Simon The Sunflower Quotes

Vince Lombardi, an American football player, and a coach, once said, “Leaders aren’t born, they are made. And they are made just like anything else, through hard work.” With these words, Lombardi highlights that people are nurtured to become a leader and a follower. For instance, Lombardi asserts that a person is trained, whether to be a leader, or a follower, through eagerness and determination. The book, The Sunflower, written by Simon Wiesenthal, an author and a Jewish holocaust survivor, who focuses on one of the most controversial topics during and after World War II, forgiveness. In this book, Weisenthal talked about a questionable case in which Karl, an SS soldier who murdered plentiful of people, asked Weisenthal for forgiveness for all the pain he had done towards all the people that were affected by him. When it comes to the topic of whether people are born to become leaders or followers or is one trained by the environment, most people will readily agree that people are conditioned to become a leader or a follower, where this agreement usually ends, however, is on the question of, “What makes a person a leader?” Whereas some are convinced that people are natural born leaders. Becoming a leader consists with a few reasons such as developed leadership skills, the bystander apathy, and the diffusion of responsibility.

In A Raisin In the Sun Lorraine Hansberry uses everyday objects-a plant, money, and a home to symbolize a family's struggle to deal with racism and oppression in their everyday lives, as well as to exemplify their dreams. She begins with a vivid description of the family's weary, small, and dark apartment in Chicago's ghetto Southside during the 1950s. The Youngers are an indigent African-American family who has few choices in their white society. Each individual of the Younger family has a separate dream-Beneatha wants to become a doctor, Walter wants to open a liquor store, and Ruth and Mama want a new and better home. The Youngers struggle to accomplish these dreams throughout the play, and a major aspect of their happiness and

This is a matter of philosophical interpersonal forgiveness. Karl does not ask for God’s forgiveness, he simply asks for Simon’s. He is asking for there to be forgiveness granted between two people. What Simon feels is out of Karl’s control, but he can try his best to have Simon feel sorry for him. Despite who Karl is Simon does subconsciously feel some pity for the man as he waves off an irritating beetle and stays to hear the whole story. He also is able to imagine Karl as more of a real person after visiting Karl’s mother, seeing his photograph, and hearing what she thought of her son. His heart softens for Karl’s mother as he decides to not shatter her illusion of her angelic son, but he still fails to produce an answer for himself after leaving her.

During the 1900s many black families barely had enough money to pay for the basic necessities needed to live. At times some families would receive a significant sum of money, something they were not used to getting. Deciding on how to spend this money is what caused problems among some families. In the play A Raisin in the Sun by Lorraine Hansberry, she argues that there are times when in a state of financial instability and where money is a necessity to completing one’s dream that some family members choose to put their dreams over others when suddenly given the opportunity. After Mama’s husband died she was bound to receive an insurance check that would be used by the Younger family. Before even receiving the

“What happens to a dream deferred?” (Hughes l. 1) Langston Hughes asks in his 1959 poem “Dream Deferred.” He suggests that it might “dry up like a raisin in the sun” (Hughes ll. 2-3) or “stink like rotten meat” (Hughes l. 6); however, at the end of the poem, Hughes offers another alternative by asking, “Or does it explode?” (Hughes l. 11) This is the view Lorraine Hansberry supports in her 1959 play A Raisin in the Sun, in witch she examines an African-American’s family’s struggle to break out of the poverty that is preventing them from achieving some sort of financial stability, or the American Dream. It focuses on Walter’s attempt in “making it,” or “being somebody.” She also analyzes how race, prejudice, and economic insecurity

The play A Raisin in the Sun illustrates the social and economic pressure that is placed on the Younger family, especially Beneatha who aspires to become a doctor at the time where not many women could even imagine such aspirations. The Younger family's daughter Beneatha is an outspoken intelligent member who raises the argument for the other side of the spectrum at all times. Beneatha is aspiring to become a doctor and has some hope that some of the money from her father's social insurance cheque would help go to her medical school. The pressure of being lower middle class severely affects the relationships of the Younger family as Walter, Beneatha's older brother shows no regard for his sister as he sees her as the only one in the house not

Receiving the Klemmer & Associates Mustard Seed Scholarship will equip me to use the skills I have learned over the last twenty years to use i a very impactful and powerful way.

In all actuality is forgiveness more of a resolution for one person to move forward, or does it fix the situation as a whole. The Sunflower, is a book that presents an idea of forgiveness and others opinions on what should happen in this case of events. Karl a dying SS man, brings in Simon a prisoner in a concentration camp to his hospital room, and asks Simon for forgiveness. Karl is guilt ridden for his killings during his time as a soldier, and wants to die confessing and seeking forgiveness from Simon. Simon however has never known Karl before their meeting, and Karl has never committed anything towards Simon. Simon struggles and is indecisive on whether he should forgive Karl or not. Saying sorry for murdering people during the Holocaust, is impossible given the damage of the event, but for Karl he searched for forgiveness through Simon. Simon being imprisoned in a concentration camp and brought to Karl, a dying SS man, Karl wanted to seek forgiveness for his actions. Being in the position Simon was in he was not entitled to take the apology on behalf of others, when he was not wronged against by Karl.

In The Sunflower by Simon Wiesenthal, a wounded soldier asks Simon for forgiveness for a terrible crime he committed during the Holocaust. He is on his deathbed, and asks a nurse to bring a Jewish person to him. The nurse brings Simon and Simon doesn’t forgive him, instead walking out without saying anything. After reading The Sunflower by Simon Wiesenthal along with multiple essays responding to it, I believe Simon should have forgiven the man because he was manipulated into thinking what he was doing was right.

He says, “ It is also a question of how much, how quickly, how easily can any individual forgive a mass murderer”(Sven 102). This quote emphasis that it is not that much easy to forgive someone. By forgiving them, they bring down the values of the crimes that were committed. If they bring down the value of the crimes, it would mean it was okay to kill a person’s family or friends. This would result in more crimes, murdering people's family and friends. This was another reason why Simon wouldn't forgive Karl because he didn’t want to make it seem like it was okay to be a part of mass genocide. Moshe Bejski discussed in his essay why people shouldn't be forgiven of their crimes. Forgiving someone is very hard even when regret is involved, “No matter what, regret never pardons crimes…” (Moshe 117). As he says, even after committing the crimes and thereafter regretting it, it’s not okay to forgive someone. Forgiveness is hard because it would betray the memory of millions of innocent victims who were murdered, and it would question the validity of what happen. Forgiving someone who committed the crimes would be a crime

The Flowers By Alice Walker Written in the 1970's The Flowers is set in the deep south of America and is about Myop, a small 10-year old African American girl who explores the grounds in which she lives. Walker explores how Myop reacts in different situations. She writes from a third person perspective of Myop's exploration. In the first two paragraph Walker clearly emphasises Myop's purity and young innocence.

Edward H. Flannery states that The Sunflower presents “an important moral question” (Flannery 135). Flannery argues in favor of forgiveness. He states that Karl, the dying SS man, could had asked for forgiveness for what “he had done” (Flannery 137) not forgiveness on the behalf of others. Flannery states that

The Holocaust revealed the extreme evil in human nature on both a grand and small scale. Hitler, a strong supporter of antisemitism, had an agenda to create a dominant Aryan race and would stop at nothing to diminish the Jewish population. This meant forcing innocent Jewish people into death and labor camps, where conditions were brutal and treatment was atrociously inhumane. Overtime, this grand scale oppression sparked anger and violence within the victims. Instead of supporting one another in times of trouble, they began to commit senseless acts of violence towards one another in response to the cruelty they faced. Survival became their highest value, at any cost. Elie Wiesel witnesses this first hand on many accounts and spends his life striving to educate the world about the horrors of the Holocaust. In his Holocaust memoir, Night, he uses the motifs: night, silence, and flames, to develop the idea that evil is part of human nature.

One of the many important and most memorable incidents of World War Two would be the Holocaust. During the Holocaust, the Germans who were known as the Nazis, considered the Jews to be “enemy aliens”. As part of this, the Nazis thought that “Aryans” were a master race. Therefore, they decided to destroy the Jewish race, and created genocide. The Jews were put into unbearable torture at many concentration and death camps. In fact, 6 million Jews were killed in this incident; however, there were many victims who survived this anguish. One of the many survivors was Simon Wiesenthal, who survived the Nazi death camps and began his career as a Nazi hunter.

Upon walking out of Krannert's production of "A Raisin in the Sun," an eerie silence drizzled about the audience as people murmured and slowly shuffled towards the exits. After witnessing such a powerful yet melancholy piece of theater work, words seemed inappropriate. For three hours, "A Raisin in the Sun" encompassed us with racial, economic, and social issues of the 1950s. Swirling portions of humor, disgrace, pride, and sadness into a smooth blend, the play developed many twists and turns that kept the audience and myself completely alert. Throughout the three acts I could feel the audience, as well as myself, totally devoting themselves to the play. But after taking a step back, the play proved to