The Sun Also Rises

First, Hemingway uses concise words to describe characters and scenery to show a vivid image. Readers can image by themselves through description to analyze characters’ emotions.

Lady Brett Ashley in The Sun Also Rises has always been regarded as one of Ernest Hemingway’s most hated characters. Both critics and readers have seen her simply as a bitch, and do not view her as a likeable or relatable character in any way. Her alcoholism, her use and abuse of men, and her seeming indifference to Jake Barnes’s love are just a few reasons why Hemingway’s readers have not been able to stand Brett, and do not give her a fair chance. It is clear that Jake is biased in his narration, but no one wants to question his opinions and judgments of Brett; in fact, since the book was

In Hemingway’s The Sun Also Rises, we are taken back to the 1920’s, accompanied by the “Lost Generation.” During this time, prohibition was occurring in America. Hemingway uses alcohol as an obstacle that causes distresses between the main character, Jake and his life. Along with alcohol, promiscuity is prevalent throughout the novel. The heroine of the novel, Brett, displays the theme of promiscuity throughout the novel. She uses her sheer beauty and charming personality to lure men into her lonely life. The themes of alcohol and promiscuity intertwine with the Lost Generation in this classic love saga.

1. They must leave because Jake received a letter from Mike stating that they would arrive on Wednesday. He received the letter on a Wednesday and so they took off on the afternoon bus.

In The Sun Also Rises, during the transition of society from World War I to post-war, values transformed from the “old-fashioned” system of what was morally acceptable to a system that held the basic belief that anything of value, whether tangible or intangible, could be exchanged for something of equal value. This novel specifically pinpoints the transformation of the values of money, alcohol, sex and passion (aficion), friendships and relationships, and even one’s pain.

Hemingway’s story relies primarily on dialogue. During the three page story, there are really only four sections that only provide description -- not counting small details like “he said” or “she said” or one sentence paragraphs like “The girl did not say anything” (Page 2). It is interesting that he chose to do this when considering it artistically. Descriptions of the characters, of the environment, of the objects people interact with are often major points of the story that reveal something to the reader. If nothing else, these descriptions fill out the story and make the world in which it is occurring feel real. Hemingway’s choice to use only dialogue shows the reader that they need to pay close attention to what the character’s are saying. The story lies in their words, not in the movements they make or how the

Hemingway goes into very intricate, almost excessive details when describing things that are usually insignificant to the overall plot. As a result something like the descriptions of the landscape of Italy and Switzerland consist of vivid imagery in the form of lengthy sentences. While Henry’s observations and descriptions are almost akin to tautology they also use very simple and direct wording, which helps the reader easily understand Hemingway’s writing. The wording and syntax in the dialogue between Henry and his Italian comrades is also simplified as Henry is translating the Italian spoken to English for the reader.

Hemingway uses multiple conflicts to persuade the reader’s views of the characters in the story. His use of deception and cowardness puts a twist to the story. The perspectives of the characters’ negative actions create the story. He uses defeat as well as power to create a surprising ending that catches the reader off guard.

Ernest Hemingway has a very unique style of writing. He captures the readers’ attention with strong imagery, metaphors, and symbolism. In both the Sun Also Rises and Hills Like White Elephants, Hemingway uses a simple writing style that allows the audience to have a clear image of the main argument. The reader must pay very close attention to the dialogue, as different subliminal messages are exposed throughout the story. Also, in both stories the women protagonist is the main source of the argument.

In The Sun Also Rises, Ernest Hemingway’s repeated use of having Bill yell at Jake for being an expatriate, having an unproductive life in Europe, and leaving America after the war, shows readers that after a trauma people can develop feelings of helplessness where they can help no one due to their feelings of being out of place. One morning while in Burguete on a fishing trip, Bill tried to get Jake do something ironical and pitiful, ultimately leading to an argument about Jake being an expatriate. Bill yells at Jake saying “You’re an expatriate. You’ve lost touch with the soil... fake European standards have ruined you. You drink yourself to death” (Hemingway 120). By yelling at Jake, Bill is trying to get a reaction from Jake to see if

Hemingway’s novel The Sun Also Rises has his male characters struggling with what it means to be a man in the post-war world. With this struggle one the major themes in the novel emits, masculine identity. Many of these “Lost Generation” men returned from that war in dissatisfaction with their life, the main characters of Hemingway’s novel are found among them. His main characters find themselves drifting, roaming around France and Spain, at a loss for something meaningful in their lives. The characters relate to each other in completely shallow ways, often ambiguously saying one thing, while meaning another. The Sun Also Rises first person narration offers few clues to the real meaning of his characters’ interactions with each other. The

It has been called one of Hemingway’s greatest literary works as it is the “quintessential novel of the Lost Generation.” Its strong language and subject matter portray a powerful image of the state of disenchantment felt in the 1920’s after the war. The interactions between the characters in this novel display a society living without convictions, affirming Gertrude Stein’s quotation at the beginning of the novel, “You are all a lost generation.” To paint this vivid picture of discontentment and disillusionment Hemingway tears away traditional ideas and values by stifling the appearance of God and religion. Ernest Hemingway’s The Sun Also Rises is a poignant take on how the consequences of war can limit or diminish the presence of God and religious faith amongst those living in a post war society.

Hemingway's world is one in which things do not grow and bear fruit, but explode, break, decompose, or are eaten away. It is saved from total misery by visions of endurance, by what happiness the body can give when it does not hurt, by interludes of love which

     The story is told in the objective point-of-view.  "Hemingway's approach to his story is different; he approaches it as a journalist approaches a news story, from a focal point somewhere outside of his characters" (Jaffe, 209).  The author tells the story only as an observer.  He does not tell the reader what the characters are thinking,

time. "The Sun Also Rises is the book that established Hemingway as a literary force and