs to be heard. In “To Kill a Mockingbird,” Harper Lee portrays Atticus as a man who values justice, wiseness and fair-mindedness.

A Proverb once stated, “Opposites attract.” Scientist, chemist, doctors, and even matchmakers around the world know this statement to be true. However in Ernest Hemingway’s The Sun Also Rises, the relationship between Lady Brett Ashley and Robert Cohn proves this statement wrong. Throughout the novel, Lady Brett has many types of relationships with a variety of people, most of whom are men. Some of these men include Jake Barnes, the narrator of the story, Mike Campbell, her supposed husband, and Pedro Romero. Lady Brett’s laid back, independent, and rather promiscuous life style creates many

Brett later breaks up with Pedro because she doesn't want to get in the way of his career, or so she says. “ You know he’d only been with two women before me. He never cared about anything but bullfighting.” (248) This line leads us to believe that Brett is a totally innocent and passive character, until she begins to speak nonchalantly about him, “He never worked very well with me” (249).

In the novel by Ernest Hemingway, The Sun Also Rises, the character named Lady Brett Ashley is assimilated in the words of another character, Mike, with the Greek Goddess Circe. This Goddess is known in Homer's Odyssey for luring men with her irresistible charms and transforming them into animals. If this myth was to partake in reality, it would be without doubt represented in this novel. The majority of men in the story are tormented and subject to Brett's physical and sexual assets. The first characterization we get from her is one of a selfish, alcoholic, manipulative, sexual and evil woman who emasculates her male partners. However, this superficial characterization would ignore the principle

John Collier’s ‘The Chaser’, a short story that follows Alan Austen, a character who shows typically feminine or androgynous traits, displaying Alan being timid, easily manipulated, cowardly, and inevitably, the harbinger of his own destruction. ‘The Chaser’ features Alan seeking out an old man for a love potion to make Diana fall in love with him. From a sophisticated gender perspective, ‘the Chaser’ is shown to be patriarchal to start, with androgynous areas that end with the story being heavily androgynous. Based on text in the story and underlying themes, ‘The Chaser’ is Feminine and Androgynous, and Austen displays Feminine androgynous traits heavily by the end of the story.

More than merely beautiful, Lady Brett Ashley is “damned good looking” (Hemingway 30). Hemingway’s initial description of Brett as such sets a precedent for her role as a “new woman.” One who can drink, delight in gory bullfights,

At first glance, Ernest Hemingway’s The  Sun Also Rises is an over-dramatized love story of bohemian characters, but with further analysis, the book provides a crucial insight into the effects of World War I on the generation who participated in it. Hemingway’s novel follows a group of expatriates as they travel Europe and experience the post war age of the early 1900’s. The protagonist is Jake Barnes, an American war veteran who lives in Paris and is working as a journalist. Jake was injured during the War and has remained impotent ever since. His love interest, Lady Brett Ashley, is an alcoholic englishwoman with severe promiscuity, which is representative of women and the sexual freedom that emerged during the Progressive Era. Jake and Brett

Women of the 1920’s compared to women today are seen as very passive and were usually domestic wives whose main responsibility was to take care of the house and children. But throughout this decade, women were starting to slowly modernize and become more independent. In The Sun Also Rises by Ernest Hemingway, Lady Brett Ashley is somewhat portrayed as “the admirable new woman” of the 1920’s-the woman who openly flaunts accepted conventions of the passive, dependent female role in society and emerges as a positive, inspiring, and risk-taking figure in Paris, Pamplona, and Madrid among the male expatriate artists. In the novel, we see Brett as a modern and somewhat inspiring woman through characterization and the analysis of specific moments

   The imagery of bulls and steers pervades Hemmingway's novel, The Sun Also Rises. Bullfighting is a major plot concern and is very important to the characters. The narrator physically resembles a steer due to the nature of his injury. Mike identifies Cohn as a steer in conversation because of his inability to control Brett sexually. Brett falls for a bullfighter, who is a symbol of virility and passion. However, there is a deeper level to the bull-steer dichotomy than their respective sexual traits. The imagery associated with bulls and steers is more illustrative than their possession or lack of testicles. In their roles and in the images associated with them, bulls are glorious,

In A Farewell to Arms, For Whom the Bell Tolls, and The Sun Also Rises, Ernest Hemingway uses damaged characters to show the unglamorous and futile nature of war and the effects it has on people. Hemingway wants readers to know that war is not what people make it out to be; it is unspectacular and not heroic. Hemingway also feels that war is futile by nature and that most goals in war have almost no point. He also shows readers that military conflict often causes people to have shallow values and to hide their pain for their own protection.

Brett demonstrates her physical apperance to be a similar to the New Woman as Hemingway describes her both as a bit of a boy with “her hair! -brushed back like boys” and as a woman with curves like “hull of a racing yacht” (Hemingway 30). Here, it is Brett’s hair that most clearly suggests the masculine, especially considering the time frame of this period to the earlier Victorian era where long hair symbolized a woman. The novel itself is then mindful of the significance of Brett's hair style as an image of the New Woman going up against manly qualities through its note that “She [Brett] started all that” (Hemingway 30). This thought Brett began bobbed hair styles puts her