The Sundiatas Story

As the Ghana kingdoms fell, their successor the Mali Empire, was built on the success of the dynasty’s founder, Sundiata, who is commonly referred to as Mali’s greatest king. Sundiata’s story can be read in “Sundiata: An Epic of Old Mali”. Mali’s greatest king was born as the subject of a prophesy, to the king of Mali, Maghan Kon Fatta, and Sogolon Kedju, a very ugly woman who was the spirit of a buffalo. King Maghan's first wife, Sassouma, was jealous. She has always assumed that her son, Dankaran Touman, would claim the crown of Mali and now this child stood to threaten what she felt was her son's destiny. Sassouma plotted to kill Sogolon, but the buffalo woman's powers were too great, and the boy was born. He was named Mari Diata, but as the son of Sogolon, he was called Sogolon Diata, which led to Sundiata. Sassouma was relieved when the new child turned out to be lazy, gluttonous and ugly. At three years old, Sundiata could not walk and rarely spoke. Even at seven, the boy still crawled, spent all his time eating, and had no friends. The king was deeply disturbed, he wondered how this pathetic child become a great king. Honoring the hunter's prophecy, the dying king gave his seemingly crippled son a gift that signified his desire that the boy should become king after all. That gift was a griot named Balla Fasséké, the son of the king's own griot. After a spat with Sassouma, Sogolon’s grief made Sundiata walk. Sundiata was fit to claim the throne as his

During the 1900s many black families barely had enough money to pay for the basic necessities needed to live. At times some families would receive a significant sum of money, something they were not used to getting. Deciding on how to spend this money is what caused problems among some families. In the play A Raisin in the Sun by Lorraine Hansberry, she argues that there are times when in a state of financial instability and where money is a necessity to completing one’s dream that some family members choose to put their dreams over others when suddenly given the opportunity. After Mama’s husband died she was bound to receive an insurance check that would be used by the Younger family. Before even receiving the

In the book The Summer of the Mariposas, there is a connection with an Ancient Greek story called the Odyssey. Some characters are also similar in both stories. The witch Cecilia and the Greek witch Circe can have connections with appearance, with actions, and with the rest of the influence on the story. Circe had great influence and many similarities on the Summer of the Mariposas witch, Cecilia. This is something of great importance, and will show how this similarity can be seen with other characters and other books.

The play A Raisin in the Sun illustrates the social and economic pressure that is placed on the Younger family, especially Beneatha who aspires to become a doctor at the time where not many women could even imagine such aspirations. The Younger family's daughter Beneatha is an outspoken intelligent member who raises the argument for the other side of the spectrum at all times. Beneatha is aspiring to become a doctor and has some hope that some of the money from her father's social insurance cheque would help go to her medical school. The pressure of being lower middle class severely affects the relationships of the Younger family as Walter, Beneatha's older brother shows no regard for his sister as he sees her as the only one in the house not

After reading the first eighteen chapters of David Maraniss’ They Marched into Sunlight, I was really shocked to find out all about what I was uneducated on about the Vietnam War.

Accompanied by Fakoli, Soumaoro's nephew who revolted after being betrayed by his uncle, Sundiata pursues Soumaoro for several days. They finally trap him in a cave with nowhere to go; they have won. After his victory, Sundiata defeats the kings who stayed loyal to the sorcerer king. He then returns to Niani and founds the Mali Empire, splitting it up to show respect for all the rulers who promise to serve him.

The religion detailed and examined throughout Don Talayesva’s “Sun Chief” can be difficult to understand and near impossible to appreciate. At first glance to the casual reader it can appear shallow and ridiculous; a religion created around the wants and needs of the Hopi but not based on any empirical or even supposed sacred evidence. When coupled with The Sacred Canopy however, the reader begins to understand the simplistic beauty of their religion providing necessary guidance and support to the Hopi tribe. The reader also is able to relate to Don’s religion in terms of the love one has for his or her own dogma and the importance it plays in an individual’s life.

The Sun of the Revolution by Liang Heng, is intriguing and vivid, and gives us a complex and compelling perspective on Chines culture during a confusing time period. We get the opportunity to learn the story of a young man with a promising future, but an unpleasant childhood. Liang Heng was exposed to every aspect of the Cultural Revolution in China, and shares his experiences with us, since the book is written from Liang perspective, we do not have a biased opinion from an elite member in the Chinese society nor the poor we get an honest opinion from the People’s Republic of China. Liang only had the fortunate opportunity of expressing these events due his relationship with his wife, An American woman whom helps him write the book. When

In The Sun Also Rises, during the transition of society from World War I to post-war, values transformed from the “old-fashioned” system of what was morally acceptable to a system that held the basic belief that anything of value, whether tangible or intangible, could be exchanged for something of equal value. This novel specifically pinpoints the transformation of the values of money, alcohol, sex and passion (aficion), friendships and relationships, and even one’s pain.

In the playwright A Raisin in the Sun by Lorraine Hansberry is about a poor African-American family named the Younger. This family live in a poor one bedroom apartment in the Southside of Chicago. In the play this family suffer and struggle a lot and they were always praying and wish to live in a very big house of their own. In the beginning of the play this family knows that they going to get Walter Lee Sr insurance worth 10,000 dollars that he left behind after his death for Lena ( mama). In the play this family was waiting on the check so that they share it to themselves. In the playwright Walter Lee wants to open his own type of business which is liquor store, in the other hand Lena ( mama) has always wanted to buy a big nice house with a backyard where her grandson Travis can been playing everyday. The three characters that are in the playwright are Walter Lee Younger Junior, Lena Younger (mama), and Ruth Younger this are three characters.

The story of Sundiata depicts the story of the foundation of the Mali Empire in West Africa. This story takes place during a transitional time period, when the trade network that linked towns and villages across western Africa attracted north African merchants who brought increasing Muslim influence. The Mali Empire was one of the great

One of the major themes of Osamu Dazai’s The Setting Sun is the socioeconomic fall of aristocracy in Japan following World War II. The title itself reflects these core themes: when the Japanese write down the name of their home country in Kanji (one of its three alphabets), it  roughly means “land of the rising sun”. The Setting Sun is an allegory that the glory days of Japan have come to an end, specifically their ancient aristocracy and their old families, as well as Japanese culture. The comfortable bourgeoisie becomes the hard-working proletariat and the historical situation changes as the material circumstances changes. This social and economic change is both subtly and unsubtly shown through the main characters’ flashbacks and stories; Kazuko and her family come from a long line of aristocrats but now face the reality of living without power or status. Following three major events -- the death of Kazuko’s father, Kazuko’s divorce to her wealthy husband, and the nation-wide economic crisis caused by the war -- the family finds themselves out of money and out of luck, challenging the way they formerly viewed the world, themselves, and their class. Through their mother’s incompetence, Kazuko’s difficulty in working, and Naoji’s existential crises, Dazai deconstructs the classist ideals that claim the wealthy gained their status and capital because of hard work, strength, intelligence, and personal superiority while remaining sympathetic toward the upper classes.

The sun is just about to set. The air is warm, it feels light against my tan skin. Vibrant pinks, oranges, and yellows streak across the sky. The water of the Connecticut River rushes under the bridge I am standing on. “Cathy. Hurry up,” my friend Ashley calls to me.

They tried to cheer up by eating the hearty stew but still went home with a sense of dread. Surina felt drained and exhausted by the morning’s events. Nevertheless, she was glad to meet with the council members and explore every option available to halt the distribution of the Stinguard viral vector. Moreover, at least someone else now shared the grim knowledge that she had carried by herself for so long all the way from Earth. The cloudless sky outside was resplendent with the three suns shining their benevolent rays on that peaceful, restful Sunday. The laughter of the toddlers riding on the carousel filled Seneca Square. On the playground swings, jubilant children urged their parents to push them higher. Under the shade of the gazebo,

Edward Albee’s one act play about four couples’ day at the beach and the ensuing clash of personalities never made it to Broadway and thus never received much critical attention. This series of flowing vignettes is undoubtedly a tragicomedy because it “causes strong feelings of sadness or regret” as much as it “is meant to make people laugh” (Merriam-Webster). Finding the Sun discusses topics such as extra-marital affairs, it has a quick and good natured structure, and an ending where each character meets a sense of closure within their given circumstances. The play balances on the line between tragedy and comedy the entire time before delivering an ending that affects each individual character.